Supreme Court strikes down bans on same-sex marriage Can divorce ever be 'morally necessary' to protect kids? Pope Francis thinks so Pope Francis challenges humanity to fight global warming in historic encyclical Bishop rants on summer church slobs Ireland is for gay marriage because it is Catholic More Catholics, fewer receiving sacraments: New report maps changing church New Jersey priest fired as Seton Hall chaplain comes out as gayWhat the pope really misses are pizza outings. Ireland gay-marriage vote a ‘reality check’ for church What would Oscar Romero say today about El Salvador?NEW YORK (CNS) -- In 2014's "The Lego Movie," Will Arnett voiced an amusingly self-absorbed version of GothamWith the entertaining spinoff "The Lego Batman Movie" (Warner Bros.), Arnett's character, together with his inflated ego, takes Despite occupying the spotlight, however, this time out, the Caped Crusader will have to learn some important
lessons in humility, teamwork and emotional openness if he's going to meet hisThat's because his longtime adversary, the Joker (voice of Zach Galifianakis), is leading an army of bad guys in a bid to prove that he is Batman's most important enemy. Just as the isolated, relationship-shunning hero insists on working alone to fight crime, so he slaps the Joker down when the Clown Prince of Crime puts himself forward as the Cowled One's indispensable foil. "You're nothing to me," Batman growls in a scene that cleverly inverts a familiar trope, substituting the Joker's longing to be told he's hated for the more usual goal of exacting aSoon the spurned villain is scheming to destroy Gotham and thus bring his rivalry with Batman to a decisive close. To vanquish him, Batman will have to accept the help of the trio of supporters who have rallied to his side: would-be adoptive son Dick Grayson, aka Robin (voice of Michael Cera), love
interest Barbara Gordon, aka Batgirl (voiced by Rosario Dawson), and father figure (as well as butler) Alfred Pennyworth (voice of Ralph Fiennes). Still burdened by the loss of his parents -- their murder is only hinted at by a childhood photo taken at a moment aficionados of chiropteran lore will recognize as laden with doom -- Bruce Wayne, and therefore his alter ego, finds it difficult to make himselfIt will take all of Robin's irrepressible good spirits and Alfred's patriarchal concern, as well as Barbara's head-turning effect on Batman, to break through his barriers. Fast-paced fun is the order of the day in director Chris McKay's animated treat for viewers of almost everyStill, scenes of danger and a bit of potty humor as well as a few joking turns of phrase designed for grownups suggest that small fry would best be leftThe wide remaining audience will find the screen chockablock with good guys, black hats and monsters -- and the dialogue enlivened by sly wit.
The film contains perilous situations, including explosions, and a couple of instances each of vaguely crass language, scatological humor and mature wordplay. Service classification is A-II -- adults and adolescents. Association of America rating is PG -- parental guidance suggested. material may not be suitable for children. Mulderig is on the staff of "The Lego Batman Movie" (Warner Bros.) With his longtime adversary the Joker (voice of Zach Galifianakis) leading an army of bad guys in a bid to prove that he is Batman's (voice of Will Arnett) most important enemy, self-absorbed version of the Dark Knight first seen in 2014's "The Lego Movie" will have to learn some lessons in humility, teamwork and emotional openness if the villains are to be vanquished. Specifically, the isolated, relationship-shunning Caped Crusader will have to accept the help of the trio of supporters -- adoptive son Dick Grayson, aka Robin (voice of Michael Cera), love interest
Barbara Gordon, aka Batgirl (voiced by Rosario Dawson), and father figure (as well as butler) Alfred Pennyworth (voice of Ralph Fiennes) -- rallied to his side. Fast-paced fun is the order of the day in director Chris McKay's animated treat for viewers of almost every age. Still, scenes of danger and a bit of potty humor as well as a few joking turns of phrase designed for grownups suggest that small fry would best be left atPerilous situations, including explosions, a couple of instances each of vaguely crass language, scatological humor, mature wordplay. News Service classification is A-II -- adults and adolescents. Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children. "The Lego Batman Movie" (Warner-- Catholic News Service classification, A-II -- adults and adolescents. Motion Picture Association of America rating, PG -- parental guidanceSome material may not be suitable for children.
