Audrey Hepburn Mr Skin
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Audrey Hepburn Mr Skin
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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
Alan Jay Lerner (book of musical play) George Bernard Shaw (from a play by)
Alan Jay Lerner (book of musical play) George Bernard Shaw (from a play by)
Alan Jay Lerner (book of musical play) (screenplay) George Bernard Shaw (from a play by)
When Audrey Hepburn (Eliza Doolittle) was first informed that her voice wasn't strong enough and that she would have to be dubbed, she walked out. She returned the next day and, in a typically graceful Hepburn gesture, apologized to everybody for her "wicked behavior."
When Prof. Higgins sings "An Ordinary Man" he turns on several phonographs, seconds later he turns off one of them but all of the sounds stop.
In the posters, playbills and the original cast album for the stage version of "My Fair Lady", the credits always read "based on Bernard Shaw's 'Pygmalion' ", letting the audience know what play "My Fair Lady" was actually adapted from. The movie credits simply read "from a play by Bernard Shaw".
In the remastered version of the film, some of the scene changes are changed from sudden cuts to wipe outs, as they probably were when the film was released. When CBS Fox released it on video originally, they were changed to sudden cuts.
Why Can't the English? (1956) (uncredited) Music by Frederick Loewe Lyrics by Alan Jay Lerner Performed by Rex Harrison , Wilfrid Hyde-White , and Audrey Hepburn
A musical with a brain as well as a heart
There's a lot of negative things been said about Audrey Hepburn's interpretation of the role of Eliza. Perhaps she's not ideal in the earliest scenes of the movie - her "dirtiness" is never quite believable - but it has to be said that despite this smallish drawback she still glows, and makes an amazing Eliza overall. The reason for this is simple; Audrey Hepburn brings her "own spark of divine fire", (to quote Higgins) to the role and her vulnerability, mixed with her sweet, naive charm and even her wonderfully juvenile pettishness shown in "Just You Wait" all prove what a talented actress she really is. For an example of this, just watch Eliza's facial expression at Ascot, when she realises her opportunity to demonstrate her new-found mastery of the English tongue - sweetly hilarious. MFL has been criticized as being too romanticized, too overblown. I disagree; musicals are suposed to be lavish affairs, and none pull it off quite so well as "My Fair Lady" does. It's a momentous film but it has its subtle points: watch the way in which Eliza's eyes are centred on Higgins when she enters at the ball, and the way in which the two of them stare at each other for a few seconds at the top of the stairs a few moments later.
It musn't be overlooked that, thanks to its being based on a Bernard Shaw play, "My Fair Lady" has what the great majority of musicals lack: a deeper meaning and something really quite profound to say. The actor in the role of Colonel Pickering is a little weak, but it must be said that Rex Harrison IS Henry Higgins. In a lot of ways (in fact, in most ways) Higgins has an objectionable personality: rude, snobbish, impatient and even misogynistic, but somehow Rex Harrison pulls it all off and makes us like Higgins without betraying the character. As to romance, his song "I've Grown Accustomed to Her Face" is an ode to the kind of love which sneaks up on you. Overall, this movie is romantic, but not too sentimental. It has just enough romance to be dramatically fulfilling, but it never becomes soppy or mawkish. The word "love" is never mentioned at all and the two leads never even kiss. The famous end sequence is perfect and does the movie justice; after all, a big happy bow tied around a perfect romance at the end would simply not fit with everything we have learned about the two protagonists.
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What is the Hindi language plot outline for My Fair Lady (1964)?
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In 1910s London, snobbish phonetics professor Henry Higgins agrees to a wager that he can make crude flower girl Eliza Doolittle presentable in high society. In 1910s London, snobbish phonetics professor Henry Higgins agrees to a wager that he can make crude flower girl Eliza Doolittle presentable in high society. In 1910s London, snobbish phonetics professor Henry Higgins agrees to a wager that he can make crude flower girl Eliza Doolittle presentable in high society.
Eliza Doolittle : The difference between a lady and a flower girl is not how she behaves, but how she is treated.
From Wikipedia, the free encyclopedia
Original theatrical release poster by Robert McGinnis
Jurow-Shepherd Spinel Entertainment
Audrey Hepburn as Holly Golightly
George Peppard as Paul Varjak
Patricia Neal as Mrs. Emily Eustace "2E" Failenson
Buddy Ebsen as Doc Golightly
Martin Balsam as O.J. Berman
José Luis de Vilallonga as José da Silva Pereira (mononymously as Vilallonga)
John McGiver as Tiffany's salesman
Dorothy Whitney as Mag Wildwood
Stanley Adams as Rutherford "Rusty" Trawler
Elvia Allman as the librarian
Alan Reed as Sally Tomato
Miss Beverly Hills as the stripper
Claude Stroud as Sid Arbuck
Orangey as Cat ( Frank Inn , trainer)
Mickey Rooney as Mr. Yunioshi
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^ 25 Things You May Not Know About 'Breakfast at Tiffany's' Archived June 28, 2016, at the Wayback Machine at moviefone.com, 5 Oct 2011
^ Jump up to: a b "Movies: Never Too Much Music" . Time . May 25, 1962. Archived from the original on February 4, 2013 . Retrieved October 3, 2010 .
