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At its broadest it allows for an extended questioning and critique of the dominance of western universalism. There are many 'Souths', inclusive of — but not limited to — the nations of the Global South and the southern hemisphere, and the American South. Their autonomous cultures are undervalued. Their systems of knowledge are undervalued. Their connectedness to each other is undervalued. The spirit of address is solidarity or speaking nearby and never for. But there is no single approach in style or content at all except that the concerns of those on the receiving end of big-scale '-isms', like imperialism and colonialism, is an animator. I don't believe in harbouring illusions about power. There are so many restrictions on a form like a dissertation. The soul constantly tries to escape its rigid planks. Everything else becomes interesting! But I had a long-standing interest in the way political and material life zigzag in and out of each other, and the blog became an open space of thought for that. For example, I think the very first post was about these new walls or so-called eco-security barriers being constructed around several favelas in Rio. The connection to walls elsewhere was so obvious that the residents of these communities dubbed theirs the 'Gaza wall'. Well, this connection is already interesting at a surface level. What I became affected by was the nature of what sustained all of this. There's the idea of a wall, and secondarily the way that idea is marketed and sold, but there's also an indivisible material and aesthetic life belonging to it. And there's a whole historical legacy dating back at least to Roman law that informs separation and security today. But the blog is a starting point, an open repository where a lot of my ideas first take shape. It happened spontaneously and without any ambition, and I have let it evolve as it has needed to. Can you say more about Algaravias: Echo Chamber , and what led you to Portuguese? The university was the least interesting part of the experience, since no one seemed very happy to be there and the material wasn't interesting. We had a mandatory Portuguese class — which turned out to be otherwise useless — with an assignment to present the work of an important Brazilian of the twentieth century. I was instantly drawn to his poetry, and ended up tracing his footsteps all over the bookstores and public squares of Rio de Janeiro where he would give huge outdoor readings. Poetry quite literally stopped traffic at the time. In any case, I gave this little presentation on him and the Portuguese teacher hated it. If I recall, she threatened to fail me. I couldn't have known at the time that tracing his trajectory would take me as far as Arwad, Syria's only island, which was his father's ancestral home. Algaravias: Echo Chamber took its title from the derogatory word that the Spanish called the 'cackle' of the Arabs. It's also the name of a plant known for messy branches. That a first-generation Brazilian experimental poet reclaimed and subverted the corrupting cackle from Iberian xenophobia struck me as noteworthy. And it was a shift away from how Romantic and Modernist and even Tropicalist poets had imagined the 'Orient'. He did a lot of other things, too. His day job as a lyricist kept his kids fed. He wrote other books, and was part of a group of artists that transformed art in Brazil. But that book in particular stuck with me. So that when I arrived in France, I did not find myself there, I did not arrive there. What is more I have never managed to arrive in France. Can you say more on that in-between? Those years were rife with the contradictions of political authoritarianism: the isolating and dogmatic nature to the dictatorship on the one hand, and aggressively optimistic efforts at 'modernization' at all costs on the other. That contradiction played itself out in ways that are familiar to us. We have an idea of what it's like to live through periods of mass social repression and networked realities and militarized landscapes and near-infinite consumer choices. It's a conjugated and multivalent reality that he's dealing with. There's a proliferation and explosion of choice but a deep and lasting loneliness common to nearly everyone. Prison is a stalled zone, as you say. What I find powerful is that for him, the act of searching requires an artist to be still. Stillness and limitation and non-arrival isn't conventionally associated with wild and hellishly beautiful art. Contract , for instance:. MMG: A contract has the force of law behind it. It is a written fiat in which the universal claims to authority become private. The sovereign and the governed privatize among themselves. That's what I meant by an 'anemic division of labor'. So I think translation is the opposite of a contract because the private becomes universal. In the serious encounter with the other, from beyond the realm of common language, something else is happening to the task and labour of translation, beyond the