Adventure Time

👉🏻👉🏻👉🏻 ALL INFORMATION CLICK HERE 👈🏻👈🏻👈🏻

This article is about the 2010 animated TV series. For the short film, see Adventure Time (short film).
Adventure Time[i] is an American fantasy animated television series created by Pendleton Ward for Cartoon Network. Produced by Pendleton Ward, Adam Muto and Fred Seibert for Frederator Studios and Cartoon Network Studios, the series follows the adventures of a boy named Finn (Jeremy Shada) and his best friend and adoptive brother Jake (John DiMaggio)—a dog with the magical power to change size and shape at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with Princess Bubblegum (Hynden Walch), the Ice King (Tom Kenny), Marceline (Olivia Olson), BMO (Niki Yang), and others.
"Adventure Time" (performed by Pendleton Ward)
"The Island Song" (performed by Ashley Eriksson)
Keith Mack
Kelly Crews (also supervising)
Nick Jennings (supervising)
Pendleton Ward (co, S1-2) [b]
January 11, 2007 (Nicktoons; pilot)
The series is based on a 2007 short produced for Seibert's animation incubator series Random! Cartoons at Nickelodeon Animation and aired on Nicktoons. After the short became a viral hit on the Internet, Nickelodeon's executives passed on its option before Cartoon Network commissioned a full-length series from Seibert and Ward, which previewed on March 11, 2010. The show premiered on Cartoon Network on April 5, 2010 and ended on September 3, 2018.
The series drew inspiration from a variety of sources, including the fantasy role-playing game Dungeons & Dragons and video games. It was produced using hand-drawn animation; action and dialogue for episodes are decided by storyboarding artists based on rough outlines. Because each episode took roughly eight to nine months to complete, multiple episodes were worked on concurrently. The cast members recorded their lines in group recordings, and the series regularly employed guest actors for minor and recurring characters. Each episode runs for about eleven minutes; pairs of episodes are often telecast to fill half-hour program slots. Cartoon Network announced that on September 29, 2016, the series would conclude in 2018, after the airing of its tenth season. The series finale aired on September 3, 2018. Starting in 2020, a series of specials, collectively called Adventure Time: Distant Lands, have been released on HBO Max.
Adventure Time was a ratings success for Cartoon Network, with some of its episodes attracting over three million viewers, and despite being aimed primarily at children, the show has developed a following among teenagers and adults. Adventure Time has received positive reviews from critics and won awards, including eight Primetime Emmy Awards, a Peabody Award, three Annie Awards, two British Academy Children's Awards, a Motion Picture Sound Editors Award, and a Kerrang! Award. The series has also been nominated for three Critics' Choice Television Awards, two Annecy Festival Awards, a TCA Award, and a Sundance Film Festival Award, among others. Of the many comic book spin-offs based on the series, one received an Eisner Award and two Harvey Awards. The series has also spawned various forms of licensed merchandise, including books, video games and clothing.
Adventure Time follows the adventures of a boy named Finn the Human[j] (voiced by Jeremy Shada), and his best friend and adoptive brother Jake the Dog (John DiMaggio), who has magical powers to change shape and size at will. Pendleton Ward, the series' creator, describes Finn as a "fiery little kid with strong morals".[9] Jake, on the other hand, is based on Tripper Harrison, Bill Murray's character in Meatballs. This means while Jake is somewhat care-free, he will "sit [Finn] down and give him some decent advice if he really needs it".[9] Finn and Jake live in the post-apocalyptic Land of Ooo, which was ravaged by a cataclysmic event known as the "Mushroom War", a nuclear war that destroyed civilization a thousand years before the series' events. Throughout the series, Finn and Jake interact with major characters, including Princess Bubblegum (Hynden Walch), the sovereign of the Candy Kingdom and a sentient piece of gum; the Ice King (Tom Kenny), a menacing but largely misunderstood ice wizard; Marceline the Vampire Queen (Olivia Olson), a thousand-year-old vampire and rock music enthusiast; Lumpy Space Princess (Pendleton Ward), a melodramatic and immature princess made out of "lumps"; BMO (Niki Yang), a sentient video game console-shaped robot that lives with Finn and Jake; and Flame Princess (Jessica DiCicco), a flame elemental and ruler of the Fire Kingdom.[2]:346[10][11]
According to series creator Pendleton Ward, the show's style was influenced by his time attending the California Institute of the Arts (CalArts) and his experiences working as a writer and storyboard artist on The Marvelous Misadventures of Flapjack, a series which ran on Cartoon Network from 2008 until 2010. In an interview with Animation World Network, Ward said he strives to combine Adventure Time's subversive humor with "beautiful" moments, using Hayao Miyazaki's film My Neighbor Totoro as inspiration for the latter.[9] Ward has also named Home Movies and Dr. Katz, Professional Therapist as influences, largely because both shows are "relaxing" and feature "conversational dialogue that feels natural [and is neither] over the top [nor] cartoony and shrill".[12]
