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It is bedroom synthpop undeniably stacked with invention and melodic charm. There are aspects to the lyric and phrasing that are similar to the routes Dig Nitty or The Cowboys might take: language singularly formed, freshly dispatching the burden of invention, defiantly in search of the feeling but actively allergic to established routes. These turns and extrapolations tweak the universal and better reinforce the narrative, offering the listener the opportunity of discovering new paths between two points of familiar earth. The duplication reaffirms the sentiment. Its inclusion seems to offer a glimpse of love expressed at other angles, the melody fluctuating with time and suiting evolving exterior circumstance. Arrangements morph, time passes, but the obsessive dedication nonetheless remains transfixed, an ever-present undercurrent and preoccupation. Witnessing that reification is as fun as it is compelling and enriching. But simply dissecting the organs and putting them back together would miss the point. It is assured and realized, utilizing what still works and subverting the rest. It is the difference between mimicry and mastery. It is good when so very many things are not. The only slack is intentional and left to reverberate with complimentary tone, a pure slice of steel and nickel pluck and glimmer. Guitar leads and vocal melodies interweave in a manner in which each subsection is given room to breathe and compliment every subsequent element. Internally bleeding, I really loved MTV and had it among the best records of Really looking forward to the futures worthy concocting. Within the first few iterative whorls you can feel its resonance and reach, replete with much wonder and otherworldly artifacts of interest. Make of it what you will, but there is good raw material collected and methodically ordered as though it is a gift. The melody and its deterioration reads as though conflicted, situated at the helm, wary but intrigued, gazing into a great abyss. The track contains a worthy extent of daunting search charted across this route; you will accompany it, feeling out the loop through interlocking synths and the steady pull of movement in some direction. The rich texture and tone provide credulity, allowing the listener to indulge in the peculiar and startling act of remaining within the motion and moment. It is transportive and properly weighted. It lends itself to speculation, curiosity, and feels like a soundtrack for celestial expanse or the uncharted subterranean. It knows the act of careening results in eventual harmony and has the craters to prove it. I find it to be delicate and consequential noise. In any case, it stands on its own. I would be proud if I had made it. If we are primarily defining ourselves through consumption of various media, best to have at least a few pieces included that allow you to focus primarily on your own becoming. The piece seems to encourage considered action in this way, elegantly embodying a balanced sense of doubt and hope, and that is a rare and valuable quality. It releases April 21st. The text originally by Napalm Beach and concerns the temporal, with particular respect to the indivisible nature of time and perception; that linear curse. Parties and lives collapse of their own accord in the semi-planned obsolescence of existence, all perception seemingly tied to one orb spinning around another at particular, reliable orbits. The pacing of which, having always operated under these auspices, seems very important to us, and the rut of this rotation rules our lives. Woolen Men always stretch beyond the generic spoils of melody and interpersonal indistinction, building tiny pocket universes. We are lucky to remain within the same timeline. That Hideous Sound has built a bedroom lo-fi rock track from discarded sunshine, utilizing twisted blood as a propellant. Its alternating sync of garage tone is held aloft and amended with a density of layered backing vocals, their varied trajectories glowingly cascading downward. The whole miscellany is shining and the right kind of sordid. The fundamentals are nailed and the tonal textures irradiated, slickly building momentum throughout. The final minute of three involves transitioning into some controlled experimentation, concluding in a sundry of cloaked loops at the latter stages. It is to be released October 7th , should the world continue to exist at such a time. The track is a record of loss and lament, processed with the much escalating style that warrants your attention. It is equal parts sharp, wrought and fraying over the four primary phases of amorphous hooks, all combining in elaborate invention. The subject is an examination of the death and decline of those in your immediate periphery, of family, both lost and those left sharing in the loss. It is processing grief and making a difficult event into a beautiful