^ Jump up to: a b Spoto 2006 , pp. 204–05.
^ Shepherd, Richard. Breakfast at Tiffany's – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 25:20.
^ Erwin, Ellen; Diamond, Jessica Z. (October 2006). The Audrey Hepburn Treasures . New York: Atria Books . p. 107. ISBN 978-0-7432-8986-3 .
^ King, Susan. "National Film Registry selects 25 films for preservation " Los Angeles Times (December 19, 2012)
^ Breakfast at Tiffany's at Rotten Tomatoes
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^ "Cinema: Once Over Golightly" . Time . October 20, 1961. Archived from the original on September 15, 2012 . Retrieved October 3, 2010 .
^ Corliss, Richard (January 20, 2007). "Audrey Hepburn: Still the Fairest Lady" . Time . Retrieved October 3, 2010 .
^ Weiler, A.H. (October 6, 1961). "The Screen: Breakfast at Tiffany's : Audrey Hepburn Stars in Music Hall Comedy" . The New York Times . Retrieved October 3, 2010 .
^ "Capote never liked Hepburn in iconic role" . Today.com . Associated Press . Retrieved November 10, 2014 .
^ Spoto 2006 , p. 203.
^ Moss, Rob (July 28, 2011). "Re-released Manhattan sunglasses mark 50th anniversary of Breakfast at Tiffany's " . Eye Wear Glasses . Retrieved April 19, 2016 .
^ "Audrey Hepburn Breakfast At Tiffany's , 1961" . Christie's. December 5, 2006 . Retrieved April 19, 2016 .
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^ "The Most Famous Dresses Ever" . Glamour.com. April 2007 . Retrieved May 16, 2011 .
^ "Audrey Hepburn dress" . Hello Magazine . December 6, 2006.
^ "Audrey Hepburn's little black dress tops fashion list" . The Independent . May 17, 2010 . Retrieved May 16, 2011 .
^ Steele, Valerie (November 9, 2010). The Berg Companion to Fashion . Berg Publishers. p. 483. ISBN 978-1-84788-592-0 . Retrieved May 16, 2011 .
^ Miller, Jacqui (2014). Fan Phenomena: Audrey Hepburn . Chicago: University of Chicago Press. pp. 26–7. ISBN 978-1-78320-206-5 .
^ Biography for Buddy Ebsen at IMDb
^ "#204: Tiffany & Co. and its priceless Yellow Diamond – 1000 Things to do New York" . October 1, 2014.
^ Morris, M. (2007). Learning from Bruce Lee: Pedagogy and Political Correctness in Martial Arts Cinema.". The Worlding Project: Doing Cultural Studies in the Era of Globalization, 49–56.
^ Shepherd, Richard. Breakfast at Tiffany's – Anniversary Edition/Centennial Edition audio commentary (DVD). Paramount. Event occurs at 3:43.
^ Jump up to: a b Breakfast at Tiffany's: The Making of a Classic
^ Jump up to: a b Magagnini, Stephen (September 28, 2008). "Mickey Rooney upset about claims his 'Tiffany's' role is racist" . Sacramento Bee . Scripps Howard News Service . Archived from the original on December 5, 2008 . Retrieved October 3, 2010 .
^ " 'Breakfast At Tiffany's' Brooklyn Screening Sparks Protests From Asian-American Group" . July 13, 2011 – via Huff Post.
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Breakfast at Tiffany's (film) at Wikipedia's sister projects
Breakfast at Tiffany's is a 1961 American romantic comedy film directed by Blake Edwards , written by George Axelrod , adapted from Truman Capote 's 1958 novella of the same name , and starring Audrey Hepburn as Holly Golightly, a naïve, eccentric café society girl who falls in love with a struggling writer. It was theatrically released by Paramount Pictures on October 5, 1961, to critical and commercial success.
Nominated for five Academy Awards (winning two), with the music (including " Moon River ") nominated for six Grammy Awards (winning five), the film was selected in 2012 for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant".
Early one morning, a taxi pulls up in front of the Tiffany & Co. flagship store and from it emerges elegantly dressed Holly Golightly, carrying a paper bag containing her breakfast. After looking into the store's window displays, she strolls to her apartment and has to fend off her date from the night before. Once inside, Holly cannot find her keys, so she buzzes her landlord, Mr. Yunioshi , to let her in. Later, she is awakened by new neighbor Paul Varjak, who rings her doorbell to get into the building. The pair chat as she dresses to leave for her weekly visit to mobster Sally Tomato, who is currently incarcerated at Sing Sing . Tomato's lawyer pays her $100 a week to deliver "the weather report".
