Manuel Ferrara Angela White
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Manuel Ferrara Angela White
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When Angela’s husband goes overseas for a business trip, she decides to stay at home to finish the book she has been writing. Her husband has always been her biggest distraction, with every room in their house holding memories of their love and lust for each other. His absence is driving her crazy and she just can’t get him out of her mind. With an open relationship, she knows she can satisfy her craving elsewhere – but she only yearns for the man she loves.
An understudy is overwhelmed when she's called in to perform opposite an infamous actor at the last minute. He uses the power imbalance to his advantage. Directed By: Johnny Faith.
When Scarlit isn't ripping up the roller disco, she's on the prowl for couples to seduce. At a hotel's upscale bar-resto, she spots Ariana and Manuel and proceeds to work her magic. Directed By: Derek Dozer.
Maitland brings the lesson around on her way to surrendering to the man she'd been holding out against. Directed By: Kayden Kross.
September carries on what her husband began. Directed By: Kayden Kross.
Rina throws a party at her house. She's invited her crush and is looking forward to getting to know him better. Unfortunately, as she was getting ready she fell asleep and missed the whole thing. Luckily for her, her ...
Angela is alone in LA and ready to meet up with someone that has made her trip extremely memorable, and she is ready to make sure that her last night is something to never forget. Directed By:
Greg Lansky.
The last time he played his games with her, he took it too far. Halle swore him off for good, but now he's back and the temptation is stronger than the lesson she should have learned. Directed By: Kayden Kross.
A few months ago, Angela bought a lovely house in the hills and it’s been fantastic, apart from one thing - her neighbor. A real party guy, he plays loud music all the time and she finds it so annoying. When she knock...
Relaxing in the bar, she catches his eye, and after ordering her a drink, the nightly activities are about to begin. When they reach the hotel, they waste no time before they are in each other's embrace, feeling the t...
His first conquest went entirely to plan, ensuring every satisfaction and taboo was completed. Now he has the option to take whatever he wants from her - but he's bringing company, and she has to watch. Directed By: K...
What do you get for the man who has everything? On Valentine's day, she knows exactly what he craves above all else - she knows his taste. Directed By: Kayden Kross.
She has watched him from afar for some time, training herself until she is now finally ready for him. All she wants now is for him to test her - to see just how much she can take. Directed By: Kayden Kross.
Kenna and Kayden work in perfect unison to strip a whale of all the cash he carries after his helicopter makes an unplanned stop at the strip club. Directed By: Kayden Kross.
Jackie looks up to Eliza, dutifully copying everything she does. Eliza accepts the attention with equal parts malice and glee. Directed By: Kayden Kross.
She noticed his ring as soon as he walks in the room, but that won't stop Skye. The attraction is undeniable - regardless of who might get hurt in the process. All she needs is to get her hands on him.
Aware of her own unraveling, Angela seeks help in the form of a therapist. "Have you ever faced your sexuality," he asks flatly. "Once," she says. "There was one time." The memory is as intense as it is wrong.
Angela is perfectly polished and in control until a chance encounter with Maitland begins to knock her off course.
After stumbling upon an underground haven for fuck dolls and those who love them, Aidra is pressed by Joanna to try it. Confused as to how this solves the problem of her recent break up, Aidra looks up at Joanna uncer...
Under pressure from her husband to try something new, Bunny reluctantly agrees to allow an escort to join them. “So this is your first threesome then?” Autumn asks with surprise. Bunny has better questions as she lift...
Once her sister's husband crosses a line with Athena, she insists the encounter go further. He resists, but Athena won't let the advances go unanswered. After all, he opened the door for it.
Demi demands that her lover leave her with marks that are as strong as the feeling was.
First dates are always a gamble, and Evelin finds Kyle to be a losing bet. When a more suitable mate interrupts their meal, Evelin doesn’t look back. She should have, though, because Kyle is right behind them.
Haley tells the oldest story in the book—the one about a woman who sets her sights on what she wants and the man she pulls in with her.
Nicole is still under suspicion for her husband's murder and his employee too - and there's some serious proof against them. When Angela, the investigating officer takes things to the next level, he will have no alter...
Lena has recently got divorced and at last she is single again. She still feels sad but her best friend Angela is around to keep her spirits up. Lately, she has been hooking up with a hot guy she has recently met. Ang...
Sweet girlfriend Megan has had a fight with her boyfriend. He’s been speaking to his ex and she’s not happy. When her sexy neighbour returns he sees her and asks her to his apartment to take her mind of things. He tak...
Slim babysitter Sabrina likes to keep her boss happy. She really wants to go to a festival but she just doesn’t have the money. So he gives her an offer she can’t possibly refuse. Take care of his needs and he will al...
