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Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912; The Rude descending a staircase (Rush-Hour at the Subway), The New York Evening Sun, March 20th, 1913 The Armory Show’s reputation grew steadily to occupy a legendary status. Born: in Blainville, France. 1902. Started painting. 1904. Moved to Paris, France. 1904–1905. Studied painting at the Académie Julian, Paris, France. 1912. Created 'Nude Descending a Staircase, No. 2' (Philadelphia Museum of Art), causing an uproar at New York City's famous Armory Show in 1913. 17 févr. 2024 · The Armory Show, as it came to be known, had a profound effect on American art. Smithsonian Institution Archives of American Art. On Feb. 17, 1913, an art exhibition opened in New York City that. Joan Miro. Naked Woman Climbing a Staircase (originally in French Femme nue montant l'escalier) is a drawing done with pencil and charcoal on card made by Joan Miró in 1937. It is part of the permanent collection of the Fundació Joan Miró in Barcelona. Miró created Naked Woman Climbing a Staircase during the Spanish Civil War. MARCEL DUCHAMP (1887-1968) Nude Descending a Staircase, No. 2. collotype with pochoir in colours, 1937, on wove paper, signed and dated 'Dec. 37' in black ink on a French 5-centimes revenue stamp. Image 350 x 200 mm., Sheet 350 x 200 mm. 1⁄8 in) Location. Philadelphia Museum of Art, Philadelphia. Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Nu descendant un escalier. Nu descendant un escalier no 2 est un tableau de Marcel Duchamp peint en janvier 1912. Il fit scandale lors de son exposition à l' Armory Show de New York en février-mars 1913, mais consacra la gloire de Marcel Duchamp et marqua le début de l' art moderne aux États-Unis . Duchamp's first work to provoke significant controversy was Nude Descending a Staircase, No. 2 (Nu descendant un escalier n° 2) (1912). The painting depicts the mechanistic motion of a nude, with superimposed facets, similar to motion pictures. It shows elements of both the fragmentation and synthesis of the Cubists, and the movement and. Nude Descending a Staircase No. 2, oil painting created in 1912 by French artist Marcel Duchamp. The painting created a sensation, but Duchamps painted only a few more works, notable The Large Glass. Despite his ambivalence toward art, Duchamp was regarded as a precursor of several 20th-century art movements. INFORMATIONS. Nude Descending a Staircase (No. 2) peels away the traditional beauty of the nude in art, its carnality, even its identifiable sex. Instead, the painting aims to expand our perception of the human body in motion, a topic of fascination for Duchamp around this time. Nu descendant un escalier no 2 est un tableau de Marcel Duchamp peint en janvier 1912. Il fit scandale lors de son exposition à l'Armory Show de New York en février-mars 1913, mais consacra la gloire de Marcel Duchamp et marqua le début de l'art moderne aux États-Unis. Location. Philadelphia Museum of Art, Philadelphia. Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. 15 sept. 2016 · When Marcel Duchamp’s 1912 painting Nude Descending a Staircase, No. 2 debuted, it sparked one of the greatest uproars the art world has ever known. But after facing scads of rejection, mockery,. Nude Descending a Staircase (No. 2) peels away the traditional beauty of the nude in art, its carnality, even its identifiable sex. Instead, the painting aims to expand our perception of the human body in motion, a topic of fascination for Duchamp around this time. Detail, Marcel Duchamp, Nude Descending a Staircase (No. 2), 1912, oil on canvas, 57 7/8 x 35 1/8 (151.8 x 93.3 cm) (Philadelphia Museum of Art) As the exhibition toured the country, Duchamp’s painting captured widespread attention for its unconventional rendition of the nude. Even before Fountain, Duchamp had made a big splash at New York’s 1913 Armory Show with his controversial cubo-futurist painting Nude Descending a Staircase (No. 2) (1912). But Duchamp said he wanted to get away from painting as a strategy for art-making. Nu descendant un escalier n o 2 est un tableau de Marcel Duchamp peint en janvier 1912. Il fit scandale lors de son exposition à l' Armory Show de New York en février-mars 1913 , mais consacra la gloire de Marcel Duchamp et marqua le début de l' art moderne aux États-Unis . INFORMATIONS Nude Descending a Staircase (No. 2) peels away the traditional beauty of the nude in art, its carnality, even its identifiable sex. Instead, the painting aims to expand our perception of the human body in motion, a topic of fascination for Duchamp around this time. Philadelphia Museum of Art, Philadelphia. Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time. Nude Descending a Staircase (No. 2) Oops! The page you’re looking for has moved or no longer exists. Search our site to find what you need Or visit our homepage Terms of Use and cookie policy. Nude Descending a Staircase (No. 2), 1912. Marcel Duchamp (American, born France, 1887–1968). Oil on canvas; 147 x 89.2 cm. Philadelphia Museum of Art, The Louise and Walter Arensberg Collection, 1950-134-59. © Succession Marcel Duchamp/ADAGP, Paris/Artists Rights Society (ARS), New York, 2015. 26 mars 2017 · Mohamed is deeply shaken when his oldest son Malik returns home after a long journey with a mysterious new wife. ‘Nude Descending a Staircase, No.2’ was created in 1912 by Marcel Duchamp in Cubism style. Find more prominent pieces of figurative at Wikiart.org – best visual art database. 1950-134-59 Artiste Duchamp, Marcel À propos de cet objet En relation INFORMATIONS Nude Descending a Staircase (No. 2) peels away the traditional beauty of the nude in art, its carnality, even its identifiable sex. Instead, the painting aims to expand our perception of the human body in motion, a topic of fascination for Duchamp around this time. Among the most iconic works in the history of modern art, Marcel Duchamp’s Nude Descending a Staircase (No. 2) was first rejected from the Cubist section of the 1912 Salon des Indépendants in Paris before it sparked even greater controversy when displayed at the 1913 Armory Show in New York. Nude Descending a Staircase, No. 2 1912 by Marcel Duchamp On March 18, 1912, Marcel Duchamp received an unexpected visit from his two brothers, Jacques Villon and Raymond Duchamp-Villon, at his studio in Neuilly-sur-Seine. Details Marcel Duchamp (1887-1968) Nude Descending a Staircase, No. 2 signed, inscribed and dated 'Dec 37 M Duchamp' (on the stamp) pochoir-colored reproduction and a French 5-centime revenue stamp 13 3/8 x 7 7/8 in. (34 x 20 cm.) Executed in 1937. Provenance George Hoyningen-Huene, Los Angeles Bevan Davies Books, New York. Nude Descending a Staircase, No. 2, is a re-worked version of Duchamp's masterpiece of the same title, executed in 1912 and exhibited in 1913 at the New York Armory Show, where it attracted worldwide controversy and heated publicity. The original painting is now housed in the Philadelphia Museum of Art. Duchamp. Nude Descending a Staircase, No. 2 (S. 458) reproduction in colors with pochoir-coloring, 1937, on wove paper, signed in ink and dated 'Dec. 37' on a French 5-centime revenue stamp in the bottom margin as issued, one of a small number of signed impressions produced for friends of the artist, with margins, pale scattered foxing and time. Details. MARCEL DUCHAMP (1887-1968) Nude Descending a Staircase, No. 2. collotype with pochoir in colours, 1937, on wove paper, signed and dated 'Dec. 37' in black ink on a French 5-centimes revenue stamp. Image 350 x 200 mm., Sheet 350 x 200 mm. Nude Descending a Staircase, No. 2 (French: Nu descendant un escalier n° 2) is a 1912 painting by Marcel Duchamp. The work is widely regarded as a Modernist classic and has become one of the most famous of its time.