Getting The 'The Art of War': As relevant now as when it was written To Work

VI Weak Points and Strong Illusion and Reality Vacuity and Substance Weaknesses and Strengths(Chinese:) Weak and Strong Explains how an army's opportunities come from the openings in the environment brought on by the relative weak point of the enemy and how to respond to changes in the fluid battleground over an offered area.

VIII Variation of Techniques The Nine Variations 9 Modifications Variations and Versatility(Chinese:) 9 Contingencies Focuses on the requirement for flexibility in an army's reactions. It explains how to react to shifting circumstances successfully. This Piece Covers It Well on the March Moving The Force Navigating the Army Movement and Development of Troops(Chinese:) Fielding the Army Explains the different situations in which an army discovers itself as it moves through brand-new opponent areas, and how to react to these situations.

X Classification of Surface Situational Positioning Configurations of Surface Conformations of the Lands Takes a look at the three basic areas of resistance (range, threats and barriers) and the six kinds of ground positions that arise from them. Each of these six field positions offers certain benefits and drawbacks. XI The Nine Circumstances The 9 Circumstances Nine Surfaces The Nine Battlefields(Chinese:) 9 Sort Of Ground Explains the 9 typical circumstances (or stages) in a project, from scattering to lethal, and the specific focus that a commander will require in order to effectively browse them.

This section takes a look at the five targets for attack, the five types of ecological attack and the proper actions to such attacks. XIII Use of Spies The Use of Intelligence Using Spies Intelligence and Espionage(Chinese:) Using Spies Focuses on the significance of developing good information sources, and specifies the 5 types of intelligence sources and how to best manage each of them.

Throughout the Sengoku period (c. 14671568), the Japanese Takeda Shingen (15211573) is said to have actually become practically invincible in all fights without relying on weapons, since he studied The Art of War. The book even gave him the motivation for his famous battle standard "Frinkazan" (Wind, Forest, Fire and Mountain), implying fast as the wind, silent as a forest, relentless as fire and stationary as a mountain.