Voluptuous Angela loves to flaunt her fabulous assets as she basks in the evening city lights. Her night takes her to a place of sexual tension, excitement and satisfaction that is second to none.
Vixen - After Dark Part 5 - Tori Black, Mia Malkova, Vicki Chase, Kira Noir, Ana Foxxx, Abella Danger, Jessa Rhodes, Angela White, Ricky Johnson, Mick Blue, Bambino, Ryan Driller, Alex Jones
The last night of freedom...
When Kayden walks in on her husband fucking another woman, she's upset, but more upset that the other woman doesn't even suck his dick the way he likes it. Kayden is quick to show Lena how it's done, and the two end u...
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Sex. Celebrity. Politics. With Teeth
Sex. Celebrity. Politics. With Teeth
LOS ANGELES— Kayden Kross is crouched on a stool, legs tightly crossed, leaning toward a pair of monitors reflecting the feeds from two cameras capturing a profusion of acts and parts, a simulacrum of sexual abandon. An industrial warehouse space in downtown Los Angeles has been transformed into a fictional sexual underground with spotlit drifts of ethereal smoke. On the screens: hands, breasts, butts, vaginas, penis, tongues collide in a blur of seemingly endless permutations and possibility. Meanwhile, Kross is the portrait of a laser-focused director, looking like she might try to crawl, Poltergeist -style, right into the monitors.
She’s attempting to hide from the sight of her romantic partner of seven years, Manuel Ferrara, who is the star of this five-person bacchanal. Although the couple has agreed to monogamy off-camera, and Kross is comfortable watching him perform, her presence during sex scenes makes him uncomfortable. When directing Ferrara, which she does regularly, Kross usually leaves the room once the hardcore sex starts. This time, though, she decides to stay in the room and hopes, that by ducking behind the monitors, Ferrara won’t notice.
Ferrara, a 22-year veteran of the adult industry, stands feet away from her in front of the cameras. He’s shirtless with black dress pants slung around his ankles. In front of him: a black leather platform that’s part bed, part kinky coffee table. Four women—Alina Lopez, Angela White, Autumn Falls, and Lena Paul—writhe in pleasure on the table-bed as Ferrara moves along its edges. White, a popular, multi-award-winning performer, is playing the role of his wife, who according to the script, has just had an erotic awakening after a lifetime of sexual repression. Ferrara tells his make-believe wife, “ Oh yeah , you like it nasty.”
Kross cuts through the moans and shouts from off-camera: “Someone go wide!” She’s telling the cameramen to make sure they are adequately capturing the reverse gang bang of Ferrara—the love of her life.
This film, titled Drive , is the first feature for Deeper.com, a high-end, fetish-themed site that Kross launched earlier this year. Marketing materials have portrayed the site as “leading a sexual revolution that’s taking politically incorrect fantasies into the mainstream.” It is, perhaps, a bold proposition in the age of MeToo, which made high-profile headlines of real-life stories of abuse. Only four years ago, two years before the MeToo movement went mainstream, the adult industry began reckoning with its own abuse allegations. Since then, several men in the industry have been accused of boundary violations during shoots—and, last year, Ferrara was one of them. This complicates what is otherwise a story of a couple’s collaborative rise within the porn industry, and the depiction of forbidden fantasies, with real-world concerns around consent.
Ferrara is considered an industry legend—he’s won the Male Performer of the Year award a record six times and has been inducted into the AVN Hall of Fame, but it’s Kross’s star that this year has risen most dramatically. She started in the industry as a performer in 2006 with a coveted Vivid contract and has since made the transition into directing. In January, she won the AVN Award for Director of the Year—the adult industry equivalent of a Best Director Academy Award—and she’s only the second woman to do so in the show’s 25-year history. That same month, the well-heeled Vixen Media Group bought a majority stake in the award-winning TrenchcoatX, an indie porn site that Kross co-created. A few months later, she launched Deeper under Vixen’s umbrella of popular sites. Ferrara has become one of her most-booked male performers.
The two have proven formidable on their own, but increasingly so in collaboration. Kross and Ferrara—who have a child together and live next-door to Ferrara’s ex-wife, with whom he has three children—have been called porn’s “golden couple.” They even have a Fleshlight “ Couple Goals ” package, which includes a dildo molded off of Ferrara’s penis and a flashlight-like tube featuring silicone labia modeled after Kross. Now, though, they frequently come as a different kind of package deal: director and performer. Kross directs Ferrara in the scenarios that she dreams up for Deeper, which have recently included a husband pressuring his wife into a threesome with an escort and a woman coercing her sister’s husband into sex.
