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Synapse Audio The Legend Windows Crack In the back of The Legend, you can
switch between two model revisions: early and late. In addition, additional
options allow you to improve analog simulation and take into account
tolerances in parts that are usually found in devices. The ranges of the most
important parameters can be determined, as well as the degree of drift, drift,
or saturation. Another added feature in The Legend is the built-in effects,
which include high-quality delay and reverb. Both of these effects are
compound-friendly and provide the appropriate sound with a small number of
parameters. Legend 530 includes patches created by top sound designers and
categorized into categories like Bass, solo, SFX, etc.

D16 Group Silverline Collection Audio Software is the creative software
developer behind some of the best music plugins you can find. Among their many
high-quality shows are Phoscyon, Antresol, Nepheton, Devastator 2, Lunchbox,
and LuSH-101. They have a lot, but for this issue of SoundBytes magazine,
we’ll take a look at the latest releases of some of the effects plugins:
Toraverb 2, Decimort 2, Devastor 2, and Tekturon. This is half (currently) a
group called Silverline. Six of the Silverline family have been around for a
very long time, starting life with only 32 bits. In recent years, two new
plugins have been added to the suite, and the old effects have been improved
one by one including resizing somewhat small user interfaces.
TOTRAVRP 2:
Toraverb 2 will work with Windows 7 or higher, 4GB RAM, 2.5GHz multi-core CPU
with SSE (multi-core 2.8GHz recommended). VST and AAX (32-bit and 64-bit)
versions available. On a Mac, you will need OS X 10.7 or higher, 2.5GHz CPU
(2.8GHz recommended), 4GB + RAM. AU, VST, and AAX versions (32-bit and 64-bit)
are available. Installing Toraverb 2 was simple, and you can activate it
online by logging into your D16 account or by downloading an activation file
to activate it offline.
After adding it to a track or bus in your DAW, you’ll see the screen. One of
the great things about the screen (besides its good looks) is that it has two
different sizes. Along the top of the screen and buttons are menus for
different functions. Two of the items on the options menu handle quality
settings and display size options. On the right is the current preset screen,
clicking that will open the browser from which you can choose from many other
presets on the panel. You can also browse the presets using the Previous /
Next buttons. Other functions include the ability to configure settings
(initialize – start a preset from basic settings), reload a preset (for
example – you might not like the way your adjustments disappeared), and save a
preset.
There are several controls that change the “bowels” of the sound on the left
side of the screen. One of the best parts of Toraverb 2 is that it has many
controls that are separated by early or late reflections. Once you have
selected the Early or Late tabs, you can change many parameters.
Available controls here are Preset Delay (up to 500ms), Volume, Bass Clipping,
Interference between Left / Right Channel Delay Lines (only on the Early
Reflections tab), Notes (Late Reflections tab only), Attenuation – similar
Tone control as it can adjust the sound of the reflective surface, and
propagation – changes the way the reflected sound is affected by the surface
it is reflected from. Last but not least in this section is the modding
control. This will do some amount of adjustment for the reflections, and it
appears to cause the pitch to vibrate slightly in a semi-random way.
To the right of this section, you can control the single-band parametric
equalizer settings. There are actually two of these, one for both early and
late meditations. Three types of filtration are available: high rack, low
rack, and bell. Controls in gain, frequency, and bandwidth are also in place.
Next is the mixer section. From here you can change the panning for the
early/late signals, and increase/decrease the gain for each of them as well.
When the MS Mode button is enabled, the left / right move controls will act as
middle/side controls.
The last area on the screen is the main section. This is where you can change
the dry/wet amount (this can be locked to toggle between presets) and the FX
curve that adjusts the fade from dry to wet signal. The last two controls are
for Ducking (pressure is used to adjust the level of moisture in proportion to
the level of dry mix) and Attack / Release which adjusts attack/release times
for the Ducking effect.
When Toraverb 2 was released, it had an introductory price of $ 49, then went
to its usual price of $ 69. There is also an upgrade path for those who have
purchased the original version. I think this is very affordable, especially
when you consider some of the other high-end frequencies in the market with
similar features that can cost you a lot more.
Toraverb 2 is really fun, and it will easily win you over with its intuitive
interface, great sound, and programmability.
Decimort 2:

Toraverb 2:

