Lesbian Adventures Older Women Younger Girls
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Lesbian Adventures: Older Women, Younger Girls 10
(2016 Video)
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Brandi Love stars in two of the four segments of this successful entry in Sweetheart's popular series, with Sara Luvv as her personal assistant contributing some fine acting in addition to the expected hot lovemaking. Sara is instantly jealous when Brandi takes in a waif (cute Joseline Kelly) who wanders into her backyard, and of course humps the youngster. Following segment has Brandi giving Sara equal time in the sack, satisfying both Luvv and the audience. The remaining scenes are light-hearted and very well performed. Yhivi, far more attractive with long hair after her earlier career with bangs, is wonderful snuggling up to sympathetic Alexis Fawx, still a blonde at this phase in her Adult saga. Opening scene is played for laughs, as Sovereign Syre is frightened by an iguana on the loose in her home (looking like one of those monsters albeit tiny that populated 1940s and 1950s horror flicks). A young wildlife warden takes care of the problem and then services Syre. Sarah Banks is cast here for IR content and seems quite tentative in her performance,
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HARRY ALONE Prince Harry rushed to see the Queen in Balmoral but arrived after death
FAREWELL MA'AM Latest tributes as Queen Elizabeth II passes peacefully at Balmoral aged 96
THE 3 aaahs Wills, Kate, George, Charlotte & Louis all smiles at new £7k-a-term school
MADE UP I'm a glam mum - people stare but I love wearing crop tops on the school run
The couple even flew to Brazil to meet Julia's parents
TWO women who are preparing to tie the knot say their 37-year age gap doesn’t bother them as they plan their wedding together.
YouTube star Julia Zelg, 24, proposed to her girlfriend, 61-year-old Eileen de Freest, just before Christmas.
Julia, originally from Brazil, first revealed she had a new girlfriend to her fans back in September, after the couple met on Tinder.
Gushing about her new love, Julia told fans: “I’ve met this woman and she’s the most amazing person I’ve ever met.”
“I was just planning to enjoy my single life and have fun and stuff, and in the process of doing that, I met her and just fell for her.”
Their whirlwind romance saw them announce they were moving in together later that same month, and they’ve even adopted a kitten called Brittney who lives with them in their London home.
Julia said in a vlog to fans: “You’re probably thinking, wow you just met and you’re moving in together.”
They both acknowledged it was a “quick and new thing”, but Eileen said they were “consolidating their lives.
“We’re not just acting impulsively we’ve talked about everything.
“There are so many good reasons to move in together. And we’re both really really happy”
Their relationship blossomed, and Eileen, originally from America, said yes after Julia got down on one knee.
The couple jetted to Brazil to meet Julia’s parents for Christmas, with Eileen greeting her as “my future mother-in-law”.
And now the couple are busy planning their wedding, scheduled for later this year.
Despite claiming they’re just like any other couple, their relationship has attracted some criticism.
Elieen said: “She’s young yes but I have rarely met anyone of any age with the emotional maturity and generosity of Julia.
“Listen Julia is a lot younger than me, and I’m a lot older than her…
“She’s not captive she’s my girlfriend, she’s my partner, she’s somebody I love.
“You don’t think I went over this for months in my mind?
“Is she too young for me, what is the cost of being with an older woman?
“I’m not going to take her life away, she will go on long after me and I want her to do that. And I love her so much."
Julia added: “Why is it so wrong that we’re two women and that we have a big age gap?
“There’s nothing wrong and it’s none of your business.”
Despite the abuse they've received, a lot of people have supported the couple.
One person said: “You're both consenting adults and not hurting anyone, keep doing what makes you happy.”
Another agreed, saying: “Two consenting adults in an honest loving relationship. Nothing more precious than that.”
And a third person said: “Honestly the love you have for each other makes my heart melt, never ever should anyone hate on someone for loving another, love is love, I don’t care what anyone says.”