contractual. These letters become a space of projection where the author works out his or her relationship to the American myth via an addressee. Was writing these letters a way to negotiate your own relationship with America? MMG: I'm invested in the fictions America tells itself about itself. That's a given. But I'm rarely thinking about my own particular relationship to it when I'm working on the book. The epistle allows a very specific point of contact with history. I was intrigued by the urgency and contingency of an authorial presence in letters that is often evaded in formal writing. The real and symbolic power of the United States is transmitted in the exchanges in a highly personal and nuanced way, from the decomposition of Kahlo's miscarried foetus in Detroit to Lorca's witnessing of the decomposing market crash on Wall Street. An outsider looks in , and then looks even more inward. The person and the environment are co-constituted. Of course, what I'm writing is fiction. The landscape and scene for each letter is imagined and speculated on. In that sense you could say there's an intractable emotional interior that is close to me. My method is very forensic — I prefer that to 'objective' — at the beginning. In some cases I'm literally holding the original letters in my hand as I try to conjure the style and pitch and precise tone I need to convey. Beckett's letters are housed at Boston College and you can go and thumb through his Western Union telegrams. It's a mundane thing that becomes surprising and thrilling the more you push forward. MA: Each letter is written in what we imagine to be the voice of the author. The way you ventriloquize a voice, an epoch, and a historical style, is fascinating. When you were writing these letters, who were you addressing them to? MMG: Conceptually the book evokes the reverse of the seal of the United States, E pluribus unum out of many, one to pose instead, Ex uno, plures. Out of one, many. But I don't write for the many. I don't write for a crowd. My audience is an individual — first myself, but after, an unknown. MA: The relationship between sender and receiver is also one of the premises of Bio , a net project in which you erase and re-write the 'bio' portion of Twitter every day for an entire year. In Bio , stored information is made unavailable to the reader. Can you talk about the ethic of sending and receiving in these two projects? MMG: That's an intriguing observation. I care about art that looks back at its own frame and form questioningly. If Twitter is, in its most simplistic conception, about communicating and corporate stockpiling in massive data storage centres, then Bio is concerned with incommunicability and singularity and material that escapes storage and handling. In the case of American Letters , a letter privileges a private, diary-like exchange that's at odds with the public front of an outsider's relationship to a nation or historical entity, and that contrast is of value to me. Kafka's phrasing suggests a negative ontology I am not. Darwish's question is centred on the subject, I am. Can these two different phrasings of an exilic subjectivity still speak to current mass migrations, the one afflicting Syria for instance? MMG: A lot is made over the distinction between 'I' and 'other', and its geopolitical cousin, 'here' and 'there'. I think it's an incredibly reductive and uninteresting distinction. We say 'I' because we know there is a 'you', and we say 'here' because we know there is a 'there'. Our consciousness of these matters is a mutually embedded co-presence of I , you , here , and there. Kafka and Darwish are a wonderful pairing because they both intuited this, even though Kafka never left Prague for any meaningful length of time and Darwish was thrown into political exile since the age of seven when his village was occupied and destroyed in The condition of being in exile is very specific, and in fact governments depend on that 'case by case' basis when they decide whom to grant asylum. But maybe it's the one condition that inspires universal identification, since otherwise, why would people gasp in recognition at Gregor Samsa, who becomes a stranger in his own home? Why would Darwish's exile narrative be so recognizable to so many, whether or not they have been forcibly evicted from their land? There are many impossible political scenarios in the world but borders are not one of them. They exist and behave as they do because they serve the powerful, and most people, beyond the limits of knowability in their own lives, grasp this. It clings to elastic forms of artifice like Lycra to polyurethane'. Arabic 'is an ocean — it captures incredible depths. It boasts a root system that is clear and precise in its exacting mathematical beauty'. You also say that if there were an artificial language built for hybridity and neologism, it would look a lot like English. Hybridity, appropriation, mutation, permutation, all positive and emancipatory sounding words, have come to be associated with capitalism, its ability to