Tina Private
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Tina Private
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Rmst ed. Reissued, Extra Tracks, Remastered
Tina Turner Format: Audio CD
4.8 out of 5 stars
1,064 ratings
Includes FREE MP3 version of this album. Provided by Amazon Digital Services LLC. Terms and Conditions . Does not apply to gift orders. Complete your purchase to save the MP3 version to your music library.
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Is Discontinued By Manufacturer
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No Language
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English Product Dimensions
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4.84 x 5.63 x 0.39 inches; 3.46 Ounces Manufacturer
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Capitol Records Item model number
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2133091 Original Release Date
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2000 SPARS Code
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DDD Date First Available
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December 10, 2006 Label
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Capitol Records ASIN
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B000005RS0 Number of discs
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1
4.8 out of 5 stars
1,064 ratings
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It's Tina Freaking Turner, what's not to love. The album does skip, but still worth adding to my collection.
Fast shipment, well packaged, in great condition and plays very well.
The Private Dancer (1984) album during its original run or release period was seen as the comeback album for Tina Turner. Eight years before its release she had divorced Ike Turner and she hadn't put out an album since 1979. And boy what a comeback the album was!! The album has sold more 20 million copies worldwide since 1984, a few of its hit songs were featured on Miami Vice during that show's heyday (a serious sign that your music was pop culture worthy), and this album showed that Turner could be a seriously bankable and popular crossover recording artist. Tina Turner's singing, track 2 (What's Love Got to Do with it), the other R&B songs, and Terry Britten's beat production are what stand out to me on this album. Me personally, I'm not a rock and roll or pop rock music fan and never have been, so a lot of the songs on this album didn't move me. But that doesn't take away from the fact that this album was a quality album that included top shelf singing from Turner and the prevalence of well put together beats for the album. Honestly, I brought this album because of track two, What's Love Got to Do with It. That song to me is the best and most memorable song on the album. But this album also has some other gems on it like the album title track Private Dancer, I Can't Stand the Rain, Better Be Good To Me (I was introduced to that song by Miami Vice), Let's Stay Together, and others. Pros of Private Dancer: Tina Turner's trademark singing style was prevalent on this album, and Terry Britten's beat production are the main reasons why this album was SUPER popular in the 1980s. So, in essence, Tina's singing and Britten's beat production are the main pros of this album. Cons of Private Dancer: This album was made to mainly appeal to rock and roll fans, especially the 1997 remastered edition of this album which I have. In closing, Turner's supreme vocal stylings and Britten's beats (particularly track 2) carried this album. I'm glad I got to finally listen to this album all the way through this year (2022), which gave me more appreciation of its quality despite my not being a rock and roll music fan.
3.0 out of 5 stars
Tina Turner's vocals and What's Love Got to Do with It carried this album.
By Matthew Robinson on April 12, 2022
When PRIVATE DANCER was released in 1984 no one was prepared for how huge it was to become. LET’S STAY TOGETHER did okay as a single, but when the sultry WHAT’S LOVE GOT TO DO WITH IT hit radio and the video premiered on MTV and MuchMusic, the album and Tina’s comeback took off like a rocket. I saw her when I was a teenager at the CNE Grandstand in August 1985 and she absolutely killed it! And no distracting backup dancers or flashy theatrics like Madonna and her ilk always had. The songs on DANCER appealed equally to teens and their parents and people respected Tina as a survivor. I remember this was one of those albums where everyone knew all the songs whether they were a fan or not—it was that good. The singles were chosen wisely after the impact of WHAT’S LOVE. I loved and still love BETTER BE GOOD TO ME; the raw vocal demanding yet pleading and of course that irresistible cowbell; then the classy jazzy title track and bopping SHOW SOME RESPECT. What a winning streak! Even the non-singles like the tinkling I CAN’T STAND THE RAIN, fierce rocking STEEL CLAW and biographical opener I MIGHT HAVE BEEN QUEEN are in no way filler. Fans of the original album definitely need to get this 30th Anniversary upgrade. My two complaints are that: 1. They should have kept the original album cover with Tina nearly doing the splits on the platform in the black bodysuit. It was sexy yet classy. I never cared for the tarted-up image with the black cat—it’s not very flattering. Thankfully, the original image is on the booklet, which also has pics of the 12” singles but there are no lyrics inside. 