Julia frequently posts loved-up images of the couple on her Instagram page, and they share the journey of their relationship on YouTube as well.
Prince Harry rushed to see the Queen in Balmoral but arrived after death
Latest tributes as Queen Elizabeth II passes peacefully at Balmoral aged 96
Wills, Kate, George, Charlotte & Louis all smiles at new £7k-a-term school
I'm a glam mum - people stare but I love wearing crop tops on the school run
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Published: 17:15 BST, 22 August 2017 | Updated: 17:24 BST, 22 August 2017
A woman who had a lesbian relationship with a teenage girl was caught because they filmed themselves romping half naked on a bed.
Indianna Northcott, of Torquay, Devon, was 19 when she started the relationship with the 14-year-old. Photos were found of the pair kissing on the girl's phone.
The images and dozens of suggestive texts were found on the girl's phone after her parents became alarmed by the relationship and called in the police.
Indianna Northcott, of Torquay, Devon, was 19 when she started the relationship with the 14-year-old. Photos were found of the pair kissing on the girl's phone, Exeter Crown Court heard
Northcott, now aged 21, initially told police that nothing sexual had taken place between them but was forced to admit her guilt after the video and images were found.
One clip showed Northcott, naked from the waist up, rolling around a bed with the girl who was wearing just a thong and t-shirt.
Northcott, admitted two counts of sexualactivity with a child and was ordered to do 40 days rehabilitation activities by Recorder Mr Rufus Taylor at Exeter Crown Court.
He also ordered her to sign on the sex offenders' register and made her subject of a sexual harm prevention order which restricts her contact with children under 16.
He told her he accepted the offences happened two years ago when she was 19 and was immature and had issues with anxiety.
Mr Peter Coombe, prosecuting, said the girl's parents became worried about her contact with Northcott when she claimed to be visiting friends but in fact spent the night with her.
They called the police who issued Northcott with a formal warning but she carried on seeing the girl until they fell out in 2015 and the girl called her mother from a carnival and complained of sexual abuse.
She made a statement to the police, which she later withdrew, but also handed over a phone which she thought was broken, but which yielded data when examined by experts.
They found selfies showing the girl and Northcott kissing and a video clip of them in bed together.
Mr Coombe said: 'It showed them kissing while lying on a bed and rolling around. Northcott was under the covers but naked from the waist up. The girl was on top in a t-shirt and thong.
'The images showed the defendant with her hand on the girl's buttock while she was wearing a thong. One text message from Northcott said 'you are mine and have been for over a year'.'
Mr Kevin Hopper, defending, said there had been no threats or exploitation and the age difference should be seen in the context of Northcott's immaturity.
He asked the judge to take account of a probation report which recommended working with them to prevent further offending.
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Back and newly restored, the 1951 French film about a lusty all-girls boarding school remains as strange and sensational as ever.
Marie-Claire Olivia (left) in "Olivia."
Edwige Feuillere (left) and Marie-Claire Olivia (right) in "Olivia."
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A legendary and rarely seen lesbian classic, the 1951 film Olivia is being rereleased in theaters thanks to Icarus Films. Like the better-known 1931 German drama, Mädchen in Uniform, this story of a young girl's love for her teacher was written and directed by women. Olivia bears many striking resemblances to Mädchen, but at least it does not end with a suicide.
Based on the 1949 British lesbian novel of the same name by Dorothy Bussy (née Strachey), which was published by Leonard and Virginia Woolf’s Hogarth Press, Jacqueline Audry’s Olivia was first released in France, then in the U.S. in 1954 (Colette Audry wrote the screenplay). Its sensational original U.S. title, Pit of Loneliness, was clearly meant to evoke Radclyffe Hall’s 1928 lesbian novel, The Well of Loneliness.
Olivia ’s initial tone of girlish playfulness and its quaint period atmosphere shifts in fits and starts to become lurid and even creepy. Like other early portrayals of homosexuality on screen, we get a little titillation and a lot of psychological warning.
