Sold & shipped by The ToymixShipping optionsFree pickup not available from this seller1Add to CartShipping optionsFree pickup not available from this seller$.$.$.+ $.$.$.+ Compare all 4 sellersAge Range: 7 to 14 yearsIncludes 3 minifigures with assorted weapons and accessories Read more.... About this itemImportant Made in USA Origin Disclaimer:About this itemImportant Made in USA Origin Disclaimer:Inspire your child's imagination with this LEGO Super Heroes The Hulk Buster Smash. It lets them put their creativity skills to the test. All pieces are made from plastic and it is designed for users ages 7 to 14 years. Kids can help Hulk as he has been trapped by the powers of Scarlet Witch and she is ready to fire an electrical bolt if he tries to escape. They can place Iron Man in the cockpit of the humongous Hulk Buster suit and rush to the rescue. On the way they must fend off aerial attacks from the flying Ultron Prime. They will adjust the Hulk Buster's arms and legs to create fearsome battle poses and grab the villain with the powerful hands.
With Ultron Prime safely in the mech's grip, they just have to attach Iron Man to his Super Jumper. They can then take out Scarlet Witch with an accurate jump and free the imprisoned Hulk. It comes with three minifigures and assorted weapons. This Marvel Hulk Buster Smash is the ideal gift for those little superhero fans in your life. LEGO Super Heroes The Hulk Buster Smash: Hulk has been trapped by the powers of Scarlet Witch and she is ready to fire an electrical bolt if he tries to escape Place Iron Man in the cockpit of the humongous Hulk Buster suit and rush to the rescue using this Marvel Hulk Buster Smash set On the way you must fend off aerial attacks from the flying Ultron Prime Adjust the Hulk Buster's arms and legs to create fearsome battle poses and grab the villain with the powerful hands With Ultron Prime safely in the mech's grip, attach Iron Man to his Super Jumper Then take out Scarlet Witch with an accurate jump and free the imprisoned Hulk The LEGO the Hulk Buster Smash set includes 3 minifigures with assorted weapons and accessories: Iron Man, Ultron Prime and Scarlet Witch, plus a Hulk figure SpecificationsGenderFabric ContentAge RangeCharacterCountManufacturer Part NumberColorModelThemeBrandAssembled Product Dimensions (L x W x H)No question have been
Ask A QuestionReviewsCustomer reviewssee all 78 reviews 610 Write a reviewShared by Policies & PlansGifting plansPricing policyOnline Price Match.Iron Man est une minifigurine Marvel Super Heroes. Identité réelle : Tony Stark Affiliation : les Vengeurs Tony Stark est un inventeur de génie qui possède plusieurs diplômes de haut niveau en physique et en ingénierie. Il peut revêtir l'armure énergétique d'Iron Man qui le dote d'une force et d'une résistance surhumaines et qui lui permet de voler et d'utiliser tout un arsenal d'armes. Aptitudes dans le jeu : Peut voler, attaquer à distance et il est expert en matière de technologie, ce qui lui permet d'accéder à n'importe quelle zone secrète. Mark 66867, 30167Mark 76869, 10721Mark 17 / Heart Breaker76008Mark 37Plongée76048Mark 39Espace76049Mark 4276006, 76007(le deuxième ensemble vient avec une tête blanche)Mark 4376031, 76032, 76038Mark 44 Hulk Buster76031Mark 4576029Mark 4676051Invincible76077Mighty Micros7607276042BrickHeadz41492BrickHeadz41590
This is my Next Iron Man: Original Motion Picture Soundtrack is the soundtrack album to the 2008 film Iron Man, featuring music composed by Ramin Djawadi. The soundtrack was produced in collaboration with Hans Zimmer and Remote Control Productions, and was released on April 29, 2008, by Lions Gate Records. Djawadi joined the film after John Debney, who previously collaborated with director Jon Favreau, was unavailable. The score focuses heavily on electric guitar, as requested by Favreau, and was recorded with a rock band as well a traditional orchestra. The soundtrack also includes the classic 1966 Iron Man theme song, and a big band-style arrangement of it by John O'Brien and Rick Boston, who also frequently collaborate with Favreau. The soundtrack was negatively received by critics, especially the score's use of electric guitar and Remote Control influences. However, the inclusion of the classic theme, in its original and modern cover forms, was received positively, and the soundtrack was ultimately nominated at the 51st Grammy Awards.
