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I am talking about the sun, the views, the mild climate, the beaches and the chilled ambiance that surrounds us. Portugal has a very liberal attitude towards soft drugs. This is not a joke — a couple of month the police ran a campaign against buying bay leaves. Not by making drugs legal but by treating small possessions of weed, cocaine, heroin, you name it as a public health issue, not a criminal one. In theory getting caught with dope may result in a small fine and maybe a referral to a treatment program — not jail time and a criminal record. In reality nobody cares. Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. This site uses Akismet to reduce spam. Learn how your comment data is processed. Fake drugs in Lisbon could drive tourists away. In Portugal decriminalized the use of drugs. How to Deal with the Drug Dealers of Lisbon. Enjoy, Thomas. Like this: Like Loading Founding partner of Tings Lisbon. Related Articles. Smoking Bay Leaves should be illegal! February 17, Leave A Reply Cancel reply Your email address will not be published. How to find Thomas' out-door offices. Where Annette and Thomas dine? Tram 28 is only 4 minutes from Tings. Want to know were we eat? Search Search. Loading Comments Email Required Name Required Website.

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Holiday season: closure at Christmas and New Year's Eve. Learn more. In the 15th century, this room was divided into three small, more private compartments that could be used as an annex to the Wardrobe. It is thought that the partition walls were demolished in the 18th century when its name was changed to the Camarim. The seer Spurina warns the Roman emperor Julius Caesar to beware of the Ides of March, the date on which he would be assassinated. It belongs to a series entitled the 'History of the Life and Deeds of Julius Caesar' and was brought to the Palace in Tapestries were the most sumptuous and expensive objects in a noble house. Episodes of classical history or mythology provided opportunities to learn from the past. This globe represents the celestial sphere, with constellations and signs of the zodiac. Its now-lost counterpart represented the terrestrial sphere. It was made by Christopher Schissler in and reflects everything that was known about the universe at the time. Its sheer size, the detail of the engravings and the up-to-date astronomical knowledge all indicate that this globe was intended for someone of high social status. Here, the references to classical antiquity coexist with the expression of an in-depth knowledge of the Bible. On this ivory and tortoiseshell inlay writing desk, you can see the Annunciation, the Tower of Babel, the meeting of St. Elisabeth and St. Joachim, and a scene with an archangel. Splendid objects required first-class materials and craft skills of the highest order. The silk of Indian embroidered bedspreads offered the perfect medium for creating rich compositions of animals and flowers, which would certainly have caught the eye of the beholder. Representation of an episode in the story of Jephthah, namely the moment when the Gileadite leader is greeted by his only daughter after the military victory over the Ammonites. Jephthah, before the battle, had made a vow to Jehovah: if he returned victorious from battle, the first person to leave his house in Mizpah Gilead to meet him would be offered as a sacrifice to the Lord. The history of antiquity was one of the main subjects in the education of Renaissance nobles and offered a way to learn about the virtue of good government. The episode precipitated a revolt that led to the fall of the monarchy and the establishment of the Republic of Rome. This painting depicts the death of Prince Afonso in This tragic event forced the king to select a new heir. He chose his cousin, who would become King Manuel I There are several versions of this painting, which reflects the interest in representing those thinkers of classical antiquity Greece and Rome whose works inspired and spurred European philosophy in the sixteenth and seventeenth centuries. This sixteenth century Flemish painting depicts the Calvary and the crucifixion of Jesus Christ. Christ is at the centre of the composition, flanked by the Virgin Mary and Mary Magdalene. It has been part of the Palace collection since This small cabinet is an early example of furniture made in Asia for the European market. It was produced in the late 16th or early 17th century between the region of Gujarat, in northwest India, and Sindh, in Pakistan. The decoration shows human figures dressed in distinctive clothing relating to European and South Asian practices. By feat of illusion, its six drawers look like nine. The top opens via a secret mechanism at the back. Writing desks were the main pieces of furniture in the noble houses of the sixteenth and seventeenth centuries. They held all kinds of precious