The series can trace its origin back to a seven-minute, stand-alone animated short film of the same name (this short would later be identified as the show's pilot post facto). Ward created the short almost entirely by himself, and concluded its production in early 2006.[13] It was first broadcast on Nicktoons Network on January 11, 2007,[13][14]:24 and was re-broadcast as part of Frederator Studios' anthology show Random! Cartoons on December 7, 2008.[15][16] After its initial release, the video became a viral hit on the Internet.[9][14]:25 Frederator Studios then pitched an Adventure Time series to Nicktoons Network, which rejected it five times.[17][18] When Nicktoons' rights to commission a full series expired, Frederator—the short's production animation studio—pitched it to other channels.[14]:32 One of the studios that Frederator approached was Cartoon Network, which was interested in producing a full series, but would commit to a deal only if Ward could prove the pilot "wasn't a one-hit wonder".[17] Rob Sorcher, the chief content officer at Cartoon Network, was influential in getting the network to take a chance on the show; he recognized the series as "something that felt really indie ... comic book-y [and] new".[14]:32
Cartoon Network asked Ward to submit a sample script for their consideration, but Frederator convinced him to rough out a storyboard instead, as "a board would give a better sense of what was on Pen's mind", according to Frederator's vice president Eric Homan.[17] Ward and his college friends Patrick McHale and Adam Muto (the former of whom served as a writer, storyboard artist, and creative director for the show during its first few seasons, while the latter served as a storyboard artist and creative director for the show before becoming its showrunner) began developing ideas, all the while concentrating on "keep[ing] the good things about the original short [while also] improv[ing] on" them.[17][14]:83 The group's first product was a rough storyboard featuring Finn and Princess Bubblegum going on a spaghetti-supper date.[17] Cartoon Network was not happy with this story, and so Ward, McHale, and Muto created a storyboard for the episode "The Enchiridion!", which was their attempt to consciously emulate the style of the original Nicktoons short. This tactic proved successful, and Cartoon Network approved the first season in September 2008. "The Enchiridion!" was the first episode to enter into production.[17][19][20][21]
Ward and his production team began storyboarding episodes and writing plot outlines, but Cartoon Network was still concerned about the direction of the new series. McHale later recalled that during the pitch of an episode titled "Brothers in Insomnia" (which, for various reasons, was scrapped) the room was filled with executives from Cartoon Network. The pitch went well, but the production staff was soon inundated with questions about the stylistic nature of the series. Around this time, Cartoon Network paused production of the show in an attempt to resolve these creative issues.[22]:110 A number of writers and animators were let go, and in their place, Cartoon Network management hired three veteran animators who had worked on SpongeBob SquarePants: Derek Drymon (who served as executive producer for the first season of Adventure Time), Merriwether Williams (who served as head story editor for the show's first and second seasons), and Nick Jennings (who became the series' long-serving art director).[22]:110[14]:35 Drymon, in particular, played a key role at this time, ensuring that both Cartoon Network and the show's production crew were on the same creative page.[22]:110 Thurop Van Orman, the creator of The Marvelous Misadventures of Flapjack, was also hired to guide Ward and his staff for the first two seasons.[14]:40 The storyboard for "Prisoners of Love" assuaged many of the fears some Cartoon Network executives had expressed.[23]
As production for season one progressed, more artists were brought on board. Dan "Ghostshrimp" Bandit, a freelance illustrator who had also written and storyboarded on Flapjack, was hired as the show's lead background designer; Ward told him to create background art that set the show "in a 'Ghostshrimp World'".[9][24] Ghostshrimp designed major locations, including Finn and Jake's home, the Candy Kingdom, and the Ice Kingdom.[24] The position of lead character designer was given to Phil Rynda, who held this role for two-and-a-half seasons. The lead production crew for the show (which included Ward and McHale) were initially hesitant to bring him on board, but they were soon convinced by director Larry Leichliter, who assured them Rynda was talented and could draw in a variety of styles.[14]:47 With the producers satisfied, Rynda quickly began designing characters that were simple but still fell in line with "Pen's natural aesthetic".[14]:83 Around this time, Rynda and McHale began drafting artistic guidelines for the show, so that its animation style would always be somewhat consistent.[14]:48 With many of the lead production roles filled, Ward turned his attention to choosing storyboard artists for the first season. He assembled a team made up largely of "younger, inexperienced people", many of whom he discovered on the Internet.[14]:41 Many of these individuals had backgrounds in indie comics, and Ward has called them "really smart, smartypants people" who were responsible for inserting more idiosyncratic and spiritual ideas into the series.[25]
