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But how did this once remote and rugged pocket of Ireland attract and foster so many potters, wood carvers, sculptors, ceramicists, painters, glass blowers, tinsmiths, weavers, dyers, basket makers, illustrators, leather workers and jewellers? Was there a significant art institution, government programme or charismatic individual; a social movement or trend-setting gallery that can explain it? The belief that the southwest of the island was safest from nuclear fallout had a bearing on its popularity. The first thing to note is that the west Cork arts and crafts movement was not initiated or fostered by local people, but by outsiders, principally from England, Wales, Germany, the Netherlands, Scandinavia, Dublin and Cork city who chose to head southwest in search of an alternative lifestyle, one that was unencumbered by the technology and throw-away culture of the modern post-war, industrialised era, and more in tune with nature. The craft renaissance was part of a global counter-culture movement of disillusioned idealists who began to question the status quo in the s. West Cork became a sanctuary for a new way of seeing the world, and crafts were just another manifestation of people choosing to return to more traditional, intuitive practises to express their creativity and create practical items for daily life. They were soon followed by the likes of ceramicist Ian Wright and his artist wife, Lynne, who came from England to live in harmony with nature, growing their own food, raising animals, making cheese and bartering with locals for their other needs. Irish people came too, such as the artists Brian Lalor from Cork city, and John Verling from Co Waterford, but almost all of these Irish people had lived abroad for some years where they had encountered counter-cultural ideas. Mixed with their idealism was a fear of the darker aspects of technology, in particular the threat of nuclear warfare and the gradual poisoning of the environment by new varieties of toxic pesticides and herbicides that were being marketed in the post-war period. There was a belief in Europe that the far southwest coast of Ireland was one of the safest places in the northern hemisphere to withstand a nuclear explosion. It was their self-discipline, resilience and understanding of commerce that enabled them to survive the harsh reality of making a living by selling non-vital, craft items in a remote area of real poverty and hardship. The goldsmith Gert Besner arrived in Rosslare with a bicycle and a backpack in and cycled along the south coast until he reached west Cork and he too has stayed, establishing homes and workshops in both Skibbereen and Germany. Likewise, the potter and painter, Jane and Robin Forrester, left Rochdale, England in seeking adventure and somewhere alluring to spend their lives, without too much regulation and government interference. They were joined by another Rochdale couple, the ceramic artist Peter Wolstenholme and his wife Frances. But why west Cork? Certainly, the beauty of the landscape and the allure of the coastal inlets had a part to play, as did the sheer abundance of abandoned cottages, woodworm-infested farmhouses and cheap land. But these elements were to be found all along the western coast of Ireland, which shares more or less the same spectacular landscape. The entire coastline suffered through the economic woes of the s and experienced chronic tides of emigration, as people fled penury, leaving behind them a ruination of abandoned old homes and neglected farmland, which then, ironically, were bought up for a comparative pittance by these artistic refugees fleeing the threat of technological annihilation. The belief that the southwest of the island was safest from nuclear fallout had a bearing on its popularity, but so too did the local Corkonian character. By nature, people in west Cork appear to be less guarded and more outgoing than others — a legacy, perhaps, of dealing with generations of outsiders, ever since Bronze Age traders started turning up here 4, years ago to barter for copper ore that was easily extractable along the coast. They were also influenced by having two distinct communities, Catholic and Protestant, living side by side since the 17th century, who managed to work together and even socialise to a greater degree than was common elsewhere in Ireland. There was much less of this type of reaction in west Cork. Their networks enabled them to ally their combined strength to create opportunities to further hone and develop their skills and sell their wares. The guild opened a shop on Paul Street in Cork city, which they staffed and maintained themselves on a voluntary basis. They arranged a series of craft workshops and side projects to raise the profile of various artists, which led to growing sales, and soon the shop was providing a valuable income to many craftspeople. By they had a full-time manager and a second, high-profile shop in the Powerscourt Townhouse Centre in Dublin. This was a remarkable achievement for a motley gathering of unallied craftspeople from different countries, different craft disciplines and with meagre financial resources. Not only did it offer a great boon to individual artists, but it heightened the quality of craft produced by makers of all disciplines, as the guild insisted on a level of excellence in technique and design before admitting members, and they offered advice to people whose work was not up to par. The second significant organisation was the Society of Cork Potters, which began in when the two couples from Rochdale, the Forresters and the Wolstenholmes, invited potters from around Ireland to Bandon for talks, masterclasses, studio visits and an exhibition. So successful did it prove that