French Vintage Movies

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Sourced from Wikimedia Commons via the 2003 collection Pollisons et gallipates (Rascals and Somersaults) of French erotic films made between 1905 and 1930.
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2016-08-19 17:09:24
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Massages-erotica-vintage
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great video from way back when life was simple and understandable.
A older man answers an ad claiming that the services provided will foster an erection and ejaculation - two women, initially in nurse's uniforms and eventually nude, make it all happen - a fun 6 plus inute, if this kind of film is your idea of fun.
Uploaded by ErosBlog Bacchus on August 19, 2016

I have compiled our definitive list of the 100 best French films - which you can explore here and discover where classics such as 'Les Enfants du paradis', 'Eyes Without a Face' and 'La Haine' landed in the rankings. That's according to the film industry experts. Now I want to hear about your favourite French film. Which film moves you like no other? Which movies have our experts missed? And which one really deserves the Number One spot?
Not Rated | 110 min | Comedy, Drama
Banned on its original release as 'too demoralising', and only made available again in its original form in 1956, Renoir's brilliant social comedy is epitomised by the phrase 'everyone has their reasons'. Centreing on a lavish country house party given by the Marquis de la Chesnaye and his wife (Dalio, Gregor), the film effects audacious slides from melodrama into farce, from realism into fantasy, and from comedy into tragedy. Romantic intrigues, social rivalries, and human foibles are all observed with an unblinking eye that nevertheless refuses to judge. The carnage of the rabbit shoot, the intimations of mortality introduced by the after-dinner entertainment, and Renoir's own performance are all unforgettable. Embracing every level of French society, from the aristocratic hosts to a poacher turned servant, the film presents a hilarious yet melancholic picture of a nation riven by petty class distinctions.
Three-and-a-half hours of people talking about sex sounds like a recipe for boredom; in Eustache's hands, it is anything but. There is no 'explicitness': the film is about attitudes to, and defences against, sex and the body. Using dialogue garnered entirely from real-life
Not Rated | 189 min | Drama, Romance
In Marcel Carné’s rich, literary romance from 1945 ('France's answer to "Gone with the Wind'!"), four men tussle for the affections of one woman, the conflicted, sphinx-like Garence (Carné regular Arletty), an ice maiden in the league of Marlene Dietrich who, in nearly every
Not Rated | 110 min | Crime, Drama, Romance
Jean-Paul Belmondo mooches up to Samuel Fuller at a cocktail party and, naturally, asks him his thoughts on cinema. Fuller replies: ‘Film is like a battleground. Love. Hate. Action. Violence. Death. In one word: Emotions.’ His succinct and, let’s be honest, utterly hip
An incredible amalgam of horror and fairytale in which scalpels thud into quivering flesh and the tremulous heroine (Scob) remains a prisoner of solitude in a waxen mask of eerie, frozen beauty. Having crashed the car which destroyed her face, her doctor father (Brasseur)
Tati's Hulot on the loose in a surreal, scarcely recognisable Paris, tangling intermittently with a troop of nice American matrons on a 24-hour trip. Not so much a saga of the individual against an increasingly dehumanised decor, it's more a semi-celebratory symphony to Tati's
Not Rated | 102 min | Drama, Romance
If Godard could be reduced to a single genius idea — essential to his filmmaking if obviously not the whole story — it might go something like this: To love cinema is to love life. He is the original movie geek, swaddling his films in adoring reference, and embracing,
Not Rated | 89 min | Comedy, Drama, Romance
Some filmmakers have a lifetime in which to develop their art, to explore their themes, to express their world view. Others do it in a single film. 1934’s ‘L’Atalante’ is the single feature from the then 29-year-old French master Jean Vigo and was made as its director
Write about what you know, they say. So in 1959 François Truffaut, neglected son, passionate reader, delinquent student and cinephile, wrote and filmed one of the first glistening droplets of the French New Wave: ‘The 400 Blows’, in which Antoine Doinel (Jean-Pierre Léaud)
Not Rated | 93 min | Drama, Fantasy, Romance
Cocteau's fairytale set standards in fantasy which few other film-makers have reached. Despite the Vermeer-like compositions, he has some trouble capturing the right tone for the 'realistic' scenes, but the sequences in the enchanted castle - wonderfully designed by Christian
Discretion is the better part of valour, they say. And you couldn’t imagine a more discreet tribute to the heroes of the wartime French Resistance than this terrific late-’60s thriller by the ex-Maquis member
PG | 116 min | Comedy, Drama, Romance
If we’re to learn anything from François Truffaut’s delicately cynical, New Hollywood-style satire from 1973 on the joys and pains of movie making, it’s that we
G | 125 min | Comedy, Drama, Musical
From ‘Jour de Fête’ to ‘Céline and Julie Go Boating’, there’s an enchanting minor strain in French cinema devoted to visually reproducing the heady sensation of going to the cinema. And so it is with Jacques Demy’s
Not Rated | 131 min | Adventure, Drama, Thriller
Throughout his professional life, France's Henri-Georges Clouzot suffered comparisons to Alfred Hitchcock - the former's critical reputation languished for it, and he took it hard.
