Private Vices Public Virtues

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The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling c... Read all
The setting is a Central European kingdom, near the turn of the century. Bored by his very proper wife, the youthful heir to the throne spends his time in amorous dalliances at a sprawling country estate. His wife departs at the arrival of his friends, and they organize a celebration which becomes a wild orgy and culminates in death and tragedy.
Italian censorship visa # 68191 delivered on 28-4-1976.
Referenced in Перемотай это! (2013)
Baa Baa Black Sheep
Traditional nursery rhyme
Which makes it sound dull, but more on that later. Read the review by ArpadGabor to get some background information on the historical context of the movie. The motives are clear in the movie, but it shines a new light on some things I guess. One thing is for sure though: If people mistake this as pornography (as the reviewer also wrote), they are dead wrong.

This is like a study of society. One sided (rich people) it may be, but it's still vaguely intriguing to see how boredom gets them and pushes them to do crazy things. Like the scene almost at the beginning in the hay, which coincidently is the only scene that actually could lead to the pornographic conclusion. We do have a lot of nudity though and the love making is diverse.

Some people will be offended by that (especially because we're not only seeing "regular" couples/intercourse). This is by no means titillating or anything, but appalling? Maybe, depends on your threshold for such things.

You also don't really know the background on most of the people on screen or their relationship towards each other. While this adds to the mystery it's also frustrating and not really satisfying (no pun intended). A little more background and a little more fleshed out characters would've gone a long way. As it is, it's a decent film, with a neat message
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Published By: The Johns Hopkins University Press
https://www.jstor.org/stable/2737791
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