two years later they held a day International Ceramics Symposium at Carrigaline, offering workshops in such things as raku and low-salt firing, working with moulds and architectural ceramics. The following year they held the World Craft Council, Europe Conference, which was yet another dynamic gathering of international ceramic artists. This type of mutual cooperation, long-term planning and efficient organisation at grassroots level is rare in the arts in Ireland, and the only other place that saw such dynamism and international integration was the Kilkenny Design Workshops which developed in the mids as a means of advancing the standard of design in Ireland. But, the Kilkenny venture was a government initiative, with full State funding, as opposed to the independent, artist-led initiatives in west Cork. One would love to think that a similar movement could be replicated today in somewhere like the midlands or Border counties which have a plentiful supply of abandoned cottages and derelict farms, and are in desperate need of new vibrancy and fresh perspectives. Yet, creating such complex symbiosis and synergies is hard. The real question is whether west Cork can survive as a hub of craft innovation in the face of a commodified, globalised world. For the moment things seem reasonably bright, with arguably more artists living in the area than even at the peak of the s, but the older generation is dying off, and with them go their stories and hard-won experience. West Cork is testament to what can be created when a rural community welcomes in the waifs and strays of other cultures, and supports them as they try implementing a new vision. By working together as a community they have achieved what many would have deemed impossible — a society in which people are encouraged and supported to develop their full creative potential. Ballydehob Arts Museum, ballydehobartsmuseum. From the s trailblazers arriving in the remote southwest created contemporary craft design. Shock and awe: The high passions of Baroque geniuses. Sex in the park: From lurking spectators to a surveillance state. Fragments of the destruction of Dublin snatched from a skip. Ryanair flight from Faro makes several unsuccessful attempts to land in Dublin. Where is our hot moral indignation when it comes to the fathers of the babies found at Tuam? Children with scoliosis offered surgery in United Kingdom and New York Meta tests facial recognition technology to protect celebrities from scams but Ireland not included in system Number of homes available to those relying on Hap down since June, according to Simon review A quarter of people report rise in far-right sentiment in the workplace Irish greenhouse gas emissions down 2.

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Former Galway hurler Justin Campbell, who is now an addiction counsellor. The numbers of people being treated for cocaine addiction has tripled in six years. Picture: Ray Ryan. Cocaine use in rural Ireland is growing so much that users are now claiming it is easier to get the drugs online than pizza. As part of a new Irish Examiner focus on drug use in rural Ireland, interviewees have told this newspaper about using apps such as WhatsApp, Tiktok, and Snapchat to order cocaine and that, in some cases, the drugs are being delivered by taxi. Users and garda sources also say money is also being exchanged for deals through online payment options such as Revolut. Experts in the field say the country's current drug policy is clearly not working given the increasing number of people recreationally using. One garda source told the Irish Examiner that nothing surprises him anymore about cocaine use in Ireland. He highlighted how drug dealing has evolved from the traditional meet-ups where drugs were exchanged for cash, to social media transactions with online payment options. The GAA is now considering a motion, brought before its Congress in recent weeks, which would see all players who wish to participate in an adult championship match having to have completed courses, approved by GAA Central Council, on alcohol, gambling, and substance abuse AGSA and anti-doping education in that Championship year or the preceding one. Failure to do so would lead to a one-match suspension. As a client said to me the other day, it is easier to get cocaine online than it is a pizza. They are using social media to get it. In January, the Medical Bureau of Road Safety published its report, which highlighted that the number of tests of motorists detecting cocaine in drug driving cases almost trebled — from in to 1, in A total of 2, people were treated for problem cocaine use in Ireland in — more than three times the number of cases reported in cases , according to a report published by the Health Research Board last July. Ms Lambert says:. The increase in recreational use does indicate that current policies are not working in terms of reducing the volume of substances circulating in communities. Read More. Lunchtime News. Sign up to the best reads of the week from irishexaminer. Please click here for our privacy statement. Sign in My Account Sign out. Homepage news Cocaine 'easier to order online than pizza' in rural Ireland says hurler turned counsellor Former Galway hurler Justin Campbell, who is now an addiction counsellor. Much dereliction in our towns and villages, but also glimmers of hope. More than 2, pubs shut down since the peak of the Celtic Tiger, report finds. More in this section. RTB wants new powers to inspect properties to crack down on unregistered landlords. Subscribe Now. Sign Up. Most Read. Cork man who repeatedly raped his teenage sister-in-law is jailed. General election to take place in after lengthy meeting of Government leaders.

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