As relevant as ever, Jean Renoir’s 1937 masterpiece, ‘La Grande Illusion’, is a film about common values and decency – the ability in all of us to act with respect
Tati's first film in colour. Yes, his contrast of the glorious awfulness of the Arpels' automated Modernistic house with Hulot's disordered Bohemianism is simplistic. Yes, Hulot as
R | 117 min | Action, Comedy, Crime
A huge hit in seventies France, this offbeat comedy follows two youths waving a finger at society. Their pursuits include car theft, robbery, three-way sex, and general impulsive
Animal as saint: Bresson's stark, enigmatic parable, a donkey (named after one of the Three Wise Men) is both a witness to and the victim of mankind's cruelty, stupidity -
It's July, and Delphine (Rivière), a young Parisian secretary, is suddenly at a loss regarding her holiday; a friend has just backed out of a trip to Greece, her other
This stunningly photographed and skilfully acted film uses an accretion of naturalistic detail to present an emotionally restrained but utterly compelling account of the last three
This film ranked #21 in Time Out's list of the 100 greatest French films. Click here to see the full list.
Rigorously absurd contemporary film noir which presents every character, incident and situation known to the genre, but none of the customary explanations, motivations or consequences.
Not Rated | 94 min | Drama, Mystery
Something of a key film in the development of concepts of cinematic modernism, simply because - with a script by nouveau roman iconoclast Alain Robbe-Grillet - it sets up a puzzle that is never
Not Rated | 90 min | Comedy, Drama, Music
‘Cléo from 5 to 7’ was French new waver Agnès Varda’s second feature and is filled with the beauty of Paris’s natural light. ‘Hold on, pretty butterfly!’ says Cléo (Corinne Marchand, pictured), a fretful and
GP | 101 min | Crime, Drama, Mystery
Melville's hombres don't talk a lot, they just move in and out of the shadows, their trenchcoats lined with guilt and their hats hiding their eyes. This is a great movie, an
TV-G | 13 min | Short, Action, Adventure
A Trip to the Moon (French: Voyage dans la Lune)[a] is a 1902 French silent film directed by Georges Méliès. Inspired by a wide variety of sources, it follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return in a splashdown to Earth with a captive Selenite in tow. An internationally popular success at the time of its release, it is the best-known of the hundreds of films made by Méliès, and the moment in which the capsule lands in the Moon's eye remains one of the most iconic images in the history of cinema. It was named one of the 100 greatest films of the 20th century by The Village Voice, ranking at #84, and in 2002 it became the first work designated as a UNESCO World Heritage film.
