Hello Nasty Beastie Boys
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Hello Nasty Beastie Boys
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Beastie Boys Format: Audio CD
4.8 out of 5 stars
959 ratings
Includes FREE MP3 version of this album. Provided by Amazon Digital Services LLC. Terms and Conditions . Does not apply to gift orders. Complete your purchase to save the MP3 version to your music library.
Is Discontinued By Manufacturer
:
No Language
:
English Product Dimensions
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4.88 x 5.55 x 0.43 inches; 2.4 Ounces Manufacturer
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Capitol Item model number
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2132104 Original Release Date
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1998 Date First Available
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July 27, 2006 Label
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Capitol ASIN
:
B000007TE8 Number of discs
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1
4.8 out of 5 stars
959 ratings
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I don’t know how to review and album on Amazon. You obviously clicked on this album cause you love it, so you know it’s good. You probably have listened to it before, cause your into vinyl. It’s sounds great, came on time, and zero damage. I was so excited when I was able to Finally get this one and now it’s a staple of my collection!
This is the highest quality album I have bought. The art on it is amazing. The record is really nice. Great music too.
I gave this away in college because I am an idiot and have been kicking myself since. After reading The Beastie Boys Book and seeing it was one of their favorites, I picked it up again. I definitely agree with them.
One of the best albums from the 90's
The Beastie Boys are certainly one of my favorite rap groups of all time, mostly because they're so unique. Though they were obviously influenced by Run-D.M.C. and other oldschool rap groups (mainly for Run-D.M.C.'s signature style of the rappers cutting each other off), they still stand out creatively and commercially. What they did is essentially blend in hardcore punk with hip-hop, creating a surprisingly addictive and fun album (or series of albums, basically all their other ones are great, too)! They may not be the best MCs on the planet, but they are certainly very recognizable and have great charisma. They have a punkish sounding accent that somehow works with the material. The lyrics tend to be pretty much about nothing, but they somehow remain funny, interesting and definitely catchy. "Hello Nasty" is arguably their most accessible album as two great hits came off of it ("Body Movin'" and "Intergalactic"). These are great tunes, but the rest of the album holds up really well. It might not necessarily be for everyone (mostly due to the hardcore punk sections), but people will probably like most of the album. Highly recommended! Highlights include: the entire album!
After owning this on cassette tape since its release, I decided to finally grab this album on CD. Still as thrilling as the very first time I put the headphones on and pushed play on a walkman with this on tape. In My opinion, this was Beastie Boys at their pinnacle - Plenty of things going on in this album that you'll find something about it to really enjoy. The way they mix-up alot of their textures is quite an inspiration, as both a listener and a musician. In my opinion, this CD was meant to be heard on tape, just by how the songs flowed thought the record. Its strange not realizing just how many songs are on this album until noticing the track list as a whole.
Incredible album. This is one of my favorites by any artist. I must have heard it hundreds of times in my life. Hearing on on vinyl for the first time revealed a new depth of sounds. I heard parts of the tracks that I had never heard before. It's an absolute delight. The album art is also outstanding and really easier to appreciate in this format. I put off getting this double LP for a while because of the price, but I really shouldn't have.
4.0 out of 5 stars
Layers of Sound to Learn to Love
Hello Nasty has to be an example of one of those albums that need repeated listens to appreciate all the things that are being done, and being done well. Layers of different styles of music create a tapestry of sound that the listener needs to make an effort for to appreciate. It is therefore, maybe not the best album, and certainly less catchy than Ill Communication. However, it is Different with a capital D. And although in the grand scheme of things, this will not be the album for which the Beastie Boys will be best remembered, it is an album that you can pick up for a few buck and learn to love. When that has happened, it will never leave the stack next to your player.
5.0 out of 5 stars
5 star album but 5 stars for the vinyl quality
Heard this album on CD and digital hundreds of times but nothing prepared me for how good it would sound on wax. Honestly it's like discovering the album for the first time all over again. Buy this and prepare for lift off to space.. Intergalactic planetary!!