record of the occurrence, an act that reconfigures its presence in your life. Our lives are made up of such moments: some recollected in fixation, while all the others obliviate, the artistry allowing for reframing. The repetition of the chorus is earned, after digging into the details: your brothers wayward gaze, the apparent untethered presence of the recently departed. It is valuable to have this darkness told and healthier than the disassociation and derealization we mostly pass through these passages under the veil of. And, regardless of all that, it rocks. The work is recoiling from structure and form a bit and thereby moving closer toward tone and feeling. It feels singular despite the common pallet. It unravels for a couple minutes before snapping back into a likeness for what you might favor. But a second pass as the closing track on onetwoxu. What should rock music sound like in a geriatric oligarchy? From where I sit —fleeing one price gouging to another, within a gauntlet of diseases, no prospects or future— it feels like a good approximation: the sound of disillusionment compounding. There are plenty of bits where the melody and traditional structure is subverted, detuned and driven off the cliff or into a pit. And ringing truer because of it. And with plenty of cohabitant reference points for footing. It is the most at ease with expectations and a great tune, bigger within the context of a really good set. The cassette is out on Spared Flesh Records. Mo Troper is returned with another fully fledged set of lo-fi power pop aches. Flame and fuzz provide the context. Timelessly, the plasticine vocal core glides above the static and soft room ambiance, imparting to me, subjectively, as a different human, a feeling of ambivalence despite the explicit text affixed above. The track delivers on capturing that particular sort of hopefulness and queasiness, the kind that comes from ever really considering anything at length, weighing the opportunity costs of the leap, and committing to the bit of existence. But also ultimately coming down on the side of the earnest and heartfelt as the only proper guide amidst the chaos and malaise. Speaking of Portland-based tributes to storytellers, here is Woolen Men with one for the late great actor and writer Spalding Gray. A good sequence heaping and revising proverbs in a style befitting the man paid tribute. The style is a deliberate weaving of bass and lead around the era, the tube amps inflecting the post-punk, active-punk and perpetual pop. Superb storytelling with Punk and experimental jazz elements, but beyond the genre, it has fury, fervor, and utter conviction. A fierce tribute to a friend, embellished in ways that get at the broader truth underneath the reporting. But, damn, if your influence works by other means, social and immediate, or whatever the case may be, you would be fortunate to find as impassioned and eloquent an acolyte. Page 1 Page 2 Next page. Create a website or blog at WordPress. Subscribe Subscribed. Sign me up. Already have a WordPress. Log in now. Loading Comments Email Required Name Required Website.

100 days before the Games: France prepares to welcome the Olympic Flame of Paris 2024

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The final countdown is on as the Olympic Flame prepares to shine in a few hours in the sanctuary of Olympia in Greece! One hundred days to go until the Games, and just three weeks before the Olympic Flame is welcomed in Marseille on 8 May. After years of waiting, the arrival of the Flame on French soil will mark the start of four months of celebrations, beginning with the Torch Relay, which will be joined by French people in over towns and cities. The time has come for the public to join in the festivities! There will be plenty of emotion on 16 April At a ceremony organised by the Hellenic Olympic Committee, the Olympic Flame will be brought to life in the pure ancient tradition of the Games, with the help of the sun's rays at the archaeological site of Olympia. The ceremony will see the first French Torchbearer take to the stage to receive the Flame. Manaudou will receive the lit Paris Olympic Torch from the hands of the very first torchbearer, Stefanos Douskos, who is an Olympic rowing champion who won gold for Greece at the Olympic Games Tokyo Carrying a message of unity and symbolising the unifying dimension of sport, the Flame will begin its journey in Greece to pay tribute to the origins of the Games. A total of Torchbearers will cover 5, km in 11 days, in 43 Greek municipalities. Co-constructed for the first time with the host country of the Games, the route will highlight the friendship between Greece and France. The Flame will pass in front of the Pierre de Coubertin monument in Olympia, and also through the town of Pylos to highlight the historical link with the naval battle of , when France fought alongside Greece for its independence. On its