Preteens Teasing

Preteens Teasing




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Preteens Teasing

Новосибирск красавицы Сибири
Novosibirsk’s Siberian Beauties


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Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Anna Yuzhakova takes her laptop computer with her to the restaurant car. She wants to show her international visitor the many charms of Siberian beauties. They are the result, she says, of years of mixed marriages by citizens from different republics of the former Soviet Union.
Anna is a scout. She discovers new talents for the Noah Models agency in St. Petersburg.
She is herself a former model. Four times a year she crosses her native region by train searching for the next top models, the ones who will one day strut the catwalks of Paris or New York.
Her travelling companion, Stephane Hababou, watches the photos of would-be models scroll across the screen. He’s also a scout. He represents the prestigious Marilyn agency in Paris.
It’s his first trip to Siberia. Hababou says it’s the best way for him to find new prospects ahead of his competition.
There’s not a moment to waste. Anna and Stephane stop in every large city of the region, holding a casting call that is open to all.
About 50 teen girls in black undergarments and stiletto heels greet Anna and Stephane at every stop. Some move nervously. Others proudly show off their curves.
The presence of this visitor from Paris ramps up the pressure. Everyone knows Hababou holds the key to a possible career abroad. It’s an opportunity to follow both an American and French dream, a chance to escape the daily drudgery of life in Siberia.
Anna invites Marina Korotkova to step forward. The 17-year-old barely has the time to take two steps before a cutting remark welcomes her into the world of modelling, even if pronounced under the guise of humour. “Marina is a little overweight.” At 93 centimetres, her hips are too wide. The visitors still take a few photos and recommend she go on a diet.
Russia’s largest modelling school is in Novosibirsk. It’s a unique breeding ground for girls who start training as early as age 10 or 12. They learn fashion photography techniques and how to sway their hips on a catwalk.
Fifteen-year-old Kristina Churina, a recent graduate, catches Stephane Hababou’s eye. If she loses a little weight, she could end up in Paris within the year, modeling the creations of top designers.
But few are chosen. Anna selects about 30 young women during each of her Siberian scouting trips. Only a fraction of them will ever end up with real modelling careers.
To be ready to seize the opportunity if presented with it, Kristina has been taking intensive English courses. She also has a plan B. She’s studying tourism and hopes to one day manage a large hotel.
Siberia is known around the world for its frigid temperatures. But in the world of fashion, the region is famous for being home to the most beautiful women in the world.
The measuring tape is king. Minimum height: 172 centimetres (5 feet, 6 inches). Maximum hips: 90 centimetres (35.4 inches).
Casting calls are open to all and attract about 60 hopeful young women every time they are held.
The measuring tape is unforgiving. With hips measuring 93 centimetres (36.6 inches), Marina Korotkova is considered “a little fat.”
Stephane Hababou, from the Marilyn agency in Paris, has come to Siberia to find the most promising beauties before his rivals do.
Anna Yuzhakova (centre), herself a former model, visits Siberia four times a year on behalf of the Noah modeling agency in St. Petersburg.
Anna discovers 30 to 40 fresh and interesting faces every month.
Anastasia Akhmameteva catches the eye of Stephane Hababou. Her ticket to Paris is within reach.
For the ones left behind, the rejection is often brutal.
15-year-old Kristina Churina just graduated from Novosibirsk’s modelling school and has caught the attention of the Paris agency.
But Stephane Hababou hesitates about Kristina: “If she loses weight, we’ll see see how she changes.”
Siberia is considered a modelling reservoir, thanks to ethnic mixing.
A little powder, and barely pubescent girls turn into femmes fatales.
A fashion show after the casting call allows scouts to observe the models in real conditions.
For many young women from small villages, modelling offers a chance to travel and earn a lot of money.