“The Lego Movie,” well-reviewed and making money by the brickyard, builds its story upon religious and moral themes. They don’t all snap together securely, but that’s in keeping with the rest of the film. Spoiler alert: I’ll give away nothing that you wouldn’t get from the reviews. There’s a late plot twist, however, that affects everything we thought we understood about the story. Anybody who reveals that twist, at least in the first few weeks, deserves to be extruded in molten plastic. I’ll tip as little as possible. Right off the bat: It’s as good as the reviews say. The story takes elements from “The Matrix,” ‘’Harry Potter,” ‘’Kung Fu Panda,” ‘’Lord of the Rings,” the good “Star Wars” movies, “Toy Story 2&‥8243; and other recent cultural touchstones and blends them into plot slurry. Which is not all that surprising for a modern kids’ movie. But references to Aristophanes? To an architect who died more than 2,000 years ago? I guarantee you did not see that coming.
You’ve likely read a summary of the story: An utterly unremarkable construction worker figure in a Lego city literally falls into a tale where he discovers the “Piece of Resistance,” a plastic doodad that is the only way to stop a dastardly villain (modeled on 1984&‥8242;s “Big Brother”) from destroying the world. Our hero, who has never ever deviated from the “official instructions” for anything, has to discover what it means to be “the Special” and lead the battle. In his quest, he gains allies: A warrior-woman named Wyldstyle; her boyfriend, Batman (yes, that Batman); a half-unicorn/half kitty mash-up named, duh, UniKitty; and others, including a wizard named Vitruvius. Marcus Vitruvius Pollio was an engineer and architect who wrote a 10-volume encyclopedia on architecture in the first century B.C. His work was so influential that Leonardo da Vinci used it 500 years later to help design his famous drawing of a man inside a circle, the Vitruvian Man. This Vitruvius is one of the film’s “master builders,” figures able to effortlessly construct anything out of the Lego materials.
“Master builder” may be a nod to Ibsen’s play “Master Builder,” about an architect who dies when he falls from one of his buildings. The hero of the tale, the anonymous construction guy, is named Emmet, or “truth” in Hebrew. I asked Lego director Philip Lord if this was coincidence. No, he replied in a Tweet: “’truth’ — was Greg Silverman’s idea at WB and we embraced it.” (Silverman is president for creative development and worldwide production for Warner Bros. Pictures.) Our plucky band ends up at one point in Cloud Cuckoo Land, a chaotic place where there are no rules. That’s an unambiguous nod to Aristophanes’ satirical play “The Birds,” written about 2,400 years ago, which included a chaotic realm called Cloud Cuckoo Land. Where are the religious and moral references? There are references to the Man Upstairs, the one really in charge of their world. So there’s your Lego God. There’s a prophecy, by Vitruvius, about that doodad called the “Piece of Resistance” (think “Holy Grail” or “Ark of the Covenant”) and “the Special” (the Only One who can use the Piece to save the world).
Which is something like any religious prophesy about a savior. Emmet also sacrifices himself for his friends, plunges through a tunnel into the Light, learns an unforeseeable truth about his world and is resurrected to return to the quest. That has echoes of Jesus and Guru Nanak, the father of Sikhism. The whole film turns on finding a balance between conformity and creativity. Vitruvius tells Emmet: “All you need to be special is to believe.” He’s not initially as creative as other master builders, but, unlike them, he understands how total freedom can fail without some rules. And that’s how he is “special.” This is a theme that plays out today in many houses of worship. In fact, the broad popularity of Pope Francis is exactly about the way he is redefining the balance of conformity versus creativity for the Roman Catholic Church. (And let’s deal with the canard you might have heard: There’s nothing anti-capitalist about the movie. True, the film is opposed to an externally imposed rigidity of thought.
And it’s against some of the degrading vulgarities of modern culture. But it’s emphatically “pro-entrepreneurship,” which is as pro-business as you can get. And at one level, after all, it’s a 100-minute ad. The Sunday I saw it at a local mall, there was a line afterward waiting for the Lego store to open.) But then there’s that plot twist at the end that I dare not reveal. It changes our perspective of most of the film. Some of what had been annoying randomness suddenly makes total sense. It also takes what seemed like a tale about imaginary beings and turns it into a story with a message that is both more specific and more universal. We realize, with perhaps a shock of recognition, that the tension between creativity and necessary rules is hardly limited to the Lego universe. And we get a lesson about how that strain might be resolved. There one more possible nod to faith: Like Frodo in “The Lord of the Rings,” Emmet’s heroic quest would fail except for an act of grace.