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I saw Baalbek on a full-day small-group tour, which included other stops , but right now I just want to write about the Baalbek Roman ruins. Disclosure: This article contains affiliate links. Added in November I went back to Lebanon last year and returned to the Baalbek ruins, this time bringing my husband, who was equally blown away. On this second visit, I traveled with Tourleb , which offers group or private bespoke tours Be patient; the site loads slowly. They were wonderful and I highly recommend putting yourself in their hands. While archeologists have uncovered several different layers of ruins at Baalbek, Lebanon — Phoenician, Roman, Ummayad, Crusader and probably others — the pictures will show why, when they excavated and studied the site, they decided to focus on the Romans. Going back to before years BCE, the city of Baalbek already had temples at the same site. Later, the city became known as Heliopolis under the Greeks, who added to the temples. Under the Romans, it grew to be an important temple site, and they added to, enlarged and generally elaborated the structures starting in the first century CE and lasting for about two hundred years. It became a complex of temples dedicated to Venus, Jupiter, Bacchus and Mercury, though little is left of the temple of Mercury. First, though, on our trip to Baalbek, we stopped briefly at another archeological site: an ancient Roman quarry called Hajjar al-Hibla. About a kilometer from the Baalbek ruins, this site is where stones were cut to use in building the temples. An absolutely massive block, cut but never finished or used, is visible at the quarry. According to Wikipedia , it is 20 meters long and meters on a side. It weighs about tons. But how did they move something that heavy without modern technology? It seems that the quarry is slightly uphill from the Baalbek temple complex. The workers in the quarry cut the stone on an angle, visible in the photo. They did this work using picks, gradually digging a trench on each side. As they cut the rock, they placed rollers under it. Once the stone was entirely cut, 32 slave laborers operated each of 16 sets of pulleys 4 gears each to pull it slowly along the ground: a total of workers. Their path had been flattened and paved to create a track for the transfer, also using slave labor. These numbers come from an informational sign at the site. Our very knowledgeable tour guide, Natasha, explained that in positioning stones at the temple site, the slaves placed sand first, then moved the stone onto the sand. To lower the stone into place, the sand would be dug out gradually from underneath. It would have been an extremely slow and costly process — even using unpaid slave labor — which is probably why this stone and at least two others that have been discovered recently nearby never got used. If you enjoy visiting ancient places, read about these sites in Israel:. Keep in mind, though, that at the moment you cannot travel directly between Lebanon and Israel, since officially they are still at war. Most people go via another country such as Turkey, Cyprus, or Egypt. Before entering the main site, we passed the Temple of Venus, a fertility goddess. This is the smallest of the three remaining temples and not as grand as the other two we were yet to see; it has a low, round structure and is surrounded by low ruins. We were not allowed to enter this site, so we just looked and took pictures through a fence. Next we entered the main site, climbing steps rebuilt in the 20 th century to what was once the grand entrance to the Temple of Jupiter. A few columns remain of what would have been a long row of columns holding up a roofed colonnade. The effect, to worshippers approaching from below the stairs, would have been imposing and intimidating. We passed through that into the Hexagonal Courtyard, also roofless now. It had, in its heyday, a circle of thirty columns. This was a grand forecourt to what would have been a large plaza edged with buildings and altars: the Great Court. Standing at the entrance to the Great Court, the size of the plaza and the temples became clear. Only six columns, about 22 meters 72 feet high, remain at the far end of the Great Court — mostly hidden by scaffolding when I visited — of the original 54 columns that would have edged the enormous temple building, now in ruins. Outside of those 54 columns, another smaller columns once lined the outer edge of this plaza, supporting a colonnade. Pieces of broken columns lie here and there, allowing me to estimate the diameter of the largest ones at a bit more than two meters. Apparently the pink granite columns were quarried in Egypt and shipped in pieces to Baalbek. Now the space is, obviously, in ruins, but still holds hints of its former grandeur: the six still-standing columns, for one thing, the sheer size of the base stones, and the remaining altars to the left and right. From the spot where the main temple of Jupiter once stood, I could take in the whole Great Court, backed by picturesque snow-capped mountains in the distance. A layer of darker stones on top of the Roman stones drew my attention. It was immediately clear that the upper levels of building blocks had been added later: for defense, I assume. These blocks are much simpler and more primitively cut than the Roman layers. On a lower piece of ground to the side of the Temple of Jupiter, it is enormous and intact enough to get a clear idea of its