Toraverb 2 will work with Windows 7 or higher, 4+ GB of RAM, and a 2.5 GHz
multicore CPU with SSE (2.8 GHz multicore is recommended). It has VST and AAX
versions available (32-bit and 64-bit). On the Mac, you’ll need OS X 10.7 or
higher, 2.5 GHz CPU (2.8 GHz is recommended), 4+GB of RAM. AU, VST and AAX
versions are available (32-bit and 64-bit). Installing Toraverb 2 was simple,
and you can activate it online by logging into your D16 account or by
downloading an activation file to activate it offline.
After you’ve added it to a track or a bus in your DAW, you’ll be presented
with the display. One great thing about the display (besides how nice it
looks) is that there are two different sizes. Along the top of the display and
buttons are menus for various functions. A couple of the items available under
the Options menu are processing quality settings and display size choices. To
the right is the display for the current preset, and clicking on that will
open the browser in which you can choose from the many other presets that are
on board. You can also skim through the presets by using the Previous/Next
buttons. Other functions include the ability to Initialize the settings (INIT
– start a preset from basic settings), Reload a preset (i.e. – maybe you don’t
like how your edits have gone amiss), and Save a preset.
Many of the controls that change the “guts” of the sound are over on the left
side of the display. One of the best parts of Toraverb 2 is that it has many
controls separated by the early or late reflections. Once you’ve selected
either the Early or Late tabs, you can change many of the parameters.
The available controls located here are Pre-Delay (up to 500ms), Size, Bass
Cut, Crosstalk between the left/right channel delay lines (only on the Early
reflections tab), Feedback (Late reflections tab only), Attenuation – similar
to a tone control since it can adjust the sound of the reflective surface, and
Diffusion – changes the way the reflected sound is affected by the surface
from which it is reflected. Last but not least in this section is the
Modulation control. This will dial in an amount of modulation for the
reflections, and it sounds like it causes the pitch to slightly waver in a
semi-random fashion.
To the right of that section control to adjust a single-band parametric EQ.
There are two of these actually, one each for the early and late reflections.
Three types of filtering are available: high shelf, low shelf, and bell. Gain,
frequency, and bandwidth controls are also present. Up next is the mixer
section. From here you can change the panning for the early/late signals, and
increase/decrease the gain for each as well. When you enable the MS Mode
button, the left/right panning controls will then function as mid/side
controls.
The last area on the display is the Master section. This is where you can
change the dry/wet amount (this can be locked for switching between presets)
and the FX Curve which adjusts the crossfade from the dry to the wet signal.
The last two controls are for Ducking (uses compression to adjust the wet
level in proportion with the dry mix level) and Attack/Release which adjusts
the attack/release times of the Ducking effect.
When Toraverb 2 was released, it had an intro price of $49 USD, and then it
went to its regular price of $69 USD. There is also an upgrade path for those
who bought the original version. I think this is very affordable, especially
when you consider some of the other high quality reverbs on the market with
similar features can cost you much more.
Toraverb 2 is really a treat, and will easily win you over with its intuitive
interface, great sound, and programmability.
Decimort 2:

Devastator 2:

Devastator 2 is a multiband distortion plugin that uses diode-clipper
emulation and analog-modeled filters. The filtering can occur before or after
the diode clipper. These filters have cutoff and resonance controls with the
classic types: low pass, high pass, bandpass, and band-reject. An improved
browser and a larger GUI is also available.
For the PC you’ll need Windows 7 (or higher), 1.5 GHz CPU with SSE (2.0+ GHz
multicore recommended), 4+ GB of RAM. VST and AAX versions are available
(32-bit and 64-bit). For the Mac, you’ll need OS X 10.7 (or higher), 1.5 GHz
Intel-based CPU (2.0 GHz recommended), and 4+ GB of RAM. AU, VST and AAX
versions are available (32-bit and 64-bit). Like the others in this article,
Devastor 2 is easy to install. You can activate it online by logging into your
D16 account, or by downloading an activation file to activate it offline.
After you have it installed and activated, you can load it onto a track in
your preferred host. At the top are controls for loading/saving presets and
some other options. On the left side is the Shaper section with controls for
dynamics, preamp, threshold, and shape. This is where the diode-clipping takes
place. Dynamics control will level out any amplitude differences and works
somewhat like a compressor. The preamp is the signal amplifier for the diode
clipper. The threshold sets the nominal amplitude level, and anything above
that setting is where the distortion takes place. The shape will warp the
clipping curve you’ve selected, and there are six available curve types to
choose from. Those curve types are covered in the manual in more detail if
you’d like additional info on them. +/- LEDs give you feedback when the signal
goes past the threshold setting.
There are three identical filters in the filtering section. Each of them has a
cutoff, resonance/bandwidth, filter type, and volume settings. The resonance
control will switch to a bandwidth type when using the bandpass and band-reject filter types.
These can be set up in nine different configurations using the Signal Routing
feature. Here are just three such settings you can use: 1) All three filter
modules work in parallel and feed into the clipper. 2) Filters one and two in
parallel feed into the clipper, and then the signal moves from there to the
third filter. 3) One of the filters feeds into the clipper and the output from
the clipper goes to the two other filters. See the screenshot above for all
the routing possibilities. Anyway, you get the idea – there are many
combinations to choose from to shape/distort your audio. On the right side of
the display, there is a limiter you can enable and a dry/wet effects control.
Devastator 2 is an effective and useful plugin that lets you get a warm sound
from its diode clipper emulation. The signal routing is simple to use and
works very well.