Not Rated | 92 min | Crime, Drama, Mystery
David Thomson calls Clouzot's a 'cinema of total disenchantment'. This exposé of a malicious small town in France must be one of the most depressed films to emerge from the period of the German Occupation: everyone
Marlene Dietrich had Sternberg. Anna Karina had Godard. Catherine Deneuve had Buuel, as the revival of 1967’s Belle de Jour reaffirms; the film is a perverse valentine to this coolest of Gallic beauties. Deneuve stars as
Denis' extraordinary movie centres on Galoup (Lavant) who, while holed up in Marseille, recalls his time as a sergeant-major in the Foreign Legion. In the desert, he drilled raw recruits while quietly nurturing feelings of
The fifth and most accessible of Rohmer's six 'moral tales', Claire's Knee is the story of the temptation of an affianced diplomat (Brialy) while on holiday, and its successful suppression. The film was rapturously received as a
Twenty-four hours in the Paris projects: an Arab boy is critically wounded in hospital, gut-shot, and a police revolver has found its way into the hands of a young Jewish skinhead, Vinz (Cassel), who vows to even the score
Unrated | 193 min | Comedy, Drama, Fantasy
They meet, like Alice and the White Rabbit, in a sun-dappled French park, amateur illusionist Celine (Juliet Berto) bounding heedlessly past studious librarian Julie (Dominique Labourier). One dropped scarf and a lengthy
Not Rated | 28 min | Short, Drama, Romance
“This is the story of a man marked by an image of his childhood.” So begins Chris Marker’s 1962 elliptical 27-minute time-travel adventure, “La Jetée,” a narrated montage of black-and-white still photographs about a
Of all the dysfunctional, sociopathic loners in the long history of cinema, it’s hard to remember one quite as vicious, belligerent and unpredictable as Sang-hoon, anti-hero of Korean character actor Yang Ik-June’s
Classically simple but relentlessly probing thriller, set in a French village shadowed by the presence of a compulsive killer. Some lovely Hitchcockian games, like the strange ketchup that drips onto a picnic hamburger from a
Not Rated | 116 min | Biography, Drama, Romance
A biography of the celebrated 19th century adventuress, but not a biography in the conventional sense: the lady's life is chronicled in a highly selective series of flashbacks, framed by scenes in a New Orleans circus where she
15-year-old Suzanne (Bonnaire) seems unable to progress beyond a rather doleful promiscuity in her relations with boys. Alone of her family, her father (played by Pialat himself) understands her, but when he leaves home for
Not Rated | 117 min | Crime, Drama, Horror
Devilishly suspenseful, Henri-Georges Clouzot’s thriller about two women who conspire to knock off a sadistic boarding-school headmaster (Paul Meurisse) – one of the women is his wife, the other his mistress
Not Rated | 90 min | Drama, Romance
Hiroshima's mushroom cloud has probably inspired more glib statements and images than any other 20th century phenomenon. So it's particularly refreshing to find that it still has some meaning in Resnais' first feature, now
Adapted from a Georges Bernanos story, Mouchette describes the life and tribulations of a poor, barely mature peasant girl
Not Rated | 113 min | Drama, Romance
Those whose knowledge of French nouvelle vague linchpin François Truffaut begins with ‘The 400 Blows’ and ends with
GP | 105 min | Comedy, Drama, Romance
From Time Out LondonSix months after the death of Eric Rohmer at the age of 89, the BFI is re-releasing a good-looking new print
Not Rated | 108 min | Crime, Drama, Music
Remaking James Toback's 1978 Fingers, director Jacques Audiard (Read My Lips) has turned the story of Tom (Duris), a petty
PG-13 | 118 min | Crime, Drama, Thriller
René Clément and Chabrol's collaborator Paul Gégauff got hold of Patricia Highsmith's The Talented Mr Ripley decades before
Although the setting is changed from Big City USA to the dismal, wintry Paris suburbs, this neo-noir retains the outline of Jim
Among the seismic innovations of the French New Wave, it’s easy to gloss over the unsentimental approach of a movie like
Passed | 114 min | Biography, Drama, History
Dreyer's most universally acclaimed masterpiece remains one of the most staggeringly intense films ever made. It deals
Not Rated | 140 min | Crime, Drama, Thriller
Melville's special achievement was to relocate the American gangster film in France, and to incorporate his own steely
Not Rated | 16 min | Short, Fantasy, Horror
Prelude: a young woman sits compliantly as Buñuel takes a razor and slices her eye open. What follows is a documentary rendering
Released in the same year as Godard’s ‘Breathless’ (1959) and filmed on the same sun-dappled Parisian streets,
My Sex Life... or How I Got into an Argument (French: Comment je me suis disputé... (ma vie sexuelle)) is a 1996 French drama film directed by Arnaud Desplechin. It was entered into the 1996 Cannes Film Festival. It won the César Award for Most Promising Actor (Mathieu Amalric) and was also nominated for Most Promising Actress (Emmanuelle Devos and Jeanne Balibar).