importance and beauty. Surrounded by Corinthian columns 20 meters high, many of which still stand, this temple looks, seen from the Temple of Jupiter, like it could still be used. Entering it, we admired the ornate stonework, both inside — the walls are intact but the roof is gone — and outside. It surprised us to see, as we walked along the outer colonnade between the columns and the temple walls, that those columns still support remnants of a roof, which, like the rest of the temple, is ornately decorated. When Emperor Constantine converted the Roman Empire to Christianity in the early 4 th century, construction stopped. The Temple of Jupiter was torn down and replaced by a basilica, and the images of Roman gods throughout the complex were destroyed. In the 7 th century, after the Arab conquest, the site was made into a fortress, hence the extra building blocks on top of the walls. A whole series of conquerers used it after that. The Baalbek ruins tour was over a bit too soon for me. I would have liked to linger to study more details and take more pictures. I also would have liked to see the two small museums on the site. The area of the ruins is much bigger that what we saw, but much of it is still being excavated and is not accessible to visitors. It would be hard to overstate how much these ruins impressed me. The fact that the Romans could build something like this — that they even thought of doing it — is hard to fathom. And just imagine: the Temple of Jupiter was even bigger than the Temple of Bacchus. The closest I can compare it to is Susita, in Israel. Please share your tips below! It included Anjar ruins, lunch, Baalbek and a stop at Ksara Winery with a winetasting. If you want to read about the travel advisories at the time I visited, which led me to take the tour rather than rent a car, see my other article about the rest of the sights I visited in Lebanon. Alternatively, you could get a taxi for the day. This will cost a lot more, of course, but gives you much more flexibility and could be more cost-effective if you are traveling as a group. Make sure to agree on a price with the driver before you set out, or get your hotel to arrange it for you. You can hire a guide at the entrance to Baalbek, but again, make sure to agree on a price first. Another possibility is this private tour offered on Viator. It includes Baalbek and Anjar ruins as well as an airport departure. Go to the Cola intersection Ask for directions at your hotel — you might need to take a taxi or shared taxi to get there. Then do the same to get back to Beirut. Note: Make sure to read the official travel advisories from your government about travel in Lebanon. Conflict in Syria can sometimes cross the border into Lebanon, and the Baalbek ruins are quite close to the border. Note added November And now the war between Israel and Hamas is leaking over into Lebanon as Hezbollah gets involved. Stay away from the border with Israel and read the official travel advisories! Baalbek Roman Ruins in Baalbek, Lebanon: open daily Never miss the latest travel news, tips, reviews and amazing finds. Sign up for free and be the first to know when I publish something new! Rachel Heller is a writer living in Groningen, the Netherlands. Read more here about her and about this website. Thanks for the Baalbek info which has me headiing there on my next trip. In the same article you mention another article you wrote on other sights you visited in Lebanon. Could you please send me a link? Wonderful and informative post Rachel, thanks for sharing your experience of visiting Baalbek ruins in Lebanon. What an amazing site, especially The Temple of Bacchus! And your photos are very illuminating. Would love to see these ruins one day. Wow moment is right, that Bacchus temple is amazing! In fact, some of your photos reminded me of the Roman Forum from the scale of the site, as well. Truly impressive. I love visiting Roman ruins, especially the lesser known ones. Baalbek looks amazingly well preserved. Fantastic photos and what a narrative to go with it! I live in Baalbek,i am ready to help in giving info,or offer a good stay for anyone,welcome any time,Thanks Rachel for all what you write. Hi Abdo, thank you. If any reader wants to contact Abdo, let me know. I want to find him to travel together in Baalbek. I traveled to Baalbek first with Nakhal tours and then with Tourleb. The links for both are in this article. Great article Rachel and thank you for the beautiful photos. So much nonsense out on the internet. Built by giants, built by space aliens, etc. Good to see someone with a rational mindset. Take care Rachel. Skip to content Pin. My travel recommendations Planning travel Skyscanner is where I always start my flight searches. If you prefer, Expedia offers more or less the same. Discover Cars offers an easy way to compare prices from all of the major car-rental companies in one place. Use Viator or GetYourGuide to find walking tours, day tours, airport pickups, city cards, tickets and whatever else you need at your destination. Lots of different tour companies list their tours here, so you can comparison shop. GetTransfer is the place to book your airport-to-hotel transfers and vice-versa. It can save you a lot on admissions to museums and other attractions in big cities like New York and Amsterdam. You buy it through their app and activate it when you need it. It keeps me safe from hackers when I use public or hotel wifi. Previous Previous. Next Continue. Notify of. Oldest Newest. Inline Feedbacks. Lillian Eigl. Rachel Heller. Reply to Lillian Eigl. Susan Moore. Reply to Susan Moore. Thanks, Susan. Carole Terwilliger Meyers. Reply to Carole Terwilliger Meyers. Thanks, Carole. Reply to jane. Karen Warren. Reply to Karen Warren. Much of it is rubble, but that one temple, the Temple of Bacchus, is amazing! Jackie K Smith. Reply to Jackie K Smith. Reply to Abdo. 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Baalbek from Lebanon