Texture:

The texture is a delay plugin with a large sonic vocabulary. The main reason I
say that is that it uses multiple lines (sixteen of them) to process your
audio. Each of those delay lines has its own set of effects. These effects can
be manipulated how you want, and include volume, delay, feedback, panning,
stereo spread, filter type, cutoff and resonance. This sounds like it can be
fun to use, right? Well, the good news is that the answer is “yes”, but it is
also intuitive and powerful as you will soon find out.
For the PC you’ll need Windows 7 or higher, 4+ GB of RAM, and a 2.8 GHz CPU
with SSE (3.2 GHz with multicore is recommended). It has VST and AAX versions
available (32-bit and 64-bit). On the Mac, you’ll need OS X 10.7 or higher,
2.8 GHz Intel-based CPU (3.2 GHz CPU is recommended), 4+GB of RAM. AU, VST and
AAX versions are available (32-bit and 64-bit). After a simple installation,
you can activate it online by logging into your D16 account, or by downloading
an activation file to activate it offline.
There are many useful and interesting presets that are ready to use right
away, but you might be wondering how Tekturon works if you want to design your
own from scratch. If you are starting with the Initialized settings, you can
begin by selecting the Volume setting on the left side. After you select it,
you can draw in the amounts for the volume in each delay line. Next, you may
want to add some filtering. To do this, you click on Filter Type from the left
side of the display and select from one of the types for each of the lines.
They include low pass, bandpass, high pass, or it can have no filtering at
all. If you don’t select a type, each line will use whatever is in the Master
filter section (more on that later). Every delay line can have the same filter
type, or you might want a different type for each of them. For my present, I
also added some resonance for each line. It’s the same method as before;
select what you want on the left (in this case, Resonance), and use your mouse
to draw in the amount you’d like per line. This could be varied for each line
of course, or just a straight swipe of the mouse straight across so they are
all equal. I also wanted to add some panning, so I added that to the delay
lines. Towards the bottom of the display, you can see if a line’s volume level
is above zero (without looking at the actual Volume settings), as the Audible
light will be on. If needed, each delay line can also be muted by clicking its
corresponding red button along the bottom.
The Master Filter section has controls for the filter cutoff types (high pass,
bandpass, low pass or off/disabled) and resonance. This filter controls all of
the delay lines in the same manner at the same time, but you could also adjust
each line in the way I described earlier. Below the Master Filter section is
the Time Grid where you can adjust the time between the delays. It can also be
synced to the host. The Tap button can be used to set the beat/speed by
tapping the button with a mouse. It will use an average of the time between
your clicks on the button to determine the speed. The Shuffle control adds a
swing type of delay to all the lines, and Feedback also affects all the lines.
The texture is a powerful delay plugin with some easy to use features. I was
able to quickly set up nearly any type of delay I wanted and had fun in the
process. The layout is very intuitive and I almost didn’t even need the
manual.

Conclusion:

There are a couple of other useful features in these D16 effect plugins. One
of those is the easy-to-use MIDI learn, which is a simple right-click away on
whichever control you’d like. In addition, the processing quality setting (as
I mentioned earlier) has separate real-time and offline settings from which to
choose: Draft, Normal, High, and Ultra. All of the plugins I reviewed here are
well-conceived and reasonably priced. Most importantly, they all have terrific
sound quality. Most DAWs have some “so-so” effects included, but these are way
above the norm and they are well worth auditioning. I previously purchased
their Antresol flanger (which I love by the way) but didn’t have time to cover
it in this review. I mentioned the separate pricing for each product, but they
also have a Silverline Collection bundle on our site.

Specifications:

Supported formats: VST2 / AU / AAXnative

System requirements: Windows 7 (32/64-bit) and later, Mac OSX 10.7 and later,
2.8 GHz CPU, 4 GB RAM, Internet connection

Software Information:

• Silverline Collection (Complete Bundle)
• Included: Antresol, Decimort, Devastator, Fazortan, Frontier, Godfazer, Redoptor, Repeater, Sigmund, Syntorus, Tekturon, Toraverb
• d16 Group
• 2020.2
• 64-bit (VST2, VST3, and AAX)
• Windows 8 and 10
• Instructions: Just run the installer.
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