It’s the late 1800s in the French countryside. Impressionable, innocent English girl Olivia (Marie-Claire Olivia) arrives to her posh new boarding school in a horse and buggy and is quickly immersed in the dramas of her new home. We soon discover the strange partnership and rivalry of the two women who run the school, Miss Julie (Edwige Feullière) and Miss Cara (Simone Simon), who clearly share a special relationship and also seem to compete for the affections of their students—"the Julists and the Carists,” one character calls the two factions.
The languid Miss Cara is a caricature of manipulative, neurotic femininity—all flounce and lace and coquettishness. Her pouting and obviously feigned illness (she suffers from “migraines” when she gets upset) is at once a ploy to earn Miss Julie’s sympathy and a passive-aggressive jealous brooding over the fact that the students seem to prefer Miss Julie to her. We get additional shades of lesbian pseudo-psychology in fellow teacher Frau Riesener (Lesly Meynard), who co-dependently cares for Miss Cara, looming as a constant presence. Serving as a comic chorus, the school cook, Victoire (Yvonne de Bray), and math teacher Miss Dubois (Suzanne Dehelly) gossip incessantly and often hilariously about Frau Reisener, Miss Cara, Miss Julie, and all of their nonsense.
But the film’s primary arc is the evolving relationship between Olivia and Miss Julie, some of which is depicted in private in their one-on-one scenes and much of which is acted out in classroom and dining hall sequences—this public display of tension makes the story all the more shocking.
Marie-Claire Olivia (left) in Olivia.
“Did you see? She was walking as if in a dream,” says one of the girls after seeing Olivia utterly smitten with Miss Julie after a classroom reading of Racine.
Our young protagonist grapples with her increasingly passionate crush on her teacher, and Miss Julie’s feelings for Olivia also gradually blossom—the portrayal of this dilemma vacillates between subtle restraint and overwrought torment as Feullière unfolds a masterful performance of pedophilic lesbian agony.
Similar to Mädchen in Uniform, we get numerous scenes in which the student recklessly makes known her feelings for the teacher. When they visit a museum together in Paris to see Jean-Antoine Watteau’s painting The Embarkation for Cythera, Olivia gazes not at the painting but at Miss Julie. Riding back home on the train, she again fixates on her in the coach. When she asks Olivia to sit next to her, Olivia grasps Miss Julie’s hand and we see Miss Julie, realizing Olivia’s intent, pull away and look strangely at her.
Later, when Miss Julie’s beloved former student Laura (Elly Claus) drops by, Olivia tries to understand whether Laura and Miss Julie had a similar experience together. “Laura, do you love her? Tell me,” Olivia says, and it’s more a proclamation than a question. “Does your heart beat when you see her? Does it stop when your hands touch? Does your throat close up when you speak to her?”
We’re an hour in at this point, and Olivia has offered mysterious and confusing implications that vaguely suggest lesbianism. The progression toward an explicit showcase of lesbian desire in the latter part of the film grows more astounding as the love that dare not speak its name becomes both audible and visible (it’s doubly astounding given that the film’s period setting makes it seem even older than it is).
Edwige Feuillère (left) and Marie-Claire Olivia (right) in Olivia.
Miss Julie keeps finding reasons to go visit Olivia in her room at bedtime. On one particular night, as Miss Julie goes to tuck Olivia in, we see a genuine hunger in her that she’s trying to suppress. She tells Olivia to shut her eyes and then leans over and kisses them far more intensely than she should. Olivia clutches Miss Julie’s hand and begins kissing it.
“You’re too passionate, my dear,” Miss Julie responds, pulling away.
The next day, together in Miss Julie’s office, Miss Julie plays it cool, but stares longingly at Olivia when she’s not looking. Olivia suddenly looks up and meets her gaze, and then lunging towards Miss Julie and kneeling next to her desk, Olivia declares, “I love you. I love you. I love you.” Miss Julie does not move—her reaction betrays her mixed emotions. She averts her eyes, hal
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