2. They changed the sequencing. The original song order was perfect and fans are used to it. I especially loved I CAN’T STAND THE RAIN going into BETTER BE GOOD TO ME because that’s how I remember it and I don’t like these changes. It seems weird to hear the album ending with 1984 and I think HELP should have been on the Bonus Disc. Turner has always been a powerhouse entertainer who can make any song her own, no matter how great or famous the original. Kicking off the Bonus Disc is an absolutely blistering version of BALL OF CONFUSION with a unique industrial-meets-soul arrangement. The remainder of the Bonus Tracks are pretty hard-rocking and IMO are much better than anything found on the follow-up BREAK EVERY RULE album released in Fall ’86. WHEN I WAS YOUNG was a great forgotten song by The Animals but sounds like it was written expressly for Tina. I WROTE A LETTER, DON’T RUSH THE GOOD THINGS, the aching ROCK AND ROLL WIDOW and KEEP YOUR HANDS OFF MY BABY are all terrific straight ahead rock and roll that Tina belts out with great gusto. If those weren’t enough, all the 12” single versions of the hits are included as well as live versions of Bowie’s TONIGHT and Prince’s LET’S PRETEND WE’RE MARRIED and the Bryan Adams duet IT’S ONLY LOVE. The cherry on top is the inclusion of the MAD MAX soundtrack songs WE DON’T NEED ANOTHER HERO and my personal fave ONE OF THE LIVING. I think LIVING wasn’t a bigger hit because it was too dark lyrically and musically for the general public but it’s always been one of my favorite Tina songs. Other than the bad sequencing and cover photo, FIVE STARS for this deluxe package from one of Rock and Soul’s hardest-working ladies.
5.0 out of 5 stars
I might have been queen...
This was a most unexpected "comeback" album, from then forty-five year-old Tina Turner, who had been off the scene for many years, despite always retaining a credible reputation. Members of the funk/pop group Heaven 17 were among several producers who helped create what was a contemporary sound for Turner, as opposed to the bluesy r'n'b she made her name with. The sound on here was a slick, polished very eighties sound, mixing current keyboard sounds with a rock sound but also a sort of clubby vibe that made it popular across the board. It was rock, it was pop, it was soul, it was dance. Many of the album's tracks were hits and all of a sudden, Tina Turner became a household name. This was one of the year's biggest-selling albums. TRACK LISTING 1. I Might Have Been Queen 2. What's Love Got To Do With It 3. Show Some Respect 4. I Can't Stand The Rain 5. Private Dancer 6. Let's Stay Together 7. Better Be Good To Me 8. Steel Claw 9. Help! 10. 1984 The biggest hits from the album were the slightly reggae-influenced, rhythmic but powerful and undoubtedly very catchy "What's Love Got To Do With It"; a suitably soulful cover of Ann Peebles' "I Can't Stand The Rain" (despite the superfluous synth interjections); a cover of Al Green's "Let's Stay Together" which took the seventies Memphis soul classic and turned it into an eighties club anthem. I was still young enough to go to nightclubs back then (as they were then called), and this was played all the time; The Beatles' "Help!", which was slowed down and given a wonderfully dramatic gospelly soul makeover and an atmospheric rendition of David Bowie's "1984". The latter was possibly an unusual choice but it surprisingly works. To be honest, I prefer the originals of "I Can't Stand The Rain" and "Let's Stay Together", but feel that both "1984" and "Help!" both offer something markedly different from their originals. Dire Straits' Mark Knopfler wrote the title track for his own group, but then felt that it would suit a female vocal better, so gave it to Turner. It is a marvellously evocative, atmospheric song, telling of the soulless existence of a private stripper and the faceless men she performs for. A sultry late-night saxophone and gently melodic bass line underpin an impressive vocal. "I Might Have Been Queen" is the opener, but a strangely overlooked number, which is a shame as it is a pounding, rocking number. It is full of good backing guitar, a solid beat and with a strong vocal. While it displays some unfortunate mid-eighties flaws such as the synthesiser riffs, it is pretty good for an eighties track. "Show Some Respect" slightly re-works the old "Nutbush City Limits" intro before the synthesisers kick in. It is pretty standard eighties rock, pleasant enough, but nothing outstanding. "Better Be Good To Me" is more impressive, a soulful, mid-pace rocker and is followed by the frantic rock of "Steel Claw". Tina's vocal handles this powerful number superbly and the track is a little gem, to be honest. So there you have it, Tina Turner was back and would put out two more respectable albums before the quality would drop just a bit. During the mid-eighties, she became a huge artist, bigger than she had ever been. It came as a surprise to everyone, including her, I should imagine.