For the first four-and-a-half seasons of the show, Ward served as the showrunner for Adventure Time. In an interview with Rolling Stone, Ward revealed that he had stepped down from this role sometime during the fifth season. As a naturally introverted person, he found interacting with and directing people every day to be exhausting. Following Ward's resignation from the post, Adam Muto became the series' new showrunner. Until late 2014, Ward continued to work on the cartoon as a storyboard artist and storyline writer.[26] After November 2014, he stopped regularly contributing to episode outlines, but still looked over stories, provided occasional input, and continued to storyboard for the series on a limited basis.[26][27][28]
In terms of tone and genre, Ward—a self-professed fan of ambivalent emotions, such as feeling "happy and scared at the same time"—has described the show as a "dark comedy".[29] He has also cited the fantasy role-playing game Dungeons & Dragons—of which many of the show's writers are devotees—as an inspiration for the show.[30][31] In the United States, the series is rated TV-PG;[32] Ward said he never wanted to push the boundaries of the PG rating, noting in an interview with Art of the Title that he "never really even thought about the rating ... we don't like stuff that's overly gross. We like cute stuff and nice things".[33] Ward intended the show's world to have a coherent physical logic, and although magic exists in the story, the show's writers tried to create an internal consistency in the characters' interactions with the world.[9][34]
In an interview with The A.V. Club, Ward said the show's writing process usually began with the writers telling each other what they had done the previous week to find something humorous to build on. He also said, "A lot of the time, if we're really stuck, we'll start saying everything that comes to our mind, which is usually the worst stuff, and then someone else will think that's terrible but it'll give him a better idea and the ball just starts rolling like that".[31] Because of the busy schedule of writing and coordinating a television series, the writers did not have time to play Dungeons and Dragons, but they still wrote stories they would "want to be playing D&D with".[31] Sometimes, the writers and storyboard artists convened and played writing games.[35] One game that was often used is called exquisite corpse; one writer starts a story on a sheet of paper, and another writer tries to finish it.[35][36] But while a few episodes (such as the fifth-season episode "Puhoy" and the sixth-season episode "Jake the Brick") have been generated using this game,[14]:258, 260–61 Ward has confessed that "the ideas are usually terrible".[36] Former storyboard artist and creative director Cole Sanchez said episode scripts are either created by expanding the good ideas produced by these writing games, or are based on an idea proposed by a storyboard artist in the hope it can be developed into an episode.[35]
After the writers pitched stories, the ideas were compiled onto a two-or-three-page outline that contained "the important beats".[37] The episodes were then passed to storyboard artists (often referred to colloquially as "boarders"). While many cartoons are based on script pitches to network executives, Cartoon Network allowed Adventure Time to "build their own teams organically" and communicate using storyboards and animatics.[10] Rob Sorcher said this novel approach was sanctioned because the company was dealing with "primarily visual people", and that by using storyboards the writers and artists could learn and grow "by actually doing the work".[10] The storyboard artists generally worked on an episode in pairs, independent from other storyboarders, which, according to freelance writer David Perlmutter in his book America Toons In, countered creative ennui and prevented episodes from being "alike in either content or tone".[2]:346 The storyboard artists were given a week to "thumbnail" (roughly sketch out) a storyboard and fill in the details complete with action, dialogue, and jokes.[33][37] The series' showrunner and his creative directors then reviewed the storyboard and made notes. The artists were then given another week to implement the notes and to clean up the episode.[33] Storyboard writing and revising usually took up to a month.[38]
Some of the guest animators who worked on Adventure Time, listed here from left to right:
(Top Row) David OReilly, Masaaki Yuasa
(Bottom Row) James Baxter.