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Published: 20:36 BST, 2 June 2014 | Updated: 22:45 BST, 2 June 2014
These are the 'too-short' shorts that caused administrators at a Montreal high school to kick student Lindsey Stocker off campus.
Stocker donned the jean shorts To Beaconsfield high school on the first hot day of the season, and was temporarily suspended when she refused to change.
The grade 11 girl is seen wearing the controversial shorts for the first time, in pictures published by the Montreal Gazette .
'Too short': These are the denim shorts that got Montreal teen Lindsey Stocker suspended from school
Stocker unwittingly started a revolution by refusing to change out of a pair of shorts, when she was told they were not appropriate for school on May 21.
She refused, and instead printed a poster that she plastered over the school, questioning why girls' bodies were the focus of the rules instead of boys' behavior.
During third period on that day, two vice principals entered her classroom and told everyone to stand up so their outfits could be inspected .
'And when they came to me after about two rows of looking they stopped and told me my shorts were too short and I had to change,' Stocker told the National Post .
Get shorty: Lindsey Stocker says she was humiliated in front of her class for wearing a pair of shorts on a hot day
'They continued to tell me would be suspended if I didn't start following the rules. When I told them I didn't understand why I had to change they told me that it doesn't matter - I don't have to understand the rules, I just have to comply by them.'
Stocker felt singled out and humiliated in front of her class, but what concerned her more was a set of rules that focused on girls' bodies rather than boys' behavior.
So instead of complying with the rules, she went and printed up about 20 posters and stuck them up all over the school.
The posters read, 'Don't humiliate her because she's wearing shorts. It's hot outside. Instead of shaming girls for their bodies, teach boys that girls are not sexual objects.'
Statement: Although Stocker's poster only remained up for about 10 minutes before teachers took it down, it had the desired effect
Support: Stocker has had strong support on social media and other girls at her high school are wearing shorts to school in solidarity
The posters were taken down by teachers after about 10 minutes, but they live on in social media.
Stocker also has won the support and admiration of other girls at school.
'Most people are agreeing with her, women shouldn’t have to cover themselves up completely because we shouldn’t be viewed as sexual objects,' student Sierra Drolet told CJAD News .
Lauren Paquay, 15, showed up wearing shorts in support of Stocker. She said the dress code verification - making girls stand up with their arms by their sides to ensure their outfits are fingertip length - is 'humiliating.'
School rules: The school district spokesperson says there are dress rules for both girls and boys
'People are being judged for the way they dress, they have to change because boys look at them. The boys should be the ones who have to learn to treat women better and look at them in a different light,' she told CBC .
The chairperson of the Lester B Pearson School Board told CJAD News that Stocker has been suspended for not following the rules.
'The rules are there to help the children learn and prepare them for their future work places, high school is a job for them, they are there to learn to function in society, so it’s important that the rules be followed,' Susanne Stein Day says.
'Girls and boys have rules on dress codes; it is not a girl, boy thing, that’s not the point.'
'I was in violation for showing my legs,' she says. 'And that, point blank, is a problem for me.'
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Published by Associated Newspapers Ltd
Part of the Daily Mail, The Mail on Sunday & Metro Media Group


Little women
Mums say they boost self-esteem. Critics say they sexualise kids. We visit the bling-filled frontline of children's beauty pageants.

WORDS Melissa Fyfe
PHOTOS Tim Bauer
VIDEO Tim Young
DESIGN Mark Stehle
DEVELOPMENT Nathanael Scott
MULTIMEDIA EDITOR Felicity Lewis




T hey meet in secret to avoid the protesters, the people they call “the haters”. The haters accuse them of child abuse and want their activities banned. So this event, run on a recent Saturday at Melbourne’s Best Western Airport Motel & Convention Centre, is not advertised to the public. You can’t buy a ticket or find details on the internet. And by 9.10am, the day is well underway in Room 25.

Room 25 Indianna with her mother, Melita Swift, and Melita's fiance, Guy Crane.