4.0 out of 5 stars
Private dancer turns Tina Turner into diva
With the release of the single,lets stay together - a cover of the Al Green classic,and private dancer - the album,these releases launched the solo career of Tina Turner in a big way. I'm not here to give an in-depth biography of her life and career (check out the 1994?biopic: what's love gotta do with it - covers it pretty well. Instead I would say Private dancer (the album),is a pretty impressive,with slight flaws,solo debut. With the singles: the afforementioned;Lets stay together,along with title track,I can't stand the rain and the under-rated;Better be good to me - these are all impressive songs. Along with cover versions of the Beatles Help! and David Bowie's 1984,Tina makes these songs her own (an essential thing to do for a cover version. An impressive cast of musicians helping out;Heaven 17 members,dire straights,Jeff Beck et al;they all seem more than willing to give a successful launch of Tina Turner's solo career- and boy does it pay off. Produced in parts by Rupert Hine,he gives a good feel to the whole album,and this 1997 re-mastered re-release sounds even better. The CD package coming complete with full lyrics and musicians credits,and fold out pictures of our diva - this is a very good re-issue of private dancer. Also have to mention the seven bonus tracks on this edition,including previously unreleased songs ie: rock n roll widow and when I was young (quite a revelation if true).and full length versions of;what's love got to do with it,better be good to me and very last track,I can't stand the rain. On the whole a very good re-release edition.from here on,for the next two or so decades,Tina Turner was a solo singing and even acting superstar,and could (seemingly) do no wrong. A well deserved change of fortune for her -singing with such confidence and attidude - considering her then recent past traumas. Well done - Tina Turner !
5.0 out of 5 stars
Fantastic new edition of a brilliant album.
This is a fantastic re-issue of an album I originally bought back in 1985. I never heard of Tina Turner until I heard her version of Al Green's 'Let's Stay Together' which blew me away. Since then I have loved Tina Turner and been a huge fan, seeing her many times in concert, the last time back in 2009. She was/is an amazing performer and 'Private Dancer' was the album that bought her back from the brink of obscurity. This has stayed in my Top Ten albums since the 80's and 30 years later it still sounds fresh and not dated at all. In this new edition we are given an extra bonus cd with tracks including 'Ball of Confusion' which started the ball (forgive the pun) rolling and brought her back to prominence. This second cd also includes duets with David Bowie (Live) and Bryan Adams. There are also the two tracks from Mad Max: Beyond Thunderdome and a few 12" tracks including 'I Can't Stand the Rain' which I haven't heard for years although I still have the vinyl! Many artists today profess to Tina Turner being a huge influence and listening to this album and watching her live performances, you can see why she has endured and been successful for so many years. A brilliant new release to celebrate this fine artist.
She's a brilliant siger. I had this vinyl when it first came out because my mum & dad got me this for Christmas in that year.. But through moving around i lost the album.. But now i rebrought it on disc.
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This release contains 17 tracks, including 7 additional tracks not available before. Each track has been digitally remastered.
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I Might Have Been Queen (Soul Survivor) [1997 Remaster]
What's Love Got to Do with It (1997 Remaster)
I Can't Stand the Rain (1997 Remaster)
Let's Stay Together (1997 Remaster)
Better Be Good to Me (1997 Remaster)
Don't Rush the Good Things (1997 Remaster)
What's Love Got to Do with It (Extended 12" Remix) [1997 Remaster]
Better Be Good to Me (Extended 12" Remix) [1997 Remaster]
I Can't Stand the Rain (Extended 12" Remix) [1997 Remaster]
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Tina Turner - Private Dancer 1984
Well the men come in these places
And the men are all the same
You dont look at their faces
And you dont ask their names
You don't think of them as huma
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