items, such as jewellery or money, but also contracts, deeds and other important papers. The power of the noble house was also based on the rights and properties to which these papers attested. This desk is a fine example of the sophisticated inlay technique typical of Granada. Chinese porcelain began to arrive in Portugal in large quantities from the early sixteenth century onwards. It became popular because it offered a more convenient alternative to the silver services then in use. In the seventeenth century, some of the pieces became display items, as is the case with this example. The layout of the rooms in the Palace of Sintra reflected a social hierarchy headed by the king and queen. It begins in the Great Hall, which everyone who entered the palace could access. These could only be entered by certain members of the high nobility, clergy or important ambassadors. None of these rooms had a specific function. Their use was defined by the social position of those who were allowed to enter, thus revealing how power was wielded on a day-to-day basis. The layout of the furniture changed to suit the desired enactment of power or to match the social status of the people present. Discover the objects on display in the National Palace of Sintra Camarim. The Camarim, like the Wardrobe, was used to store objects of great splendour. Discover the objects on display in this room. Brussels, Wool and silk Inv. Celestial Globe. PNS This globe represents the celestial sphere, with constellations and signs of the zodiac. It is the only known sixteenth-century globe of this type and the oldest globe in Portugal. PNS Here, the references to classical antiquity coexist with the expression of an in-depth knowledge of the Bible. India, 18thth century Linen, silk and cotton Inv. PNS Splendid objects required first-class materials and craft skills of the highest order. Boats in Shipyard. Tibaldi, Antonio attrib. Italy, 2nd half 17th century Oil on canvas Inv. Tibaldi, Antonio Italy, 2nd half 17th century Oil on canvas Inv. Jephthah returning victorious from battle is greeted by his daughter. Dutch School? PNS Representation of an episode in the story of Jephthah, namely the moment when the Gileadite leader is greeted by his only daughter after the military victory over the Ammonites. Death of Lucretia. Italy, 1st half 16th century Oil on wood Inv. PNS The history of antiquity was one of the main subjects in the education of Renaissance nobles and offered a way to learn about the virtue of good government. Portugal, 2 nd half 17 th century Oil on canvas Inv. Death of Prince Afonso. Portugal, 2nd half 17th century Oil on canvas Inv. Antwerp, lateth century Oil on wood Inv. Saint Francis of Assisi. Spain, midth century Oil on canvas Inv. Christ descending from the Cross. Master from Arruda dos Vinhos attrib. Portugal, midth century Oil on wood Inv. Portugal, last third 16th century Oil on canvas Inv. Saint Sebastian releasing Christian captives. PNS There are several versions of this painting, which reflects the interest in representing those thinkers of classical antiquity Greece and Rome whose works inspired and spurred European philosophy in the sixteenth and seventeenth centuries. Rest on the flight into Egypt. Baltazar Gomes Figueira attrib. Portugal, 17th century Oil on canvas Inv. St James the Greater and St Claire. Portugal, 1st half 17th century Oil on canvas Inv. North of Europe? Flemish school, midth century Oil on wood Inv. Virgin and Child. Cesare da Sesto attrib. Italy, late 15th century Oil on wood Inv. St John the Baptist. Francia, Francesco attrib. Italy, 1st quarter 16th century Tempera? PNS St. Portugal, 18th century Brazilian mahogany, rosewood and metal Inv. Portugal, 18th century Rosewood and copper Inv. India, 17th century Teak wood, lacquer and iron Inv. India, 16thth century Ebony and ivory Inv. Spain, 16thth century Walnut, velvet, iron Inv. PNS Writing desks were the main pieces of furniture in the noble houses of the sixteenth and seventeenth centuries. Portugal, 19th century Rosewood, ivory and gilded metal Inv. PNS01 Chinese porcelain began to arrive in Portugal in large quantities from the early sixteenth century onwards. Spain, Talavera? Holy Mothers and Virgin and Child. Bust of a young man. Florence, 16th century Polychromatic wood Inv. Psalter - Portugal, 18th century; leather, wood, metal and linen; Inv. PNS Antiphonary - Portugal? PNS Missal - Portugal? Power The layout of the rooms in the Palace of Sintra reflected a social hierarchy headed by the king and queen. Discover more objects on display in this palace. Collections Galleys Room. Collections Corridor. Collections Heraldic Hall. Collections State Bed Room. Collections Chapel. Collections Council Chamber. Collections Kitchen. Collections Entrance Hall. Collections Swans Hall. Collections Magpies Room. Collections Gold Chamber. Collections Wardrobe.

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