Great price- cover was a little worn at the edges and vinyl unmarked, perfect after a clean. Of course the album is fantastic too- I bought at the time of release and I have to say I felt a little disappointed after Intergalactic blew my mind, however repeated listens bore fruit. It's a superb album up there with Paul's Boutique, Check Your Head and Ill Communication. If you like the Beasties it should be in your collection :-)
Glad to repurchase this old favourite lost to a flatmate on moving out YEARS ago! We split our cd collection and dread to think what I got instead!!
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It's been 4 years since Ill Communication entered the charts at numero uno - going on to sell over a million records. The Beasties have been busy publishing (Grand Royal Mag), developing other musical talent (on Grand Royal Records), taking a stand to support non-violence (spearheading the Tibetan Freedom Concerts in San Francisco and New York) and crafting the tunes on this, their 5th full length release. 1st single/video: "Intergalactic."
On their previous album, Ill Communication , the Beastie Boys expanded their parameters yet again, melding cutting-edge hip-hop with slinky jazz, butt-wiggling funk, weepy classical, and combustive punk rock. Four years down the line, the group's music isn't nearly as organic. They've all but abandoned the guitars and returned to the kind of old-school beats and rhythms that defined their groundbreaking 1989 disc, Paul's Boutique . But Hello Nasty isn't a regression, and it's anything but a cop-out: in addition to resurrecting the best elements from their past, the Beastie Boys have embraced the dopest high tech gizmos of the computer age. Hello Nasty gurgles like galactic sulfur pools, whizzes like a Sega game, and slurps and thumps like the best backward Hendrix loops. Add in a cavalcade of Latin percussion, calliope keyboards, and exotic samples (Stravinsky, Stephen Sondheim, Jazz Crusaders, Rachmaninoff), and you're left with one of the most creative and jubilant hip-hop records to date, even if you exclude witty lyrics like, "I'm the king of Boggle / There is none higher / I get 11 points off the word quagmire " ("Putting Shame in Your Game"). To paraphrase über -critic Robert Christgau, Paul's Boutique may have been the band's Pet Sounds , but Hello Nasty is the Beasties' Sgt. Pepper's . --Jon Wiederhorn
Hello Nasty reveals a growing adult sensibility, especially in edgy topical tracks like "Flowin' Prose," a peacenik anthem set to drum 'n' bass rhythms, and "Putting Shame in Your Game...." -- USA Today Hello Nasty is a sonic smorgasbord in which the Beasties gorge themselves with reckless abandon. The melange makes for a looser, more free-spirited record than their earlier albums; the music invites you in, rather than threatening to shut you out. There's a rub though: For all their leaps toward maturity (a word they probably hate), the Beasties are still most distinctive when they're randomly accessing crazy rhymes over big beats. -- Entertainment Weekly No matter how much they swear they're "getting on down or the year 2000," the Hello Nasty that is given over to hip-hop is filled with so much money-makin' and disco-breakin' on an don till the breakadawn, you'd think we'd taken the way-back machine into the early Kangol era. Yet such recapping doesn't sound even faintly kitschy. More like a labor of love by three premillennial mensches laying their roots down: a B-boy Anthology of New York Folk Music. -- Spin There's an endearing honesty and lack of guile along with the sheer entertainment value, and if Hello Nasty isn't these erstwhile brats' most ambitious moment, it's hard not to get swept up in the momentum of the slamming tracks and fiery raps. -- The Los Angeles Times [F]or the first time in their career, the Beasties sound more like a group influenced by hip hop instead of an actual hip-hop group. For the most part it is a long- winded, self-indulgent, sub-par effort from one of rap's originals. -- People [T]hey have lost some of the youthful swagger that fueled their fat boy rap's high-octane edge. The WDEF radio format that strings this collection together doesn't work because it's been done to death and it's just not funny--especially when you have to fast-forward every five minutes. -- Vibe
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RECORD LABEL
