One seller on Amazon has this CD on sale for $90.Here it is for FREE and with love and a cherry on top. Neckbones came to Pensacola around 1998. I don't remember much about the show, not because I was intoxicated (I wasn't) but I think I spent most of my time downstairs being what some of my friends called a "social butterfly." I came back upstairs as they were loading out and the drummer was apparently having a bad night. He was carrying his snare and dropped it right as Poopy Tim walked by and he yelled, "Motherfucker!" The snare snafu wasn't Tim's fault. But it sure was funny watching this guy snarl anyways. Eleven's early history is intertwined with that of the Red Hot Chili Peppers. As teenagers Irons and Johannes formed the band Anthym with Michael Balzary (Flea) and Hillel Slovak; this band was soon to be renamed What Is This?. The members of What Is This? then joined with Anthony Kiedis to form the Red Hot Chili Peppers, but Slovak and Irons also continued to record with Johannes, and What Is This?
released the EP Squeezed with Chris Hutchinson playing bass. After the recording of the self-titled second What Is This? album, Slovak and Irons discontinued the band to concentrate full time on the Red Hot Chili Peppers. I was able to get a copy of this through Swap A CD website. Thanks for your request. Thanks for your request, Williams. One Small Step 3. Dream Of a Day 4. Wow, watching this video reminds me of what hair farmers dominated the music scene of the 90's. Bless the hair farmers, they put out good music. was Drivin N Cryin's breakthrough album. I think they might have even made a little money off of this one. Sadly, their next album - not so good. I still don't get the woman in this video. Shouldn't she be in a Whitesnake or Warrant video instead? I saw Bad Livers play here in Pensacola at Sluggo's around 1992. They were the biggest bunch of jerks. - just rude and for some reason stuck up. One of the band members was making fun of the soundboard and all sorts of snarky comments.
They did put on a good show but what a bunch of buttholes. Paul Leary of the Butthole Surfers was their producer. It's hard not to laugh at Henry Rollins in this video but I still like the song and the album. Thanks to I Hate The 90's poster who sent me Mary's Danish Here it is for your listening pleasure. Around 1993 or so, Ed Hall played here in Pensacola at Sluggo's. Not many people showed up because the philosophy that seems to be prevalent here is "I've never heard of them so they must not be any good." But they were good. In fact they were great! After a few songs, the guitarist told everyone in the crowd that if they answered the question correctly, they'd get a free 7 inch. I was up for it. He asked, "Who in the band is named Ed Hall?" I yelled, "NO ONE!" The 7 inch record "Deth/Witless" came flying my way and I've still got it to this day. I still have my Ed Hall t-shirt. I still to this day do not understand why I sold this CD. Life is full of regrets.
I can no longer study ratcatching.Anecdote: as a lowly indy record store clerk/wage slave, I was forced to delve into the world of practical jokes to relieve the inherent boredom of dealing with record store groupies day after day. One particularly challenging afternoon, I procured a used Pearl Jam "Vs." tape and at the end of side 1 added Glover's song "Automanipulator" to the tracks. The tape was sold and no one came back to complain that there was a song on their cassette of Pearl Jam about masturbation. Good times they were. When former Mary's Danish members James Bradley, Jr. (drums) and David King (guitar) formed Rob Rule with singer Edward Anisko, guitarist/pianist Robbie Allen and bassist Steven Ossana, Danish fans couldn't help but wonder how Danish-influenced Rob Rule would be. But this debut album turned out to be a major departure from their work with Danish. Bradley and King were still embracing what was loosely defined as alternative rock, but it was a long way from Danish's alternative rock.
While Danish was challenging, quirky and left-of-center, Rob Rule was much rootsier and not nearly as experimental. Melodic, down-to-Earth tracks like "Never" (not to be confused with Heart's 1985 smash), "Wayside" and "She Gets Too High" are a lot more southern-influenced than anything Danish would have done--obviously, King and Bradley had put the past behind them and weren't entertaining any ideas of trying to turn Rob Rule into "Mary's Danish, Part 2." Although generally decent, this release wasn't a big seller, and it would be Rob Rule's only Mercury album. ~ Alex Henderson, All Music Guide 1. Absolutely Fabulous (7" Mix)2. Absolutely Fabulous (Our Tribe Tongue-In-Cheek Mix)3. Absolutely Fabulous (Dull Soulless Dance Music Mix) I remember seeing The Connells play in Mobile, Alabama in 1990. Great show and worth the 100 mile round trip 2 a.m. drive back to Pensacola. I don't know why they never came to Pensacola. If they did, I don't remember. The Loudmouths come by their name honestly.
Frontwoman Dulcinea Loudmouth has a truly gargantuan trap and a voice to match, and her belligerent pipes dominate the thrashy garage punk of this (now defunct) San Francisco quartet. Few of the 17 tracks hit the two-minute mark, but there's a load of energy packed into each brief blast, and if the riffs are interchangeable, they're fast enough that it doesn't matter. The band stumbles when they attempt the rare surfy lick, but when they stick to the script the result is reliable guitar-heavy punk. Subject matter covers typical trash culture concerns including pornography, roller derbies, and cult film femme fatale Tura Satana; the Loudmouths obviously have no interest in changing the world, or even commenting on it. A cover of Australian punk pioneers Rocks' "Kick Her Out" doesn't deviate from the original in any way, but is indicative of the band's influences and approach. The Loudmouths blazed no new trails, but fans of full-throttle, no-nonsense punk rock should appreciate the noise this debut long-player delivers.