Further information: Music of the Marvel Cinematic Universe After Iron Man director Jon Favreau's previous collaborator John Debney was unavailable to score the film,[1] Iron Man fan Ramin Djawadi sought out the role.[2] Filming on Iron Man had already been completed by the time Djawadi joined the production,[3] and rather than wait until he could see the completed film, as he usually would, Djawadi began "playing with ideas" as soon as he saw the first trailer.[2] Due to time constraints and the final cut of the film changing until "the last possible minute", Djawadi had help with arrangements and additional cues from Hans Zimmer and Remote Control Productions. Favreau requested Djawadi's score be more guitar and rock focused, with Djawadi's history playing guitar helping with this. Guitarist Aaron Kaplan performed most of the guitar for the score,[4] with Rage Against the Machine guitarist Tom Morello, who makes a cameo appearance in the film, also contributing guitar performances.
[5] The rock band Djawadi used was recorded at Remote Control, while recording of a full orchestra took place at AIR Studios. The final score was mixed at Remote Control. Musicians John O'Brien and Rick Boston, frequent collaborators with Favreau, provided a big band-style arrangement of the Iron Man theme song from the 1966 cartoon The Marvel Super Heroes.[6] "Institutionalized", a song from band Suicidal Tendencies whose lead vocalist Mike Muir went to school with Iron Man star Robert Downey, Jr., is also included on the soundtrack. All music by Ramin Djawadi, except where noted. "Driving With The Top Down" "Iron Man (2008 version)" (By John O'Brien and Rick Boston) "Trinkets To Kill a Prince" "Extra Dry, Extra Olives" "Are Those Bullet Holes?" "Institutionalized" (By Suicidal Tendencies.) "Iron Man (1966 version)" The soundtrack was released by Lions Gate Records, who had a licensing deal with Marvel Entertainment,[8] on April 29, 2008. was extremely critical of the Remote Control influences on the soundtrack, negatively comparing it to Steve Jablonsky's Transformers and scoring it one star out of five.
Though he stated that there is "nothing inherently wrong" with an electric guitar-focused score, but Djawadi "is not yet ready to provide [the] level of intrigue" that other composers such as Debney and Danny Elfman were able to with the instrument. Clemmenson also questioned Djawadi's use of an orchestra, feeling that it gets "washed away in the mix so thoroughly that the rock band and a set of keyboards is all that was truly required for this music"[10] Jonathon Broxton at Movie Music UK said that Djawadi's approach "seems to have been to appeal to the lowest of common denominators with driving rock rhythms, pseudo-heroic crescendos, and increasingly accelerating tempos. It’s the ultimate musical overkill – loud, fast, brash, devoid of any kind of depth, and failing entirely to comment on any nuances which may exist in the film". Broxton said, "it’s not even good rock music ... the guitars do little more than repeat themselves over and over again, and the synth overdubs simply add another layer of aural sludge."
Movie Wave's James Southall gave the soundtrack no stars, calling it "yet another phoned-in score" from Remote Control, "completely puerile garbage, as bad as film music gets".[12] Conversely, Christopher Coleman, writing for Tracksounds, gave the score a six out of ten, saying, "as much as I had prepared myself to dislike this score...as much as I thought I'd be among the throngs of haters...and as much as I long for classically-styled scores for superhero films, Iron Man has won me over." He felt that fans of the Remote Control style would find the score an "industrially-clever diversion", but for others it would only give "more fuel for your personal, [Remote Control]-bond-fires". He felt that the release "captures the most of the significant cues", but suffers from the inclusion of Suicidal Tendencies' "Institutionalized". Coleman concluded by saying that "a traditional, all-symphonic score would not have worked better for this film".[13] Allmusic gave the release three stars out of five, with reviewer James Christopher Monger saying that Djawadi "treats the superhero with a predictably heavy hand", and imbues the film with "enough bombast to fuel two sequels".