Erotica Romana

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Erotica Romana
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Currently reading : Erotica Romana
Erotica Romana
3 November 2012
Author : maxadmin
Erotica Romana , is a compilation of elegies by Johann W Van Goethe, which were composed in the 18th century. Most of the poems are written from the perspective of ruminative and passion male characters; often using references to nature, fictional and historical Roman mythological narratives. The elegies serve as insights into the overactive and cynical mindset of the narrator(s), with some of the best and most quotable lines being not solely erotic; but sometimes humorous or overtly romanticised. ER exists as an interesting series of journeys and takes on the psyche concerning romance and embrace; relationships and sex.
Happily now on classical soil I feel inspiration
Voices from present and past speak here evocatively.
Heeding ancient advice, I leaf through the works of the ancients
With an assidious hand. Daily the pleasure is renewed
Throughout the night in a different way, Im kept busy by Cupid
If erudition is halved, rapture is doubled that way
Do then I not become wise when I trace with my eye, her sweet bosoms form a nd the line of her hips stroke with my hand?
I acquire as I reflect and compare my first understanding of marble
See with an eye that feels, feel with a hand that sees
While my beloved, I grant it, deprives me of daylight
She in the nighttime hours gives me compensation in full
And we do more than just kiss, we prosecute reasoned discussions (Should she succumb to sleep, that gives me time for my thoughts)
In her embrace– it’s by no means unusual– Ive composed poems
And the Hexameters beat gently tapped out on her back
Fingertips counting in time with the sweet rhythmic breath of her slumber
Air from deep in her breast Penetrates mine, and there burns.
Cupid, while stirring the flame in our lamp No doubt thinks of those days when
For the triumvirs he similar service performed.
Established in 2005, Sang Bleu Media originated as a magazine, and evolved into the innovative digital platform it is today. Representing modern culture, Sang Bleu focuses on the unique expressions of urban society through contemporary art and fashion, sociology and literature. From fine arts to fashion and luxury, to body modification, tattoos or musical subcultures, Sang Bleu seeks to understand and represent modern reality through the unique visions of today’s artists.
Sang Bleu Publishing focuses on experimental projects with no rigid format. It has been at the helm of a multitude of releases, in collaboration with artistic institutions and individuals, like the Palais de Tokyo, or the poet Daniel Feinberg. It also is the publisher of the globally acclaimed Sang Bleu Magazine. These publications are available in the curated online store of Sang Bleu Media, amongst other collectables from hardback art and design books to fashion and fetish magazines.
Besides its print publications, Sang Bleu Media is also a digital platform constituting of online editorial spaces and a myriad of communities, giving each production, the opportunity to express itself under many forms and to be perceived under many angles, reaching not only specialist audiences, but also organically reaching a wider audience, thus challenging perceptions and contributing to the evolution of contemporary culture.
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Established in 2005, Sang Bleu Media originated as a magazine, and evolved into the innovative digital platform it is today. Representing modern culture, Sang Bleu focuses on the unique expressions of urban society through contemporary art and fashion, sociology and literature. From fine arts to fashion and luxury, to body modification, tattoos or musical subcultures, Sang Bleu seeks to understand and represent modern reality through the unique visions of today’s artists.
Sang Bleu Publishing focuses on experimental projects with no rigid format. It has been at the helm of a multitude of releases, in collaboration with artistic institutions and individuals, like the Palais de Tokyo, or the poet Daniel Feinberg. It also is the publisher of the globally acclaimed Sang Bleu Magazine. These publications are available in the curated online store of Sang Bleu Media, amongst other collectables from hardback art and design books to fashion and fetish magazines.
Besides its print publications, Sang Bleu Media is also a digital platform constituting of online editorial spaces and a myriad of communities, giving each production, the opportunity to express itself under many forms and to be perceived under many angles, reaching not only specialist audiences, but also organically reaching a wider audience, thus challenging perceptions and contributing to the evolution of contemporary culture.
Email: info@sangbleu.com
Tel: +44 (0)20 7254 7083
Sang Bleu London
29b Dalston Lane
London E8 3DF
United Kingdom
Privacy policy
2017 © COPYRIGHT SANG BLEU.
ALL RIGHTS RESERVED.
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From Wikipedia, the free encyclopedia
^ Rainer Hillenbrand: Goethes Römische Elegien als fiktionales Kunstwerk . Frankfurt a.M. 2003. ISBN 3-631-51248-1
The Roman Elegies (originally published under the title Erotica Romana in Germany , later Römische Elegien ) is a cycle of twenty-four poems by Johann Wolfgang von Goethe .
They reflect Goethe's Italian Journey from 1786 to 1788 and celebrate the sensuality and vigour of Italian and Classical culture. Written mainly after his return to Weimar, they contain poems on many sexual themes, and four of them were suppressed from publication during Goethe's lifetime due to fears of censorship ; they were only published in 1914, together with a large body of the Venetian Epigrams [ de ] , written during his second, shorter travel to Italy in 1790. The elegies are also a loving tribute to Goethe's companion, Christiane Vulpius , whom he met in 1788 on his return from Italy. [1]
This article about a collection of written poetry is a stub . You can help Wikipedia by expanding it .
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Thinking about his embrace and its pleasures, she seems to be asking
Shouldn't our glorious son here at our side stand erect?
Can't you hear voices, beloved, out on the Via Flamina?
Reapers are now going home, back from harvesting grain.
They had journeyed to Rome from afar, and here plaited for Ceres
Wreaths which the Romans today scorn to make for themselves.
Festivals no longer celebrate Ceres, the nourishing goddess
Who replaced acorns of old, giving man golden wheat.
Let us commemorate her then ourselves in festival private
(Two constitute a whole tribe, when they are two in love).
Have you by any chance heard how that mystical, strange celebration
Followed victorious troops back from Eleusis to Rome?
Greeks were the ones who began it, and only to Greeks they proclaimed it
Even within Roman walls: "Come to the sanctified night."
Those who were not of the cult kept their distance; neophy
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