Following the writing revisions, voice actors would record their parts for the episodes and an animatic would be compiled to reduce the running time to the necessary eleven minutes. Specialized artists then created prop, character, and background designs.[38][39] According to former lead character designer Phil Rynda, most of this pre-production was done in Photoshop.[40] While the episodes' design and coloring was done in Burbank, California, the actual animation was handled in South Korea by either Rough Draft Korea or Saerom Animation.[39][14]:348-49 Animating an episode often took between three and five months alone.[38][39] The animation was hand-drawn on paper, which was then digitally composited and painted with digital ink and paint.[41][42] Executive producer Fred Seibert compared the show's animation style to that of Felix the Cat and various Max Fleischer cartoons, but said its world was equally inspired by "the world of videogames [sic]".[30][34]
While the episodes were being handled in South Korea, the production crew in the United States worked on retakes, music scoring, and sound design.[38] Upon being completed, the animation was sent back to the United States, at which point it was inspected by the production crew, who looked for mistakes in the animation or "things that didn't animate the way [the staff] intended".[39] These problems were then fixed in Korea and the animation was finalized.[39] From story outlining to broadcast, it took between eight and nine months for each episode to be created; because of this, multiple episodes were worked on concurrently.[31][38][39]
While a great majority of the series' episodes were animated by Korean animation studios, Adventure Time occasionally featured guest animators and directors. For instance, the second-season episode "Guardians of Sunshine" was partly rendered in 3-D to emulate the style of a video game.[41] The fifth-season episode "A Glitch is a Glitch" was written and directed by Irish filmmaker and writer David OReilly, and features his distinctive 3-D animation.[43] Animator James Baxter animated select scenes and characters in both the fifth-season episode "James Baxter the Horse" as well as the eighth-season episode "Horse & Ball".[14]:299[44] The sixth-season episode "Food Chain" was written, storyboarded, and directed by Japanese anime director Masaaki Yuasa, and was animated entirely by Yuasa's own studio Science SARU.[45][46] Another sixth-season episode, "Water Park Prank", features Flash animation by David Ferguson.[47] A stop-motion episode titled "Bad Jubies", directed by Kirsten Lepore, aired near the middle of the show's seventh season.[48][49] Finally, Alex and Lindsay Small-Butera, noted for their web series Baman Piderman, contributed animation to the eighth-season episode "Beyond the Grotto" and the ninth-season episode "Ketchup".[50][51]
The series employs the voice acting of Jeremy Shada (left) and John DiMaggio (right), who voice Finn and Jake, respectively.
The series' voice actors include: Jeremy Shada (Finn the Human);[j] John DiMaggio (Jake the Dog); Tom Kenny (The Ice King); Hynden Walch (Princess Bubblegum); and Olivia Olson (Marceline the Vampire Queen). Ward provides voices for several minor characters and Lumpy Space Princess. Former storyboard artist Niki Yang voices the sentient video game console BMO in English, as well as Jake's girlfriend Lady Rainicorn in Korean. Polly Lou Livingston, a friend of Pendleton Ward's mother Bettie Ward, plays the voice of the small el
Big Strapon Xxx
Facefucking Porno Video
Real Cuckold Mom Fuck
Video Porn Petra D Hayley S Secrets
Women On The Gallows
Adventure Time - Wikipedia
Adventure Time (TV Series 2010–2018) - IMDb
Время приключений — Википедия
Adventure Time - Слушать онлайн все песни и альбомы ...
Adventure Time | Adventure Time Wiki | Fandom
Adventure Time All Episodes - Trakt.tv
Adventure Time Wiki | Fandom
Adventure Time