As she is leaving, Holly is introduced to Paul's "decorator", wealthy older woman Emily Eustace Failenson, whom Paul nicknames "2E". That night, when Holly goes out onto the fire escape to elude an over-eager date, she peeks into Paul's apartment and sees 2E leaving money and kissing him goodbye. Visiting Paul afterward, she learns he is a writer who has not had anything published since a book of vignettes five years before. Holly, in turn, explains she is trying to save money to support her brother Fred after he completes his Army service. The pair fall asleep but are awakened when Holly has a nightmare about her brother. When Paul questions her about this, Holly chides him for prying. She later buys Paul a typewriter ribbon to apologize and invites him to a wild party at her apartment. There, Paul meets her Hollywood agent, who describes Holly's transformation from a country girl into a Manhattan socialite, along with wealthy Brazilian politician José da Silva Pereira, and Rusty Trawler, the "ninth richest man in America under 50".
Some time later, 2E enters Paul's apartment, worried she is being followed. Paul tells her he will investigate and eventually confronts Holly's husband, Doc Golightly, who explains that Holly's real name is Lula Mae Barnes and that they were married when she was approaching 14. Now he wants to take her back to rural Texas. After Paul reunites Holly and Doc, she informs Paul that the marriage was annulled . At the Greyhound bus station, she tells Doc she will not return with him, and he leaves broken-hearted.
After drinking at a club, Paul and Holly return to her apartment, where she drunkenly tells him that she plans to marry Trawler for his money . A few days later, Paul learns that one of his short stories will be published. On the way to tell Holly, he sees a newspaper headline stating that Trawler has married someone else. Holly and Paul agree to spend the day together, taking turns doing things each has never done before. At Tiffany's, Paul has the ring from Doc Golightly's box of Cracker Jack engraved as a present for Holly. After spending the night together, he awakens to find her gone. When 2E arrives, Paul ends their relationship. She calmly accepts, having earlier concluded that he was in love with someone else.
Holly now schemes to marry José for his money, but after receiving a telegram notifying her of her brother's death in a jeep accident, she trashes her apartment. Months later, she invites Paul to dinner, as she is leaving the next morning for Brazil to continue her relationship with José. However, the pair are arrested in connection with Sally Tomato's drug ring, and Holly spends the night in jail.
The next morning, Hollywood friend O.J. Berman pays Holly's bail. Paul is waiting for her in a cab, bringing her pet, "Cat", and a letter from José explaining that he must end their relationship due to her arrest. Holly insists that she will go to Brazil anyway; she asks the cab to pull over and pushes Cat out into the pouring rain. Just after they get underway again, Paul storms out of the cab, tossing the engraved ring into her lap and telling her to examine her life. She goes through a decision-making moment, puts on the ring and runs after Paul, who has gone looking for Cat. Finally, Holly finds Cat sheltering in an alley and, with it tucked into her coat, she and Paul embrace.
The Oscar-nominated screenplay was written by George Axelrod , loosely based on the novella by Truman Capote . Changes were made to fit the medium of cinema and to correspond to the filmmakers' vision. Capote, who sold the film rights of his novella to Paramount Studios, wanted Marilyn Monroe to play Holly Golightly, whom he had described perfectly in the book. Barry Paris cites Capote's own comments on the choice of actress: "Marilyn was always my first choice to play the girl, Holly Golightly." Screenwriter Axelrod was hired to "tailor the screenplay for Monroe". When Lee Strasberg advised Monroe that playing a "lady of the evening" would be bad for her image, she turned it down and performed in The Misfits instead. When Hepburn was cast instead of Monroe, Capote remarked: "Paramount double-crossed me in every way and cast Audrey". [2] Shirley MacLaine was also offered the part of Holly, but she turned it down and performed in Two Loves instead. [3] Kim Novak also turned down the role of Holly. [4] Steve McQueen was offered the role of Paul Varjak, but declined the offer due to being under contract. [5]
Axelrod worked with the original director of the film John Frankenheimer for a period of three months, but Hepburn's agent wanted a more known director, with the result that Frankenheimer was removed from the project. [6]
Filming began on Fifth Avenue outside the Tiffany & Co. flagship store on October 2, 1960. [7] Most of the exteriors were filmed in New York City , and all of the interiors, except for portions of the scene inside Tiffany & Company, were filmed on the Paramount Studios lot in Hollywood. [8]
According to one report, the film's on-location opening sequence, in which Holly gazes into a Tiffany's display window , was extremely difficult for director Blake Edwards to shoot. Although it was simple in concept, crowd control, Hepburn's dislike of pastries, and an accident that nearly resulted in the electrocution of a crew member are all said to have made capturing the scene a challenge. However, another report claims that the sequence was captured rather quickly due to the good fortune of an unexpected traffic lull. [9]
It took me a long time to figure out what Holly Golightly was all about. One night after midnight I was still trying. I don't drink much, but I was sipping. And it came to me. I wrote [" Moon River "] in half an hour.
During the film, Hepburn sang the film's signature song, " Moon River " by Henry Mancini and Johnny Mercer . The song was tailored to Hepburn's limited vocal range, based on songs she had performed in 1957's Funny Face . [11] On the Anniversary Edition DVD of Breakfast at Tiffany's , co-producer Dick Shepherd says in his audio commentary that after a preview in San Francisco, Martin Rankin, Paramount's head of production, wanted "Moon River" replaced with music by somebody else but "Marty [Jurow, co-producer] and I both said 'over our dead bodies,'" [12] – a remark attributed to Hepburn herself in another account. [13]
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