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The piece is meant to catch the ambient sounds of the venue/location of the efficiency and have that be the music played. Cage has actually been cited by critical artists such as Brian Eno as impact. In the 1960s, lots of music groups explore uncommon methods, with some of them developing what would later be called ambient music.

Other authors dealing with tape recorders became members and collaborators including Pauline Oliveros, Terry Riley and Steve Reich. Their compositions, among others, added to the advancement of minimal music (likewise called minimalism), which shares many comparable ideas to ambient music such as repeated patterns or pulses, steady drones, and consonant harmony.

Some 1960s records with ambient elements include and by Tony Scott, by Raymond Scott, and the very first record of the by Irv Teibel. In the late 60s, French composer liane Radigue composed several pieces by processing tape loops from the feedback in between two tape recorders and a microphone. In Found Here , she then went on to make up comparable music almost solely with an ARP 2500 synthesiser, and her long, slow structures have typically been compared to drone music.

Developing in the 1970s, ambient music originated from the experimental and synthesizer-oriented designs of the duration. Between 1974 and 1976, American composer Laurie Spiegel produced her critical work The Expanding Universe, created on a computer-analog hybrid system called GROOVE. In 1977, her composition, Music of the Spheres was included on Voyager 1 and 2's Golden Record.

These performances were launched on an archival album in 2016 entitled Buchla Concerts 1975. According to the record label, these shows were part live presentation, part grant application and part academic presentation. Nevertheless, it wasn't up until Brian Eno coined the term in the mid-70s that ambient music was specified as a category.

Other simultaneous artists producing ambient-style music at the time included Jamaican dub artists such as King Tubby, Japanese electronic music authors such as Isao Tomita and Ryuichi Sakamoto as well as the psychoacoustic soundscapes of Irv Teibel's series, and German bands such as Popol Vuh, Ash Ra Tempel and Tangerine Dream.