Capitol Records
Hello Nasty was the sound of a band that either had nothing to prove or realized there was no point trying to prove it. Their biggest hits (“Fight for Your Right,” “Sabotage”) had been jokes, and their most ambitious statements ( Paul’s Boutique ) had been flops—what did they know about the music industry that they didn’t learn by embarrassing themselves? Part of the album’s success could be chalked up to public profile: In 1996, the band hosted the first Tibetan Freedom Concert, drawing in a diverse, socially conscious audience that probably hadn’t given them a second thought since Licensed to Ill , not to mention reasserted (ahem) their true identity as a group of smart, passionately curious dudes you could grow and learn with. It also reflected a broadening sense of what alternative music was and could be. Beck, Cornershop, DJ Shadow, Luscious Jackson, Bran Van 3000—it was a funkier moment, more global, more inclusive and eclectic. Most of the time, Hello Nasty doesn’t even sound like one band. But in its range—the psychedelic boom-bap (“Intergalactic,” ”Body Movin’”), the Buddhist bossanova (“I Don’t Know”), the jazzy mixed-grill instrumentals (“Song for Junior,” “Sneakin’ Out the Hospital”)—lay a sense of discovery and experimentation that doubled as a rallying cry, proof that maturity has more to do with exploring what you don’t know than persisting in what you think you do. Remembering an interview in which he was asked if “Song for the Man”—a lounge-y callout of sexual harassment—was hypocritical in the wake of their past, Ad-Rock, in the Apple TV+ documentary Beastie Boys Story , said, “I’d rather be a hypocrite than the same person forever.” So here they were, mostly back in New York now, jamming in lower Manhattan sub-basements, pressing record with one hand and rushing over to their instrument just in time for the cue, doing what they’d always done: change.
A Capitol Records Release; ℗ 1998 Capitol Records, LLC, Grand Royal and Beastie Boys
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Featuring
Biz Markie , Brooke Williams , Eric Bobo & 6 more
Producers
Beastie Boys & Mario Caldato Jr.
Writers
Ad-Rock , Beastie Boys , DJ Hurricane & 10 more
Check Your Head (Deluxe Version) [Remastered]
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Intergalactic (Colleone & Webb Remix)
Putting Shame In Your Game (Prunes Remix)
Happy to Be In That Perfect Headspace
The Negotiation Limerick File (The 41 Small Star Remix)
Body Movin' (Kut Masta Kurt Re-Mix)
Oh My Goodness This Record's Incredible
RECORD LABEL
Capitol Records
Hello Nasty was the sound of a band that either had nothing to prove or realized there was no point trying to prove it. Their biggest hits (“Fight for Your Right,” “Sabotage”) had been jokes, and their most ambitious statements ( Paul’s Boutique ) had been flops—what did they know about the music industry that they didn’t learn by embarrassing themselves? Part of the album’s success could be chalked up to public profile: In 1996, the band hosted the first Tibetan Freedom Concert, drawing in a diverse, socially conscious audience that probably hadn’t given them a second thought since Licensed to Ill , not to mention reasserted (ahem) their true identity as a group of smart, passionately curious dudes you could grow and learn with. It also reflected a broadening sense of what alternative music was and could be. Beck, Cornershop, DJ Shadow, Luscious Jackson, Bran Van 3000—it was a funkier moment, more global, more inclusive and eclectic. Most of the time, Hello Nasty doesn’t even sound like one band. But in its range—the psychedelic boom-bap (“Intergalactic,” ”Body Movin’”), the Buddhist bossanova (“I Don’t Know”), the jazzy mixed-grill instrumentals (“Song for Junior,” “Sneakin’ Out the Hospital”)—lay a sense of discovery and experimentation that doubled as a rallying cry, proof that maturity has more to do with exploring what you don’t know than persisting in what you think you do. Remembering an interview in which he was asked if “Song for the Man”—a lounge-y callout of sexual harassment—was hypocritical in the wake of their past, Ad-Rock, in the Apple TV+ documentary Beastie Boys Story , said, “I’d rather be a hypocrite than the same person forever.” So here they were, mostly back in New York now, jamming in lower Manhat
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