shoulders, as in Greece.'33 Instead of appearing

shoulders, as in Greece.'33 Instead of appearing


http://www.pacho.com/__media__/js/netsoltrademark.php?d=nudiistgirl.net/tube/beach/ass-anal-fuck-pussy-beach-teens-russian-extreme.php/ , as in Greece, the Etruscan Apollo wears a

rounded mantle or tebenna, the ancestor of the Roman

toga. So do a great many Etruscan bronze statuettes,

Analyzed by Emeline Richardson as the antecedents of

There are really

numerous Etruscan statuettes of bare kouroi and

Nude dancing bodies (although these occasionally

wear something, a necklace, or shoes, to prevent the

Whole nudity of their Greek models).'134 Pliny tells

us, and the monuments reveal, the Etruscans and

later Romans favored figures of warriors, typically

wearing armour, rather than nude like the Greeks.'35

When individuals on the peripheries of the Etruscan world

learned to depict the life size human figure in order to

Signify a dead warrior, a hero, they imitated the

Such a barbarian

Above, it is flat, like a stele; underneath, its legs look like the

It's nude, but armed. Its nudity

presents a difficult issue.

reflect a local custom: this warrior, like the Gauls,

may have really fought naked. The fully armed

Warrior of Capestrano, from Chieti, is recognized

as an important figure by the ax on his left shoulder-and his huge helmet-but he wears the Etruscan sort of perizoma.137 Some years ago, the Capestrano Warrior reigned as a exceptional image, challenging to

explain in the context of the artwork of early Italy. In the

last 20 years other monumental statues of the seventh

and sixth centuries B.C. have come to light, allowing

us to see more clearly how artists in Italy responded to

the innovation of the monumental statues of kouroi.138

The idea of the kouros came from Greece indirectly,

by way of Etruscan art, w here the kouros is not naked,

but is dressed in a perizoma. In this way, the Etruscans interpreted Greek innovations for barbarian, nonGreek cultures.

antiquity.

The arms and their position-Venus pudica-are of

course not those of a kouros. A Greek artist in Italy,

FEMALEFIGURES

The contrast between mainland Greece and Italy in

the Archaic period in the matter of artistic nudity extends to female figures along with male. In http://postgame.com/__media__/js/netsoltrademark.php?d=nuderoad.com/albums/skinny-nudist-women-loves.html

Before traditions lived-spiritual, societal, and

Rite-occasionally

expressed in fresh, non-traditional artistic types.

The image of the naked female, banned from Classical Greek artwork, makes astonishing looks in

Etruscan artwork. Two examples will serve to reveal how

Otherwise this image was perceived. The first is the

Large scale statuette of a naked goddess, found in Orvieto, in the sanctuary of Cannicella, over 100 years

ago, in 1884. Its peculiar attributes have lately been

more closely examined.139 The amount, half life-size,

made of Parian marble, and quite definitely of Greek

workmanship,was broken,repaired,and reworkedin

NUDITY AS A COSTUME IN CLASSICAL ART

commissioned to make an image of a mother goddess,

for which the reigning Greek artistic style provided no

model, might well have produced such a odd work

as this one, whose bizarre appearance expresses a tension

between Greek artistic tradition on the one hand and

native religion and ritual on the other.

Another peculiarly Etruscan monument represents the

Manner in which the Greek custom of nudity was imported and transformed. Again, we have a astonishing

occurrence of a naked female figure. Afterwards in date, but

still earlier than the Hellenistic period, when the type

was taken in Greek artwork, we see husband and wife

under the curved tebenna, which functions as a blanket,

a symbol of their marriage. This kind of picture of a couple

does not appear in Greek artwork. In Etruscan art, also, it is

Exceptional: but the pose of husband and wife, united on

Etruscan, also, is the similarity

of their way of dressing-in this instance, their nudity.

Obviously, the Etruscans did not perceive the comparison

between male and female nudity, so characteristic of

Greek Ancient artwork.

who saw it? Was this nudity a hint of the affair of

the marriage bed? Or did it signify a kind of heroization of the couple, as ancestors, revealed in passing

dressed in the Greek manner, in a "heroic" nudity

considered fitting for the afterworld? We don't know.

Also associated with female nudity, or somewhat exposure, is

the frequent picture of the nursing or suckling mom,

a motif absent from Ancient Greek art. click , for example, symbolize the rite suckling and

adoption of the mature Heracles by Uni (Hera). The

myth is unknown in mainland Greek artwork. On an

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