The Last Of Us Sarah Hentai
🔞 TOUTES LES INFORMATIONS CLIQUEZ ICI 👈🏻👈🏻👈🏻
The Last Of Us Sarah Hentai
Listening on…
Switch Spotify device
Open in Spotify Web Player
Change playback source
Open on YouTube website
Change playback source
Previous
Play
Next
Skip to YouTube video
Toggle navigation Upgrade to Pro Live Music Charts Events Features
Subscribe
Log In
Sign Up
More actions
Set as current obsession
Go to artist profile
Get track
Loading
More actions
Set as current obsession
Go to artist profile
Get track
Loading
Related Tags
Add tags
Company
About Last.fm
Contact Us
Jobs
Help
Track My Music
Community Support
Community Guidelines
Help
Goodies
Download Scrobbler
Developer API
Free Music Downloads
Merchandise
Account
Sign Up
Log In
Subscribe
Follow Us
Facebook
Twitter
Instagram
YouTube
Connect your Spotify account to your Last.fm account and scrobble everything you listen to, from any Spotify app on any device or platform.
A new version of Last.fm is available, to keep everything running smoothly, please reload the site.
Scrobble, find and rediscover music with a Last.fm account
Do you know a YouTube video for this track?
Add a video
Do you know any background info about this track?
Start the wiki
Do you know a YouTube video for this track?
Add a video
We don‘t have an album for this track yet.
We don‘t have an album for this track yet.
Javascript is required to view shouts on this page.
Go directly to shout page
Do you have any photos of this artist?
Add an image
Do you know any background info about this artist?
Start the wiki
Some user-contributed text on this page is available under the Creative Commons Attribution-ShareAlike License ; additional terms may apply.
I acknowledge that I have read and agree to the RenderHub's Terms of Use .
Email verification is required for full access.
I have read RenderHub's Terms of Use and certify that I am authorized to offer this item for publication.
NOTE : DIGITAL DOWNLOAD, NOT A PHYSICAL ITEM
This item comes with our Extended Use Licensing. This means that you may use the model for both non-commercial and commercial purposes, in a variety of mediums and applications.
For full license terms, see our 3D Content Licensing Agreement
Sarah Miller from The Last of Us (TLOU) Character for Genesis 8 Female Includes: Head Morph Apply Head Morph Remove Body Morph Apply Body Morph Remove Skin Hair Shirt Pants Necklace Bracelet Bikini NOT included Where to find: Genesis 8 Female - Characters - 3DUK - TLOU Sarah Miller For Daz 4.9+ and above
The--Last-Of-Us
We are the last of us...
Joel and Sarah
UnitySpectre
21
0
Oops, right? - Inktober Day 17
TessCas
43
5
Ellie Talks To David
UnitySpectre
13
1
Ellie Locked Up By David
UnitySpectre
6
0
Joel
N1tehthawk
2
0
Ellie
ArcticFidelity
10
0
The Last Of Us PS3 VS PS4
UnitySpectre
13
5
Joel Was Taken Down
UnitySpectre
8
0
The Naughty Dogs
iszac87
66
9
The Last of Us -- Joel
N1tehthawk
1
3
JOEL - The Post-Pandemic Magazine (Revised)
iszac87
31
10
Joel Hugged Tommy
UnitySpectre
8
0
Ellie Taking Cover
UnitySpectre
10
1
Endure and Survive
key0fdestiny13
23
2
Ellie - The Last Of Us
jeanettevollmer
11
3
Ellie Arming With A Gun
UnitySpectre
9
0
Ellie
BlazeFeatherOC
10
0
Last of Us - Clicker
Tygirl181
3
0
Clickerzzzz
MKFileur
3
0
The Last of Us - Clicker WIP
PinkJusticeCosplay
7
6
Clicker
89as13
93
15
Lady Clicker
JoshSummana
353
32
Pewdiepie
RexFangirl
1,327
128
Pewdiepie
Arcana-break
1,971
199
pewdiepie..
wctaylor1
369
682
pewdiepie
wctaylor1
1,657
425
Pewdiepie
Leonifa
6,638
989
Stolen egg (Crash Daxter Uncharted The last of Us)
Somelarder
42
13
Different Characters, Same Voice Actors
UnitySpectre
7
1
Ashley Johnson Characters
UnitySpectre
36
7
©2022 DeviantArt. All rights reserved
Hide Media
Preview
Submit Comment
Updated Jan. 20, 2018 7:08PM ET / Published Jan. 20, 2018 7:00PM ET
“ Eventually she pieces together an explicit, clear-eyed recollection of the relationship with Bill, and we watch it play out on screen. It’s sickening. ”
‘The Tale’ depicts a grown woman (Laura Dern) working through the realization that she was sexually abused at age 13, graphically depicting those horrifying sexual-assault scenes.
