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Do you live in Isfara? Domestic Beer 0. Imported Beer 0. Cappuccino regular? Markets Edit Milk regular , 1 liter? Loaf of Fresh White Bread g? Rice white , 1kg? Eggs regular 12? Local Cheese 1kg? Chicken Fillets 1kg? Apples 1kg? Banana 1kg? Oranges 1kg? Tomato 1kg? Potato 1kg? Onion 1kg? Lettuce 1 head? Water 1. Bottle of Wine Mid-Range? Cigarettes 20 Pack Marlboro? Monthly Pass Regular Price? Taxi Start Normal Tariff? Taxi 1km Normal Tariff? Taxi 1hour Waiting Normal Tariff? Gasoline 1 liter? Volkswagen Golf 1. Toyota Corolla Sedan 1. Tennis Court Rent 1 Hour on Weekend? Cinema, International Release, 1 Seat? International Primary School, Yearly for 1 Child? Apartment 1 bedroom Outside of Centre? Apartment 3 bedrooms in City Centre? Apartment 3 bedrooms Outside of Centre? Prices in Isfara Every data you add makes our comparisons more accurate and useful! Do you live in Helsinki? Tell us your opinion about crime in Helsinki. This city had 0 entries in the past 12 months by 0 different contributors. Last update: April Sources and References What are sources and references? No sources and references provided yet. Your use of this service is subject to our Terms of Use and Privacy Policy. Compare Isfara with:. Your contribution can make a real impact on our data quality. Add data for Isfara Consider looking into aggregate data for Average in Tajikistan. Every data you add makes our comparisons more accurate and useful! Last update: April Sources and References. What are sources and references? Add a new source here: URL: Description:. Moving to Isfara? Nearby cities: Cost of Living in Shurab Leave a comment:. Cost of Living in Shurab. Cost of Living in Chorku. Cost of Living in Kim. Cost of Living in Konibodom. Cost of Living in Ghafurov. Cost of Living in Chkalovsk. Cost of Living in Khujand. Cost of Living in Proletarsk. Cost of Living in Taboshar. Cost of Living in Asht. Deutsch Lebenshaltungskosten in Isfara. Italiano Costo della Vita a Isfara.
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Forty years ago Andrei Tarkovsky completed the final film he would make in the Soviet Union: his seminal science-fiction drama Stalker. One intriguing interpretation is that it is a film about the crossing of borders, be it the physical barrier these men must overcome to enter the Zone, or the Soviet systems that constrained Tarkovsky throughout his career. Tarkovsky shot Stalker in and around the Estonian capital of Tallinn, a city with a long history of invasion and occupation. He initially intended to film around an old Chinese mine in the Tian Shan foothills near Isfara in Tajikistan, but an earthquake months before the film went into production rendered the location unusable. He spent a whole year shooting the majority of the outdoor scenes, only to discover on his return to Moscow that the film stock had been improperly developed and the footage was unusable. Then, upon returning to Tallinn to re-shoot the lost scenes, a freak summer snowfall delayed filming even further. Searching for each of these locations requires crossing countless geographical and spiritual boundaries, with each new location encouraging dialogues about how the reverberations of the past can be felt in the architecture that surrounds us. Here is what I found:. Behind this imposing multiplex lies the Rotermann Quarter. When Tarkovsky shot here the area was abandoned, and it stayed like that for over 30 years. The former power plant was chosen to host the festival due to its role as the threshold to the Zone. Bizarrely for a sci-fi film, Stalker contains virtually no elements that indicate the presence of alien life, with the only real suggestion that anything supernatural may have occurred being the security which surrounds the entrance to the Zone. As the train makes its way towards the barrier they slide their jeep into view and follow in its wake. Today the tracks have all been removed, but the UN remains. After this decidedly un-Tarkovskian action sequence the film switches into a more ruminative gear. What follows is perhaps one of the most hypnotic sequences in cinema history. Instead a hypnotic tracking shot sees the film suddenly switch from sepia to colour. The majesty of the Zone is subjective. The first building the men encounter is one of the two abandoned hydroelectric power plants used during the shoot. In the building was just a shell, due to it being partially blown up during the Second World War by the retreating Red Army. Since then, the building has undergone extensive renovations, but its large doorway and flat-roofed wings mean it remains instantly recognisable. This hydroelectric plant was relatively easy to track down. However, searching for shooting locations in the Estonian wilderness is an almost impossible task. When Tarkovsky filmed here, everything was verdant and alive. Now, towards the end of November, the area is covered in the first snow of winter. After temporarily losing their bearings, the three men fall into a pharmaceutical slumber, with the film slipping temporarily back into brown monochrome. Or does it symbolize how their hopes of making it to the Room are slowly slipping away? Sadly the only wildlife to be found here are the unlucky creatures who have fallen into this canal. All journeys, regardless of their spiritual importance, must come to an end. Yet, despite the potential for an explosive finale, the three men leave the Zone without much fanfare, finding themselves back in the dirty, dilapidated bar where they first met. As they walk home, Stalker carries Monkey on his shoulders and in the background a power plant affords the scene a desolate beauty. Today, viewed from the Tallinn-Narva highway bridge, the Iru power plant is somewhat less imposing, having lost five of its chimneys. She sits motionless at the kitchen table as three glasses begin moving by themselves. Is she using psychic powers? Or is there something else at work? Either way, it appears that the miracle Stalker was searching for was waiting for him at home all along. Skip to content. Get 14 days free.
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Stalker: in search of Tarkovsky’s Soviet sci-fi locations
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