No Catalogue entry available for this item Our server cannot find the file you requested. This could be due to a temporary problem with our server, a broken link that slipped by our normally vigilant site designer, or, if you were coming from another site, its likely that their link to our page was incorrect. Medieval Abbey or Monastery National Trust for Scotland Give a gift of Britain CARDS & PRINTS from our own more British scenes .. Cards from £3.75 / $5.95 Prints from £14 / $22 Hartwell House Hotel, Restaurant and SpaStone, Buckinghamshire Explore Buckinghamshire and the Chilterns ... Hartwell House is a magnificent stately home standing in ninety acres of landscaped parkland and luscious gardens. It has forty-six bedrooms and suites and several elegant and spacious reception … more >> Accommodation Rating: Not rated Stay in an English CastleSee also: A Selected Chronology Glasgow School Of Art, western entrance.
Poster for Glasgow Institute of Fine Arts 1895 Writing Cabinet, designer C.R. Mackintosh Leaded Glass Window, Willow Tea Room Polyanthus, Watercolour, Walberswick 1915 Glasgow Herald Building 1895, Architect C.R. Mackintosh Martyr's Public School 1896, Architect C.R. Mackintosh Buchanan Street Tea Room 1856 Director's Chair, Glasgow School of Art High Back Chair, Argyll Street Tea Room Hich Back Chair, Main Street, 1900 Armchair, Argyll Street Tea Room Smoker's or Billiard Room Chair, Argyll Street Tea Textile Panels for Vienna, 1900 Windyhill 1901, Architect C.R. Mackintosh Oval Room Chair 1909, Ingram Street Tea Room Oak Room Chair 1907, Ingram Street Tea Room Barrel Chair 1907, Ingram Street Tea Room Chinese Room Chair 1911, Ingram Street Tea Room Home for an Art Lover, designed 1901 Cabinet for Kingsborough Gardens, 1902 Window, Rose Boudoir, Turin 1902 White Rose and Red Rose, Turin 1902
Heart of the Rose, Turin 1902 High Back Stenciled Chair, Turin 1902 Opera of the Seas, Warndorfer Music Salon 1903 Opera of the Winds, Warndorfer Music Salon 1903 Table, Warndorfer Music Salon 1903 Hill House 1903, Architect C.R. Mackintosh Hill House, entrance hall Hill House, master bedroom Armchairs, Willow Tea Room Lattice Back Chair, Willow Tea Room Ladder Back Chairs, Willow Tea Room Room de Luxe Chair, Willow Tea Room Settle, 'Dug out' 1917, Willow Tea Room Poker and Tongs 1905, Hous'Hill Scotland Street School 1906, Architect C.R. Mackintosh Auchenibert 1906, Architect C.R. Mackintosh Tulip and Lattice 1923, fabric design Rose and Teardrop 1923, fabric design Wave Pattern 1923, fabric design Harvest Moon 1892, Watercolour Le Fort Maillert 1927, Watercolour Archives and creative practice Archives in the news GSA Archives and Collections Sorry, no posts matched your criteria.
There is no such page on this website.Our Skills for the Future Trainee Cat Doyle continues with her research in ‘The First International Exhibition of Decorative Art’. There are still a number of exciting contemporary art events happening as the Glasgow International Festival draws to a close and the GSA Learning Resources team thought we’d get on board! Visit our new display of archives and special collections material on level two of the library or check out our Pinterest board to see that Glasgow is no stranger to international exhibitions… Over 100 years ago, the unique artistic reputation that we know Glasgow to have today was just beginning to be recognised. Significant to this was Director Francis Newbery’s innovative introduction of decorative art classes in The Glasgow School of Art’s curriculum in the early 1890s. These classes introduced students to alternative techniques such as metalwork, enamels and embroidery, processes which can also be seen in the definitive interior designs of Charles Rennie Mackintosh.
This period also saw the work of Mackintosh and his art school associates beginning to be exposed throughout the UK and Europe in prestigious art journals such as The Studio Magazine, and the German Deutsche Kunst und Dekoration. At the turn of the 20th century, a number of opportunities to exhibit on the continent arose for these artists. It was no surprise therefore that when the Italian Royal Family commissioned the first International Exhibition of Modern Decorative Art in Turin in 1902, Francis Newbery appointed Mackintosh responsible for designing the Scottish rooms. Newbery supervised the Scottish section and was recognised with the award of a Cross of a Knight Officer of the Order of the Crown of Italy for his contribution. The Scottish section consisted of three rooms, built by the exhibition architect Raimondo D’Aronco and adapted by Mackintosh to suit the Scottish work. The first of these was named the Rose Boudoir and was devoted entirely to the work of the Mackintoshes.
Showcased were gesso and embroidered panels by Margaret Macdonald alongside furniture and decorative glass and metalwork by Mackintosh. Also exhibited were his designs for the House for an Art Lover competition. The Glasgow School of Art Archives and Collections Mackintosh Art, Design and Architecture Collection now holds several of these items. The second room was dedicated to the Mackintoshes close friends Herbert and Frances McNair whom they had exhibited alongside previously in Vienna in 1900. The papers of the McNairs in the GSA ephemera collection give a fascinating insight into their plans for what was to be exhibited. The final room consisted of work by The Glasgow School of Art’s staff and students. Although the work of these artists varied in material and technique, the Glasgow Style was consistently evident. Several of the applications, as well as work by some of the artists, can be found in the archives and collections. Unfortunately the Glasgow Style began to become less well received in Europe in the years following the Turin exhibition.