Not Rated | 91 min | Drama, Musical, Romance
In the garage where he works, Guy (Nino Castelnuovo) plans a trip to the opera. His colleague is unimpressed: ‘All that
G | 132 min | Adventure, Comedy, War
La Grande Vadrouille literally "The Great Stroll"; originally released in the United States as Don't Look Now... We're Being Shot At!) is a 1966 French comedy film about two ordinary Frenchmen helping the crew of a Royal Air Force bomber shot down over Paris make their way through German-occupied France to escape arrest. For over forty years, until the release of Bienvenue chez les Ch'tis in 2008, La Grande Vadrouille was the most successful French film in France, topping the box office with over 17,200,000 cinema admissions. It remains the third most successful film ever in France, of any nationality, behind the 1997 version of Titanic and Bienvenue chez les Ch'tis, both of which were seen by over 20,000,000 cinemagoers.
At age 12, our hero is sent to bed supper-less for stealing eight sous. When he wakes up his entire family is dead from food
The near future: taking a job and a bedsit at a shabby rooming-house above a butcher's shop, ex-clown Louison
Not Rated | 83 min | Animation, Family, Fantasy
The result of a long collaboration (and tortured production history) between animator Grimault and the respected screenwriter
Not Rated | 90 min | Drama, Musical, Romance
Une chambre en ville is a 1982 French film directed by Jacques Demy. It is a musical in which every line of dialogue is sung. The film won the Prix Méliès, and was nominated for nine César Awards: Best Film, Best Director, Most Promising Actress, Best Supporting Actor, Best Supporting Actress, Best Cinematography, Best Music, Best Production Design and Best Sound.
330 min | Biography, Drama, History
Bambi Ballard's latest restoration of cinema's supreme, grandiloquent epic (63 mins longer than the version premiered by Kevin Brownlow in 1979, tinted and with an extended three-screen climax) is the closest we're ever likely to
One of Resnais' most underrated explorations of the tone of time and memory. Claude Ridder (Rich), a failed suicide, is visited by two men who invite his cooperation in an experiment (already tried with a mouse) to project him
M Legrand, a mild-mannered, middle-aged cashier, uses painting as a means of expression, of escape from his shrewish wife and the tedium of his job. After an accidental encounter with femme fatale Lulu (Marèze), he falls madly in
Filmmakers love a good prison. No, scrub that, filmmakers adore a bad prison. You can see why. For writers and directors, the volatile jail is a ready-made theatre, its prisoners and guards with their various conflicts and
Approved | 95 min | Comedy, Drama, Fantasy
In spite/because of what must have seemed impeccable credentials - Clair, the two leads, a screenplay by dramatist Armand Salacrou, and nostalgic, Méliès-inspired sets by Barsacq - this version of the Faust legend is a turgidly
‘Loulou’ is a challenging, absorbing example of the awkward beauty of the late Maurice Pialat. Superficially, it’s a keenly observed, naturalist, semi-improvised, hand-shot ‘slice-of-life’, set in the post-Women’s
Not Rated | 150 min | Comedy, Drama
A Christmas Tale (French: Un conte de Noël) is a 2008 French comedy-drama film by Arnaud Desplechin, starring Catherine Deneuve, Jean-Paul Roussillon, Mathieu Amalric, Anne Consigny, Melvil Poupaud, Emmanuelle Devos and Chiara Mastroianni. It tells the story of a family with strained relationships which gathers at the parents' home for Christmas, only to learn that their mother has leukemia. It was in competition for the Palme d'Or at the 2008 Cannes Film Festival.
GP | 122 min | Crime, Drama, Romance
Four characters. A Mediterranean villa. Sun, sex and… suspicion. The ingredients are fairly simple in this welcome reissue for a star-powered psychological thriller which has remained underexposed on these shores. Perhaps
Du Cote D'Orouët is a 1973 French film directed by Jacques Rozier. The film is about three young girls that have their summer vacation in a villa on the beaches of Orouët. It was first screened at the Cannes Film Festival in 1971.
R | 112 min | Comedy, Drama, Romance
Castella is an industrialist, married, temporarily inconvenienced by the presence of a bodyguard while a sensitive business deal is ironed out. In his own world, he's king. A dutiful (groundbreaking) trip to the theatre is a
Godard's return to celluloid after a decade of experiment in video is in one sense forced: the sources of finance for his projects were drying up, and he himself admits that the film was made as a passport back into the
'Our sexual desire has to be seen as the product of centuries of repressive and emasculating Catholicism... it is always coloured by the sweet secret sense of sin,' mused Buñuel in his autobiography My Last Breath. One might
Not Rated | 108 min | Crime, Thriller
Darker than Bob le F
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