arrival in Marseille, France, the Flame will then be passed from person to person among the 10, Torchbearers during the Torch Relay in France: from the greatest champions to anonymous people with extraordinary individual stories. The arrival of the Flame in Marseille is a joint project. The arrival of the Flame is a moment that Paris hopes will go down in history, and all French people are invited to join the celebrations. The Old Port will be decked out in the colours of the Games and will be buzzing to the rhythm of the many events planned for the occasion. The Belem will also be accompanied by an XXL armada: a total of 1, boats will escort the Flame as it enters the Old Port, where the welcome from the people of Marseille, known for their sense of celebration and their culture of sport, promises to be memorable. Fireworks, an orchestra and a show reflecting the Games will be on hand to celebrate this moment in a festive atmosphere where , people are expected to attend. To make it all the more spectacular, the Belem will be moored to a floating athletics track through which the first Torchbearer on French soil will pass. The cauldron will then be lit among the excitement in Marseille. To keep the suspense and surprise intact, the identity of the Torchbearer will remain a secret until the day itself. The day's cultural programme will be equally rich. The day will come to a close in a party atmosphere with an exceptional concert organised by Coca-Cola, official partner of the Torch Relay. Alonzo and Soprano, two iconic rappers dear to the hearts of the people of Marseille, will be performing at the Old Port. France is hosting the Summer Games for the first time in years, and Paris wants to offer events to live up to this historic occasion! From 8 May until the close of the Paralympic Games on 8 September, the summer will be vibrant all over the country. The Forerunners of the Olympic Torch Relay, followed by those of the Paralympic Torch Relay, will criss-cross the country to spread the energy of the Games and prepare the French people to welcome them. For the Olympic Torch Relay, 10, Torchbearers will take turns over 69 days in the 65 territories visited, including six overseas territories. From 25 August, it will be the turn of the 1, Paralympic Torchbearers to mobilise the French people once again in the run-up to the Paralympic Games, with four days of exceptionally intense Relay events in 50 towns and cities across France. A festival atmosphere will be created around the concerts, which will feature a unique cast of French-speaking artists, adored by the new generation and of different styles and genres, selected with the expertise of Coke Studio. The celebrations will take place all over France to make the party accessible to everyone. The Games Map, an interactive map that will be online from 8 May on the official Games app, will enable everyone to identify the places celebrating the Games near them. The Mini-Clubs will also be specially set up for the youngest members of the community, with dedicated workshops and, in particular, disability awareness sessions. More than 2, projects with the Cultural Olympiad label will also be taking place all over France: for example, from 14 to 25 May, sport will be in the spotlight at the Cannes Festival, while the Avignon Festival, from 29 June to 21 July, will be offering a programme focusing on issues of inclusion and disability. Tony Estanguet, Paris President :. Only a few hours are left before the Paris Torch lights up. The start of the Torch Relay in Greece takes us a step closer to the arrival of the Flame in Marseille, which will be an absolutely historic and spectacular moment. The celebrations on 8 May in Marseille will kick off four months of festivities across the country with the Paris Torch Relay. I invite all French people to participate when it passes near them, in all the regions of France, and to enjoy these once-in-a-lifetime moments! Download the visuals using this link :. The very first French torchbearer on Greek soil is now revealed. Press area. Receive our press releases. Thank you for registering! We sent you a confirmation email, please click the validation link to confirm your subscription. Torch Relay. Share on:. The Paris Olympic Flame will finally be lit! An historic celebration in Marseille on 8 May to kick off celebrations in France The arrival of the Flame in Marseille is a joint project. Celebrations open to all throughout France to experience the Games intensely France is hosting the Summer Games for the first time in years, and Paris wants to offer events to live up to this historic occasion! Tony Estanguet, Paris President : 'One hundred days to go before the Games, we enter the final stretch! Our attached press release. The newsletter of Paris is your appointment to know everything about the Games that are preparing near you.

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