In many respects, The Tale has been in the making for the last 35 years. But its Sundance Film Festival premiere Saturday afternoon—the first of this year’s festival to receive a standing ovation that we witnessed—is so timely it could very well have been called: #MeToo, The Movie .
The Tale is a memoir film in which writer-director Jennifer Fox confronts the sexual abuse she suffered when she was a 13-year-old girl, having spent the next three-and-a-half decades of her life convincing herself that she was engaged in a “special” relationship with a 40-year-old man, facilitated by a woman she trusted.
Both were people in her life she loved: “Mrs. G” (names were changed from Fox’s own life) was her equestrian trainer, and “Bill” was her running coach. Thirteen-year-old Jennifer is intoxicated by the regal, beautiful Mrs. G, and trusts Bill because of it. When Bill starts to coax Jennifer into a sexual relationship, she convinces herself that they’re in love. But she was just a girl. It was child rape.
Immediately following the post-screening Q&A, in which stars Ellen Burstyn and Jason Ritter broke down in tears talking about the movie, it became clear that this is the film everyone at Sundance will be talking about.
Its resonance —a woman realizing that what she had thought was a consensual sexual relationship was actually child rape—is one thing. That it shows, with purposeful unflinching detail, Jennifer’s rape at age 13 is another. (We witnessed multiple people walk out after this.) But that it doesn’t direct you how to feel about it, or moralize, or redeem, or reassure is its greatest power.
The Tale is relentlessly uncomfortable, and sometimes even aggravating. It wades into the murky waters of a complicated debate currently consuming culture, but doesn’t seek to satisfy or conclude it—which can be infuriating but is also necessary. It lacerates right through that conversation, letting the full range of opinions spill out. Yet it doesn’t seek to stitch it back up again and heal. Because that’s not it’s job.
But The Tale isn’t a linear narrative about a child who was raped. It’s an adult woman’s journey to the horrifying realization that her innocence was preyed on; that she was abused in a way that impacted the rest of her life. It’s her struggle through frustrating notes of denial, rationalization, misremembrance, and anger as she tries to piece together what really happened to her—not what her memory of it was—and why. How she feels about it now is almost an afterthought, until, at a major climax, it isn’t.
Throughout the film, Fox plays with form, storytelling structure, and the truth in jarring ways here—at one point Laura Dern , who plays Jennifer as an adult, is actually in conversation with Isabelle Nelisse, who plays her at age 13—to illustrate the myriad ways in which a person needs to communicate, with others and themselves, past and present, to reckon fully with an event like this.
When we meet Dern’s Jennifer, her mother (Burstyn) is leaving her a litany of emotionally charged voicemails, having just discovered an essay Jennifer wrote when she was 13 titled “The Tale,” which discussed the loving relationship she had with two adults: Bill (Jason Ritter) and Mrs. G (Elizabeth Debicki.) Her mother is beside herself. Suspicions she had 35 years before were true: these adults had taken advantage of her daughter.
“This is why I didn’t tell you,” Jennifer says, dismissing her mother’s concerns. “Can’t I just sit with my own memories?” she pleads, preferring to remember the relationship fondly instead relitigate it as assault. Nearly every line of dialogue hits you like a cannonball, its relevance to the stories and confessions that have been chronicled in the #MeToo movement these last months uncanny. “No,” her mother says. “I want you to nail them.”
She starts to visit people she hadn’t seen in decades, attempting to get a more detailed picture of that time that the years have blurred—part of her desperate search for a reason this happened to her. Or even to answer if anything happened to her.
“You were raped,” she’s told multiple times. “It’s complicated,” she instinctively retorts. She rages at the word “victim,” an indictment of the inherent lack of sensitivity in imposing a victim narrative on anyone who comes forward with a traumatizing story.
Eventually she pieces together an explicit, clear-eyed recollection of the relationship with Bill, and we watch it play out on screen. It’s sickening.
Bill baits her with lines like, “You’re not afraid of life, right, Jenny? You’re not afraid of living?” He and Mrs. G flatter her by telling her that she’s special, that they think of her as an equal, that they think they can trust her with secrets. Then we start to see the rape happen.
Would the film be as powerful if the acts were implied, instead of shown to wincing eyes on screen? Perhaps. But arguably, too, the impact is in bearing witness to the things Bill says and does and their brutal reality.
It
Se doucher avec le foutre pour la chance
Sœur aînée et responsable apprend à son jeune frère à niquer
2 Hommes Qui Font L Amour