absorb, rearrange, and repurpose almost everything. Why write in English? Do you write in other languages too? MMG: English is a loveable monster. There's an analogy there with English. It's the ultimate cannibal. It absorbs, it adapts, it enriches itself. It wants to dominate. Not for nothing it's the language of an empire. But it doesn't and can't prevail in everything. I was made an immigrant at seven. That choice wasn't mine, it was made for me. So English isn't my mother tongue even if it has become a default primary language. I'm lucky that my parents insisted on Persian at home and whenever they had enough money would send me back to Iran to be raised there in a patchwork way. And after years of training in other languages I can write in them, sometimes competently and often poorly, if I wish to. English is where I feel I can transgress with abandon. But I don't know if writing creates the immediacy of a relationship with language as much as speaking it. There's something to that. You grow larger. Hopefully as your empathy grows so does your humility. And I love that a language can take you somewhere without travel, or when you do travel, a dormant language can reappear with marginal effort. MA: You're in Palestine working on a new film. What is it about? MMG: It's a single-shot reenactment of a Brazilian film experiment from the s. The original shot is about four minutes, but involves improvised body movement that is quite tricky to remake. I'm working with a choreographer to do a spatial mapping of the body movement, which a dancer will learn and reenact. The relationship between liveness and film is something I've been thinking about for a long time. It has the potential to produce surprise and friction, and I look for both in art. This is the first time I've conceived of remaking or choreographing something that was once spontaneous and improvisational. Reenactment changes the alchemy of what it enacts. The 'original' and 'copy' get transformed in the process. I wonder if laboured improvisation wouldn't be a better way to put it. And I was thinking of enclosed, tight spaces. Since I am making this work in Ramallah, and based it here specifically, it is impossible not to feel constriction, even if life at first view appears normal and unfettered. Maryam Monalisa Gharavi is an artist, poet, and theorist born in Tehran, Iran. This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy. Sign up. Mirene Arsanios. View author information. Download PDF. Contract , for instance: contract experience-as-text language that wills itself not to be forgotten nor erased anemic division of labor code and authority faced with petty theft; or, embargo and prohibition see also: sanction antonym aphasia Is translation a contract? Austrian Eurofighter Typhoon, image from Apparent Horizon , Text, drawing. Copyright and courtesy the artist. Related Content. Courtesy of the artist. Manage cookies. Cookie options Strictly necessary Required for the website to function and cannot be disabled. Preferences and functionality Improve your experience on the website by storing choices you make about how it should function. Statistics Allow us to collect anonymous usage data in order to improve the experience on our website. Marketing Allow us to identify our visitors so that we can offer personalised, targeted marketing. Save preferences.

Ibrance Interactions: Alcohol, Medications, and Others

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Bezzy communities provide meaningful connections with others living with chronic conditions. Join Bezzy on the web or mobile app. Ibrance palbociclib is a prescription drug used to treat breast cancer in certain adults. It comes as an oral tablet and oral capsule. Ibrance can interact with certain supplements and medications, including dronabinol Marinol, Syndros. An interaction can occur because one substance causes another substance to have a different effect than expected. Interactions can also occur if you have certain health conditions. Before you start taking Ibrance, tell your doctor and pharmacist about any prescription, over-the-counter, or other drugs you take. Sharing this information with them may help prevent possible interactions. If you have questions about drug interactions that may affect you, talk with your doctor or pharmacist. The table below lists drugs that may interact with Ibrance. Keep in mind that this table does not include all drugs that may interact with Ibrance. Ibrance is not known to interact with alcohol. But Ibrance and alcohol can cause some similar side effects, such as fatigue , nausea, and vomiting. So you may be more likely to experience these side effects if you drink alcohol during your Ibrance treatment. If you have questions about consuming alcohol while taking Ibrance, talk with your doctor or pharmacist. Ibrance can interact with clarithromycin , which is used to treat bacterial infections. Clarithromycin may affect how your body breaks down Ibrance. This can lead to a high level of Ibrance in your system, which increases