These are delicate fantasies to navigate alongside industry abuse allegations, which have included Ferrara. Last year, the New York Post reported that performer Jenny Blighe alleged that Ferrara had choked her excessively and left bite marks on her body during a shoot for a scene the director had told her would be “pretty vanilla.” At the time, Blighe noted on Twitter that she wasn’t “sure who is to blame for the things that occurred because I don’t know what Manuel was told prior to shooting,” but has since referred to the experience as abuse. “I was very surprised,” said Kross, noting that she felt unclear on the exact nature of the allegations. “If something happened, it was not intentional.” Ferrara, via Kross, declined Jezebel’s request for comment on this matter.
Kross also frequently directs Markus Dupree, who has been accused by multiple performers of boundary violations and excessive roughness during porn shoots. Most visibly, the podcast Last Days of August , an investigation into performer August Ames’s death by suicide, unearthed text messages in which she reportedly made allegations against Dupree to a friend. (Dupree did not respond to Jezebel’s request for comment.) Kross says that she continues to work with Dupree because she personally trusts his ability to safely perform rough scenes, and because, in the case of Ames, she never went public with the allegations. “I don’t think you can throw a whole person away based on an accusation that’s removed like that,” she said. “It starts becoming reckless.”
Not unlike in the mainstream, the prevailing reality of MeToo within the adult industry—despite the requisite cries about overreach and the abandonment of due process—is not one of the accused men being driven out of the industry, losing their livelihoods. Like Ferrara, many are still working, and some quite successfully. There is no real sense of resolution or conclusion: Performers and directors are left with their own opinions about the legitimacy of individual claims, the degree of culpability, and the grounds for forgiveness. These perspectives don’t always fall tidily along expected political lines: Recently, Barcelona-based porn director Erika Lust, whose work is marketed as feminist and ethical, published a blog post denying a performer’s claims of on-set sexual assault.
Similarly, Kross questions the allegations against Ferrara and Dupree, but has also been vocal about the issue of consent on set. “I’m getting better and better at finding all the little places where there could be violations and controlling for that,” she said, explaining that she’ll often interrupt scenes, even at the slightest sign of unease, to ensure that a performer is comfortable.
Years ago, following those early industry abuse allegations, I visited one of her sets to report on the complexities of ensuring consent during a shoot that she felt required extra care. Interestingly, it was a scene featuring a woman performer having sex with two men in front of her real-life husband, roughly a gendered inverse of the scenario under which Kross and Ferrara routinely work. Kross explained that such a setup could “reverberate” through the performers’ off-camera lives, given the real feelings involved. But this potential liability was also crucial to the heat of the film, which went on to win three AVN awards. As she told me at the time, “In my mind, to get something really good you’re going to get something that hits the emotional aspect of an interaction, otherwise it’s just mechanical.”
To hear Kross and Ferrara tell it, at least on the surface, there isn’t much of an emotional aspect for them when they work together. “It’s all for the scene,” said Ferrara during a filming break. “Once the scene is done, ‘Thank you for the scene, it was great, now I’m back to normal and being Kayden’s husband,” he says while sitting on a fraying antique prop couch placed next to a plywood false building front. Similarly, Kross tells me of Ferrara’s work, “It’s very easy to show up, shake someone’s hand, have the common goal of making really great content, and go home and wash yourself of it.”
It wasn’t easy, though, back when Kross was performing with other men. Kross describes her decision to stop performing in 2013 as a response to both Ferrara’s jealousy, as well as her own waning interest in performing. In 2014 she wrote a Modern Love column about their relationship in which she said, “Navigating love when both of our jobs involve having sex with other people can be stressful, and this especially began to bother Manuel; he would get jealous and moody in the days before my shoots.” She continued, “He knew it wasn’t fair to ask me to stop, but he couldn’t hide the way he felt.”
As Ferrara puts it now, “I was happy she decided to stop,” although he acknowledges that some might see this arrangement as “hypocritical.” Kross, however, sees it as a quirk of their personalities. “He’s an extremely possessive person,” she says. Meanwhile, Kross jokes that she could be happily “sitting on the bed with a monitor” during one of his scenes. “It would be a little more difficult for me,” Ferrara says with a slight smile. “I wouldn’t be able to handle it the way she handles it.”
Married couples and longterm committed partners working together, or parallel to each other, within the mainstream adult industry are not at all unusual. Neither is off-camera monogamy. Kross says it is “super common,” even a “norm,” within the industry. What makes Kross and Ferrara unique is a combination of the frequency of their work together, their roles on either side of the camera, and the power dynamics in those positions, as well as the degree of their professional success. In many ways, their arrangement reflects the labor of sex work: In the context of porn, Kross doesn’t perceive Ferrara having sex with other women as a threat, because it is contained within a professionally negotiated scene.
Maitland Ward, a performer featured in the film Kross was shooting, is married and often has her husband shoot independent adult content that she stars
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