Buy snow Baalbek

My account. Register account. Baalbek from Lebanon Baalbek from Lebanon, Add to cart. Configure art print. Baalbek from Lebanon by Edward Lear. Available as an art print on canvas, photo paper, watercolor board, uncoated paper or Japanese paper. Width Motive, cm. Additional border. Color of the border. Canvas Leonardo satin Canvas Venezia. Canvas Salvador matte Canvas Florenz. Watercolor Cardboard Renoir Museum Watercolor Kozo White, g Mulberry fiber paper, white. Kozo Natural, g Mulberry fiber paper, natural. Inbe White, g Mulberry bark and hemp, white. Unryu, 55g Washi with cloudy kozo fibers. Bamboo, g Smooth bamboo washi. Premio Unryu, g Washi with cloudy kozo fibers. Murakumo Natural, 42g Thin Japanese paper, natural. Bizan Natural, g Handmade washi, natural. Bizan White, g Handmade washi, white. Aluminum composite Aluminum with a polyethylene core. Acrylic glass Waterproof methyl metacreylate. Level of detail. Low details Normal details A lot of details. Canvas frame. No canvas frame. No lamination. Glass including back board. Picture hanger. No picture hanger. No spacer. Produktionszeit: Werktage. Should you desire adjustments to brightness and color, or a custom crop of the motif, we are happy to make these changes at no additional cost to you. Please do not hesitate to contact us. Other art prints by Edward Lear. Excerpt from our top sellers. What our customers think about us 4. Anonym ProvenExpert. July 30, Gute Beratung, hochwertiger Druck, prima Verpackung, rasche Lieferung! Meisterdrucke kann ich sehr empfehlen. Michael ProvenExpert. May 17, Monnet dont j'avais vu l'original dans une exposition. January 10, Marc ProvenExpert. September 14, Sono molto soddisfatto dell'acquisto che ha rispettato le mie migliori aspettative. March 28, Ist insgesamt noch akzeptabel, aber wir sind nicht ganz zufrieden. April 17, Auch die freie Wahl des Formates hat mir gefallen. March 19, I ordered a print of a Soutine painting on photo paper and with a 3 cm border. I received an excellent print. I will order from Meisterdrucke in the future and will recommend others to use this company. Jes ProvenExpert. April 3, Genial, dass hier wirklich noch Leute mitdenken! Ich bin restlos zufrieden und werde sicher wieder bei Meisterdrucke bestellen. Danke, danke, danke! March 24, Gratulation Meisterdruckleute! Peter ProvenExpert. March 7, We have ordered a print of a painting we have been looking for for many years. The first print that arrived was a bit too dark, Meisterdrucke sent us a new one, without charge. The communication with Julia was very pleasant and we are very happy with the result. We can recommend Meisterdrucke from the bottom of our heart. Ellen from Ho January 14, Auch die Beratung war sehr professionell. Habe schon meine zweite Bestellung abgegeben und weitere werden sicher folgen. Walter ProvenExpert. March 26, Frequently Asked Questions about Meisterdrucke How does personalization work? Personalizing your art print at Meisterdrucke is a simple and intuitive process that allows you to design an artwork exactly to your specifications: Choose a frame, determine the image size, decide on a printing medium, and add suitable glazing or a stretcher frame. We also offer customization options such as mats, fillets, and spacers. Our customer service is available to help you design your perfect artwork. How can I tell if the picture fits in my room? At Meisterdrucke, you have the fascinating option to visualize the artwork you configured directly in your own space. For a tailored preview, simply upload a photo of your room and let the artwork appear on it. If you visit us via a mobile device, be it a phone or tablet, our augmented reality feature brings the image to life and seamlessly projects it into your space. An experience that uniquely combines art and technology. How do I choose the right medium? Choosing the medium is often a matter of personal taste. To give you a clearer idea, we have provided some images for each medium. For a holistic experience, we also offer you a sample set of all paper variants so you can make a decision not just visually but also haptically. You can take advantage of the sample set free of charge — only the shipping costs will apply. You can order the sample set directly. I'm not sure if I have configured my picture correctly! Do not worry. At Meisterdrucke, we do not proceed mechanically. We manually review each order. If there are any inconsistencies or peculiarities in the configuration, we will immediately contact you. Of course, our courteous and patient support is always at your side to assist you with the configuration. Together with you, we adjust your image by phone or email so that the final result exactly meets your expectations. Do you have any questions? Are you interested in an art print from our manufactory but still unsure? Do you need advice on choosing the medium or help with the order? Our experts are happy to assist you. Edward Lear. Add to cart Configure art print. Height Motive, cm.

Buy snow Baalbek