Inside this room is a beautiful, freckle-nosed five-year-old named Indianna Swift. Indianna, relaxed and smiling, is still in her nightwear – a pink onesie – but her hair looks ready for the red carpet. “That’s a wiglet,” says her mother Melita Swift, 25, pointing to the cascading brown curls pinned to her daughter’s head. Swift, a childcare group leader from Queensland, knows all about wiglets, and many other things besides, since joining the world of child beauty pageants in January. Earlier, a woman came by to do Indianna’s face. It’s airbrush make-up, which has pleased Swift, because you can still see Indianna’s freckles. The make-up at the last pageant, she says, was ridiculous. “It looked like she was ready to go on a drag queen show.”
Travelling to Melbourne for a national child beauty pageant is not something that the stage-averse Swift thought she would ever do. And she certainly never imagined forking out $2500 on airfares, hotels, make-up and cupcake dresses for this one contest.
“I was one of those judgmental parents,” says Swift, who has her fiancé, an aspiring policeman called Guy Crane, 25, and her mother Raelene Berich, 48, by her side. “I was one of the worst.”

Just so Grandmother Raelene Berich and mother Melita Swift tweak Indianna's costume.

But things changed when Indianna began to walk. All she wanted to do was perform, but she was pigeon-toed and told she could never dance. Searching for something her daughter could physically cope with, Swift found the Follow Your Dreams competitions, one of the nation’s two big pageant systems. She believes practising the simple pageant poses has helped to almost cure Indianna’s pigeon-toed stance.
Like most parents in the growing Australian child beauty pageant industry, Swift believes she is unfairly stigmatised because of the reality-TV series Toddlers & Tiaras (screened here on Foxtel). The show is about the $US5 billion ($7.1 billion) US child pageant industry at its most exploitative, with “momsters” telling their daughters to “smile until it hurts!” and feeding them Pixy Stix candy (otherwise known as “pageant crack”).
Of course, before Toddlers & Tiaras, there was the strange and unsolved 1996 murder in Colorado of six-year-old beauty queen JonBenét Ramsey, who looked like a doll. And after Toddlers & Tiaras came the spin-off Here Comes Honey Boo Boo , a popular show until it was axed when June Shannon, the mother of Honey Boo Boo (real name Alana Thompson), reunited with a child sex offender who had allegedly abused another daughter. Tawdry doesn’t even begin to describe this stuff.

Pout Indianna practises her moves.

Melbourne entrepreneur Kylie Drew, 44, who runs the Follow Your Dreams competitions, knows what Toddlers & Tiaras is like; she was once a guest judge on a pageant featured by the show. Drew, multitasker extraordinaire and self-confessed control freak, has travelled extensively across the US. Six years ago, she imported this particularly American subculture to Australia, setting up one of the country’s first child modelling pageants.
The Australian culture, she says, is different. Unlike the US, children are not judged on their facial beauty. And she says the parents are better behaved than those television “pageant moms”. As dance schools face growing criticism of their skimpy outfits and suggestive moves, Drew says she offers a safe place, and a friendly community, for stage-obsessed kids to strut their stuff and gain confidence.
Can this really be so harmless? “The haters”, as Drew calls them – such as those behind Collective Shout, the campaign against the objectification of women and the sexualisation of girls – certainly don’t think so. Collective Shout and psychologist Michael Carr-Gregg, among others, have called on politicians to ban child pageants, arguing they create “sexualised dolls”, leading to negative body image, eating disorders, depression and low self-esteem.
Yet sitting in Room 25, watching Indianna bouncing on the hotel bed, it is hard to see her as an exploited or troubled child. She’s one of the happiest, most delightful five-year-olds I’ve ever met. Later in the day I’ll find myself confused, even disturbed, by other parts of the pageant experience, but not now. This little girl is fine.
I t’s just after 10.30am and the action is starting in the hotel’s function room. Kaliese comes on stage in a coral cupcake dress. “Kaliese is outgoing,” says Drew, MC-ing from the side of the stage (she has a microphone in one hand, her smartphone in the other: she is simultaneously running a dance competition down the road). “Her favourite movie is Tinkerbell . Her hero is her daddy.”
As soon as Kaliese comes off stage, her mother, Sheridan Larkman – who also runs pageants – puts a dummy in her mouth. Kaliese is 16 months old and, for most of her performance, was in her mum’s arms. But she smiled and waved at the judges, the most you can expect from someone yet to master a fork. In this under-three category, she’s up against some tough competition: 14-month-old Marley, a little ratty after skipping a nap, and Kaliese’s sister Alaska, 2½, who later completely misses the talent section due to her afternoon sl
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