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The music in this collection reflects the spirit of Armenia through dances and songs that have their origins in scenes from everyday Armenian life. This album of Armenian piano discoveries is played by Yulia Ayrapetyan, a specialist in the music of Armenia. Grand Piano has gained a reputation for producing high quality recordings of rare keyboard gems. Dedicated to the exploration of undiscovered piano repertoire, the label specialises in complete cycles of piano works by many lesser-known composers, whose output might otherwise have remained unknown and unrecorded. A treasure island of piano music — Spiegel Online. The Grand Piano label continues to uncover gems of the piano repertoire. About this Release Catalogue No. Release Date: February Barcode: Artist s : Yulia Ayrapetyan. Link s : View mini-site. Your browser does not support the audio element. Kara-Murza, Kristapor. Korganov, Genary. Bayati Melikian, Romanos. Zmrukhti Emeralds arr. Sargsyan for piano Black Partridge The Night Has Come The Infant and the Brook Don't Cry You Shine I am a Nightingale Sprout Lullaby Vard The Heathrose arr. Ashun Autumn Song arr. Sare Gyalin Red-Haired Bride arr. Total Time: She has attracted international recognition for her exceptional artistry, displaying striking assurance, imagination, artistic approach, and remarkable consistency in the musical integrity and creative insight of her performances. Born in in Bryansk, Russia, she studied in Moscow, and continues to uphold the performing traditions of the Russian piano school. Her repertoire ranges from the Baroque to the contemporary and includes rarely performed works by Armenian composers. In he moved to Transcaucasia, where he visited a large number of Armenian villages and towns, collecting the music of several hundred folk songs and dances. In he began extensive and active concert activity. As a choral conductor, he organised hundreds of concerts, popularising polyphonic singing and striving to introduce it into the lives of the Armenian public. He created more than 90 large folk choirs in the cities of the Caucasus and Southern Russia, ranging from 40 to participants each. Kara-Murza wrote numerous songs and romances based on the words of Armenian poets, as well as instrumental pieces, music for dramatic performances and the unfinished opera Shushan. In addition, Kara-Murza wrote a large number of articles as a music critic, in which he touched upon important musical and aesthetic issues for that period of time, and musicological reviews of various concerts, opera performances and the creative activities of contemporary musicians, among other topics. For 17 years, from until his premature death in , Kara-Murza managed to give around concerts and write songs. Genary Korganov began his musical education in Tiflis under the guidance of Eduard Epstein. Wenzel, and from to he improved his skills as a pianist at the St Petersburg Conservatory with Louis Brassin and Gustav Kross. Returning to Georgia in and settling in Tiflis, he entered the civil service, continuing to study composition in his spare time. He died on the return journey. Although we know some biographical details, his life is shrouded in mystery, as he never gave a single interview. Born into the family of Akim Hovakim Melikian, he had showed an interest in music since childhood, but began his studies relatively late, graduating from the Rostov Music College in He then continued his musical education in Moscow until with Boleslav Yavorsky and Mikhail Ippolitov-Ivanov, who had taught in Tiflis and used Russian, Georgian and Armenian folklore in his compositions. At the end of the 19th century an influential Armenian community lived in the capital of the Don Republic, and its members would have been familiar with Ippolitov-Ivanov through his Armenian Rhapsody of , recognising the folk tunes used within it. While still a student, Melikian tried to write music based on choral singing, but it was Ippolitov-Ivanov who determined the creative landmark of the young composer — the national romance. After leaving Moscow, probably on the advice of a teacher, Melikian went to Tiflis, where he could enrich his work through the abundance of diverse folklore. In he founded a music studio in Yerevan, which became the national conservatory in , serving as rector for only three years. There was then a job at the House of Armenian Art, and he later became the first artistic director of the National Opera Theatre, now the A. Spendiarov Opera and Ballet Theatre. Read More Reviews. Also Available. Furthermore, the music is of a very high quality—accessible, but never simple-minded or condescending. While they have pianists of the calibre of Mikael Ayrapetyan at their bidding may they long persevere with music from this neglected treasury. About Grand Piano. Recommended Sites. Follow us. Powered by nopCommerce.

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