your risk of side effects. If you take Ibrance with clarithromycin, your doctor may prescribe a lower dosage of Ibrance for you. You should not take a higher dose of either medication than your doctor prescribes. If you have questions about taking Ibrance with clarithromycin, talk with your doctor or pharmacist. Ibrance can interact with dronabinol Marinol, Syndros. Dronabinol is prescribed for nausea and vomiting or low appetite in certain people. Taking Ibrance with dronabinol can raise your risk of side effects from dronabinol. Ibrance could slow down the activity of an enzyme that breaks down dronabinol in your system. This can lead to a high level of dronabinol in your body, which could raise your risk of side effects. If you take Ibrance with dronabinol, watch for side effects such as dizziness and sleepiness. Your doctor can advise you on how to manage these side effects. They can also determine whether you should stop taking either drug. But you should not stop taking either drug without first talking with your doctor. If you have questions about taking Ibrance with dronabinol, talk with your doctor or pharmacist. Ibrance can interact with certain o pioids , which are used to treat pain. Taking Ibrance with certain opioids could increase your risk of side effects from the opioid. This is because Ibrance slows down the activity of an enzyme that breaks down these opioids in your body. As a result, the level of the opioid in your system may be high, which could lead to side effects from the drug. Doctors may prescribe opioids for cancer pain , including that of breast cancer. Ibrance is used to treat breast cancer in certain adults. If you take Ibrance with an opioid, your doctor may prescribe a lower dosage of the opioid for you. In some cases, suddenly stopping Ibrance could increase your risk of opioid withdrawal. This is because your body would break down fentanyl more quickly without the presence of Ibrance. This could result in you having lower levels of fentanyl in your body, which raises your risk of opioid withdrawal. If you need to stop taking Ibrance, tell your doctor right away if you have symptoms of opioid withdrawal. These may include body aches, runny nose, and abdominal pain. Your doctor can recommend what to do if you have these symptoms. If you have questions about taking Ibrance with an opioid, talk with your doctor or pharmacist. Ibrance may have other interactions. They could occur with supplements, foods, vaccines, or even lab tests. See below for details. Note that the information below does not include all other possible interactions with Ibrance. Before you start taking Ibrance, talk with your doctor and pharmacist about any herbs or vitamins and supplements you take. Sharing this information with them may help you avoid possible interactions. If you have questions about interactions that may affect you, talk with your doctor or pharmacist. Ibrance can interact with St. This can lower the level of Ibrance in your system, making the drug less effective. Your doctor can recommend an alternative to St. There are currently no reports of Ibrance oral tablets or oral capsules interacting with vitamins. Ibrance may interact with grapefruit or grapefruit juice. Taking the drug with grapefruit products could cause your body to break down Ibrance more slowly than usual. This can increase the level of Ibrance in your system, raising your risk of side effects from the drug. If you have questions about eating specific foods during your treatment with Ibrance, talk with your doctor. This is because Ibrance may lower the activity of your immune system. These vaccines work by helping the immune system recognize the conditions they protect against. Getting these vaccines while taking Ibrance could make the vaccines less effective. Before taking Ibrance, ask your doctor to review your vaccine history. If you have questions about getting specific vaccines during your Ibrance treatment, talk with your doctor. There are currently no reports of Ibrance oral tablets or oral capsules interacting with lab tests. If you have questions about having certain lab tests during your treatment with Ibrance, talk with the healthcare professional ordering the test. There are currently no reports of interactions with Ibrance oral tablets or oral capsules and cannabis commonly called marijuana or cannabis products. An example of a cannabis product is cannabidiol CBD. But as with any drug or supplement, talk with your doctor before using cannabis with Ibrance. Certain medical conditions or other health factors may raise the risk of interactions with Ibrance. Before taking Ibrance, talk with your doctor about your health history. Severe liver problems. Before taking Ibrance, tell your doctor if you have a severe liver problem, such as liver failure. They may prescribe a lower dosage of Ibrance for you. Ibrance is not safe to take during pregnancy. But because of the risk of serious side effects, breastfeeding is not recommended during your Ibrance treatment. Allergic reaction. This is because