Sex Film 2000

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History of Sex in Cinema:
The Greatest and Most Influential
Sexual Films and Scenes
(Illustrated)
Writer/director Giuseppe
Tornatore's (known for Cinema Paradiso (1988) ) nostalgic, coming
of age romantic drama was set during 1940s fascist-wartime Sicily. The European release of 106 minutes was cut to 92 minutes
by Miramax to reduce the liberal scenes of nudity for American audiences.
The story told of voluptuous schoolteacher Malena
Scordia (Monica Bellucci, a beautiful model turned actress) - a
seductive, luscious heroine (with flowery dresses) in the friendless
seaside town of Castelcuto. She was the object of transfixed, autoerotic,
fanciful romantic infatuation for lots of young town boys, including
13 year old Italian boy Amoroso Renato (Giuseppe Sulfaro)
who rode a second-hand bicycle, and served as the film's narrator.
The maturing adolescent boy was transfixed by Malena
as were others.
She was met with lecherous stares, nasty gossip about her promiscuous
sexuality, and wolf whistles from the men, and jealous gossip from
the women when she strolled through town.
Renato often
spied upon her (he watched as her dress strap fell to reveal
one breast, and another time saw her bathe her breasts with lemon
juice). With
others, he found himself aroused by her ("What
a wonderful ass...What I wouldn't give for an hour with her").
He stole her panties from a laundry line, often saw her face in place
of others, and masturbated frequently while thinking about her on his
squeaky-springed bed.
He fantasized that he was touching
Malena as he was lying on his bed (and planning to masturbate
to a booklet of pictures of naked females). His bedroom door opened
and Malena entered and stood before him in a white dress. He pulled
down her white silky dress and removed her black bra straps, to reveal
her breasts in front of his eyes. He then moved his hands slowly
down her entirely naked body.
In parallel scenes during self-pleasuring,
he also imagined her as his co-star in a series of elaborate, sexually-charged
erotic black and white fantasies (of being her hero and making love
to her) inspired by his favorite movies: Tarzan films ("Me Tarzan,
you Malena"), westerns ("Renato, you've got the biggest gun
in the West") and gladiator films.
Renato was taken to a local
brothel by his father (Luciano Federico) to be sexually awakened.
When preparing to have sex with prostitute Lupetta (Elisa Morucci)
who was instructed to "treat him right," he was asked: "Is it your
first time?" He responded: "I've imagined it many times."
For an instant, he imagined that Malena was standing nude in front
of him.
She became a mistreated war widow when her new husband Nico (Gaetano Aronico) died during the war, and her father, a Latin teacher Professor Bonsignore (Pietro Notarianni), died during an Allied bombing.
Small-town prejudice from
jealous women and murmuring crowds falsely accused her of adultery ("I'd skin her alive...How disgusting"), as circumstances forced
non-conformist, widowed and poverty-stricken Malena to become a prostitute - fulfilling the false charges laid against her. She began serving clients including occupying members of the German army.
After the liberation of Sicily in the war, the townsfolk
(mostly female) again scorned and humiliated Malena, and punished her for her beauty. They dragged her into the street, crudely clipped off her hair with a pair of scissors, and left her severely beaten, bloody and half-naked
in the piazza's street. As they banished her, they screamed at her:
"Now you'll see what happens when you steal our men and sleep with the filthy Germans....It's the end of spreading your legs, whore!...Now let's see what men make of you. This will teach you some respect...The wicked come to a wicked end."
Co-writer/producer/director/star Rob Morrow's (with his
feature debut as writer and director) was both a romance and a character
study of Tourette Syndrome. It told its tale through a story about
afflicted New York painter and sculptor/artist Lyle Maze (Rob Morrow),
who felt that he might never find romance or companionship.
