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A drama centered around three women: A fifty-year-old woman, the daughter she gave up for adoption thirty-five years ago, and a woman looking to adopt a child of her own.
Almost forty years ago, a young girl of fourteen has sex, gets pregnant, and gives her baby up for adoption. Fast-forwarding to the present day, we meet three very different women, each of whom struggles to maintain control of their lives. There's Elizabeth, a smart and successful lawyer who uses her body to her advantage. Any time she feels that she doesn't have the upper hand, and cannot control the situation, she uses her sex appeal - whether that be starting a romance with her boss when she suspects he is trying to start one himself, or finding some way to control her overly friendly neighbor and husband. Karen, meanwhile, is a bitter health care professional who obviously has a lot of heart but never shows it. She gave up a daughter at the age of fourteen (wonderfully shown rather than told, she is the young girl and mother of Elizabeth), and has never gotten over it - her bitterness inspiring her to lash out at everyone around her - even the gentle man at work who is undeniably drawn to her. Finally, Lucy is a woman who has failed to conceive with her husband, so she turns to adoption to make the family she desires.—Sony Pictures Classics
Naomi Watts was pregnant with her second child, and there's a scene at the clinic where the audience can see her real son moving inside her belly. Naomi said in an interview that the baby was sleeping and she took a cold glass of water to wake him up inside.
Lucy: The truth is easier to remember.
Te Quiero
Written by Juan C. Medina and Martins S. Medina
Performed by Medina Productions
Pitch Perfect & Sensitively Directed
Caught this one at TIFF, and it was one of the best movies of the festival. Rodrigo Garcia directed "Nine Lives", which may be familiar to some audiences. That one was from 2005 and wove together a series of short vignettes. Garcia has a wonderful sensibility at portraying female characters in that one, and in "Mother & Child" he builds upon it even further as the movie centers around the theme of adoption and how it affects three adult women, played by Annette Bening, Naomi Watts, and Kerri Washington.

I suppose this will get the "chick flick" label upon it's release, but for any lover of good dramas with characters you can sink your teeth into, that shouldn't matter, and besides, when did it become unfashionable for grown men to see movies with attractive female stars in them? There isn't a false moment or a scene that doesn't ring true, and I found myself so involved in the particularities of all the characters we meet that it no longer mattered to me what happened next, it was more interesting to get inside the shoes and take a walk inside the lives of these characters, so well fleshed out by all the stars here. So many big movies from America often feature adults behaving like children, and so it's ultimately refreshing and quite moving to follow the characters in "Mother & Child" who are going through very adult problems and acting like adults throughout, even if sometimes they fall or crack or are flawed.

I think Bening and Watts, playing two very complicated and difficult women, should be nominated for Oscars. This movie takes material that could have been dumbed down and made into a TV movie of the week, but instead Rodrigo Garcia elevates the film by really listening to his characters. A wonderful movie, not just for women, but for all adults who like good movies, and for all film-goers who especially like "hyperlink" movies, that is, movies that deal with a multitude of characters while letting each of them take the wheel of the car. Terrific.
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