taking the drug could cause another allergic reaction. You can ask your doctor about other treatments that may be better choices for you. Find answers to some frequently asked questions about Ibrance and possible interactions. Turmeric is a herb that can be used for several purposes, including possible uses for breast cancer. Some research suggests that turmeric may slow down the activity of an enzyme protein that breaks down Ibrance in your body. Before taking Ibrance with turmeric, talk with your doctor or pharmacist. Whether Ibrance can be taken with certain other medications depends on the possible interaction between the drugs. Your doctor will consider the possible effects of the interaction. For example, taking Ibrance with certain opioids can increase the risk of side effects from the opioid. But doctors may still prescribe them together. If you have other questions about drugs you should not take with Ibrance, talk with your doctor or pharmacist. Taking certain steps can help you avoid interactions with Ibrance. Before starting treatment, talk with your doctor and pharmacist. Things to discuss with them include:. Colored stickers that describe interactions may be on the label. And the paperwork sometimes called the patient package insert or medication guide may have other details about interactions. If you did not get paperwork with Ibrance, ask your pharmacist to print a copy for you. If you have trouble reading or understanding this information, your doctor or pharmacist can help. Disclaimer: Healthline has made every effort to make certain that all information is factually correct, comprehensive, and up to date. However, this article should not be used as a substitute for the knowledge and expertise of a licensed healthcare professional. You should always consult your doctor or another healthcare professional before taking any medication. The drug information contained herein is subject to change and is not intended to cover all possible uses, directions, precautions, warnings, drug interactions, allergic reactions, or adverse effects. The absence of warnings or other information for a given drug does not indicate that the drug or drug combination is safe, effective, or appropriate for all patients or all specific uses. Find out what defines the different stages of breast cancer and how they are treated. Learn about surgery, radiation, chemotherapy, hormone treatments,. Found a lump or unusual spot on your breast during a self-exam? Here's what you need to know about what you should do next. There's no cure for breast cancer that has spread to distant parts of the body, but new treatments are helping prolong life and improve quality of…. Marisa C. Weiss with Breastcancer. Learn how your diet can support breast cancer treatment by boosting your immune system, reducing inflammation, and managing side effects. Not sure what to expect during breast cancer treatment? Here's what to know if you have stage 3 breast cancer. Discover how nutritional support can enhance your energy and strength during breast cancer treatment. Learn about the potential benefits and risks of…. If you were diagnosed with stage 1 breast cancer, here's what you can expect for treatment options. There are several treatment options for stage 2 breast cancer. Most commonly, a combination of multiple therapies, such as surgery, chemotherapy…. Original Series All. Fresh Food Fast Food hacks to make eating healthier, easier. Diagnosis Diaries Real diagnosis stories from people who get it. Present Tense Real-world mindfulness for busy people. Video Series All. Youth in Focus Mental health challenges facing our youth. Healthy Harvest Meet your food, from farm to table. Through An Artist's Eye A breast cancer story told through art. Future of Health Innovations shaping the future of health. How Well Do You Sleep? Find Your Bezzy Community Bezzy communities provide meaningful connections with others living with chronic conditions. Follow us on social media Can't get enough? Connect with us for all things health. Ibrance Interactions: Alcohol, Medications, and Others. Watson, PharmD on May 20, Does Ibrance interact with other drugs? Does Ibrance interact with alcohol? Drug interactions explained. Learn more about certain drug interactions that can occur with Ibrance. Are there other interactions with Ibrance? Does Ibrance interact with cannabis or CBD? Note: Cannabis is illegal at a federal level but is legal in many states to varying degrees. Does my health history affect whether I should take Ibrance? Health conditions or other factors that might interact with Ibrance include:. Common questions about Ibrance and interactions. How can I prevent interactions? Taking Ibrance exactly as prescribed can also help prevent interactions. How we reviewed this article: History. Share this article. Learn the Symptoms. Is Breast Cancer Curable? Get the Facts. Read this next. Breast Cancer Treatment. Medically reviewed by Alana Biggers, M. Medically reviewed by Yamini Ranchod, Ph. 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