A romantic triangle between the three major characters (the artist and another couple) was the predictable plotline in this melodramatic chick flick:
It featured a very full-frontal nude scene of Oscar-nominated
Laura Linney (in You Can Count on Me (2000) )
as pregnant fashion stylist Callie, the live-in lover/girlfriend of
idealistic and liberal doctor Mike (Craig Sheffer), Lyle's best friend.
She posed for Lyle while Mike was on an extended overseas medical
mission with Doctors Without Borders, and inevitably, Lyle began to
fall in love with her.
In another scene, brunette Lenna (Sheila Zane) also posed naked for the artist.
The Monkey's Mask (2000,
Australia)
This Australian erotic and provocative,
neo-noir, crime-murder mystery-thriller, directed by Samantha Lang, hinted at its subject matter with the tagline:
"No evidence just a smell of sex and violence."
The sapphic murder mystery contained various graphic
sex scenes between its two main female stars:
Diana, who was married to cold and handsome lawyer
Nick (Marton Csokas), was a sexually-voracious femme fatale who
enjoyed kinky sex. Jill was quickly drawn into a torrid, lustful
lesbian love affair with the seductive teacher Diana, when she became
involved in the investigation of a young strangulation murder victim.
The dead individual was Mickey
Norris (Abbie Cornish). - a nymphomaniacal university student in
Sydney who was taking one of Diana's poetry classes.
While Diana and Jill shared
numerous lesbian love scenes (including oral sex), Jill realized that
Mickey's amateur poetry was laced with sex
and death as she investigated Mickey's death for her grief-stricken
parents.
In
the opening scene, Mickey read some of her poetry while standing
in front of an audience:
"Love is a torture - love tortures me. Does
love torture you? If it does, why are you laughing? I feel you
in the room like a knife. You cut out my cunt, so why not cut out
my heart? Your prick is a knife that hurts me. You grunt like a
beautiful pig. (Audience laughter) I wish my cunt could hurt you."
In this highly-rated, attention-getting, 74 minute
HBO documentary ( America's Undercover series) from director/producer
Arlene Donnelly, photographer Spencer Tunick traveled cross-country
around America for five months in the late 90s to capture uneroticized
pictures of nudes in every one of the 50 US states. The tagline
was, appropriately:
"AMERICA'S
IN FOR A NUDE AWAKENING."
He specialized
in images of people becoming spontaneously nude, often in large group
settings, such as:
Many everyday folks were interviewed
for their views on body image and on getting nude, often describing liberation
and self-expression.
Writer/director Michael
Davis' Cinderella -like teen-sex comedy (direct-to-video) was part
of a trilogy of similar films:
"He met the girl of his dreams. If only he can
meet her again."
It told about geeky, love-struck college student Matthew's
(Jonathan Tucker) desperate quest for a mystery woman (unseen with
an unknown name, who was carrying a basket of laundry and bound for
the basement) with whom he had a one-night-stand in a darkened
dorm elevator during a power outage/blackout, after he had attended
a party. Always considering himself a loser, he actually lost his
virginity during the sexual encounter.
The only clue the girl-obsessed Matthew had was her
pair of panties - so he went on a bizarre search (involving scenes
of voyeurism, various disguises including cross-dressing as Francesca,
deceptions and burglaries) to find the matching bra in a girls' dormitory
("virgin vault") of 100 girls - the film's title. He became
the maintenance man at the dormitory - an advantageous position
for his search. However, Matthew suffered from an inferiority complex
about the size of his penis, and insecurity and nervousness around
pretty females ("Deny
it we may, but we are all afraid of women. Every single one of them").
There were many sexy females in this film and sex-filled dialogue
(mostly Matthew's plentiful voice-overs),
with interspersed views of nudity (not outright, usually breasts)
that objectified the women. Some of the identified female characters
were:
The key female was
promiscuous art-school student Patty (Emmanuelle Chriqui),
who had a mean, narcissistic, nicotine-gun-chewing and abusive boyfriend
named Crick (Johnny Green). In Matthew's first encounter with h
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