Young Thug Beautiful Thugger Girls

Young Thug Beautiful Thugger Girls
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^ Gu, Marshall (July 11, 2017). "Young Thug: Beautiful Thugger Girls" . PopMatters . Archived from the original on July 13, 2017 . Retrieved July 11, 2017 .

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Beautiful Thugger Girls is the fifth commercial mixtape by American rapper Young Thug . It was released on June 16, 2017, by 300 Entertainment and Atlantic Records . The mixtape features guest appearances from Millie Go Lightly, Gunna , Future , Quavo , Snoop Dogg , Lil Durk , and Jacquees . Production on the mixtape was handled by Billboard Hitmakers, Charlie Handsome, London , Rex Kudo, and Wheezy , among others.

Beautiful Thugger Girls received widespread acclaim from critics, and debuted at number eight on the US Billboard 200 . It also debuted at number four on the US Top R&B/Hip-Hop Albums .

On April 26, 2017, Young Thug originally announced that the project would be titled E.B.B.T.G. , an abbreviation for Easy Breezy Beautiful Thugger Girls , which was a play on "easy, breezy, beautiful CoverGirl" as the slogan for CoverGirl . [1] After several delays, the release date was hinted a week before release and officially confirmed two days before release. [2] [3] [4] Beautiful Thugger Girls was described by Young Thug as a "singing album", which includes crossovers to musical genres such as R&B , dancehall and country . [5] [6] [7] Although it has been referred to as an album by Young Thug, 300 Entertainment have reported it as a commercial mixtape. [8]

Beautiful Thugger Girls was met with widespread critical acclaim. [21] [10] At Metacritic , which assigns a normalized rating out of 100 to reviews from mainstream publications, the mixtape received an average score of 84, based on eight reviews. [10] Aggregator AnyDecentMusic? gave it 7.8 out of 10, based on their assessment of the critical consensus. [9]

Paul Thompson of Pitchfork labelled Beautiful Thugger Girls Young Thug's "most compelling experiment in pop", saying it "strips away all the clutter, leaving his best-developed melodies and most evocative songwriting to date" while comparing it to Lil Wayne 's Rebirth . [14] Scott Glaysher of XXL said, "Thug sounds the best he's ever sounded, despite some of the songs begin [sic] fairly far removed from his proverbial comfort zone". [20] Daniel Bromfield of Pretty Much Amazing argued "Young Thug cycles through a lot of styles here: lovebird R&B, sensitive acoustic folk, even country. But he doesn't terraform them to his whims so much as try them on for size". [16] Judnick Maynard of The Fader commented that Beautiful Thugger Girls "becomes more than a country album: the music isn't his master, instead he bends it to his will", and is a "testament to Young Thug's constantly evolving creative reach". [22] Tiny Mix Tapes ' s Corrigan B stated: " Beautiful Thugger Girls is remarkable because of its Thugger-ness" but noted that " Beautiful Thugger Girls marks the point at which his pure lyricism, absent an unimpeachable sense of melody and flow, has begun to detract from the project as a whole." [17]

The A.V. Club ' s Renatio Pagnani stated: "Few artists manage to balance wide-eyed eroticism with genuine warmth, and fewer manage the feat while packing multiple albums' worth of hooks into each song. For Thug, it's just his default mode." [11] Winston Cook-Wilson of Spin said, "The album feels unprecedented within his catalog because it strikes a balance Thug has never quite pulled off on a single project: mixing a unified, album-wide sound with moments of aggressive experimentation and nagging hooks". [23] Exclaim! critic Anya Zoledziowski thought that " Beautiful Thugger Girls —which lists Drake as executive producer—pushes the boundaries of Atlanta hip-hop while adding yet another groundbreaking project to the trapper's discography". [13]

Robert Christgau was less impressed in his column for Vice . While highlighting "Take Care" and "Family Don't Matter", he summarized the mixtape as "singsong porn from a purple people eater who's seldom as funny as he used to be and sometimes funnier than he wants to be". [19]

Beautiful Thugger Girls debuted at number eight on the US Billboard 200 and number four on the US Top R&B/Hip-Hop Albums with 37,000 album-equivalent units of which 7,000 were pure album sales in its first week of release. [28] On December 6, 2019, the album was certified gold by the Recording Industry Association of America (RIAA) for combined sales and album-equivalent units of over 500,000 units in the United States. [29]

Credits adapted from the album's liner notes. [31]

Sales+streaming figures based on certification alone.

Ben Billions
Billboard Hitmakers
BLSSD
Charlie Handsome
Judge
London
Post Malone
Rex Kudo
Scott Storch
Wheezy
Young Chop

HipHopDX ' s Best Rap Albums of 2017

"Family Don't Matter" (featuring Millie Go Lightly)
"Tomorrow Til Infinity" (featuring Gunna )
"She Wanna Party" (featuring Millie Go Lightly)
"Get High" (featuring Snoop Dogg and Lil Durk )

Everything about Young Thug remains inimitable. He steeps himself in smooth R&B guitars on his latest, distilling the chaos of young love and lust into vital, undeniable pop.
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Maybe Young Thug is supposed to be caught in a loop, arguing with Lyor Cohen over his recording habits and whether he has to sit politely next to Jimmy Fallon twice a year. Since “ Stoner ” hit in 2014, Thug has seemed like an ascendent star. But aside from “ Best Friend ,” which yielded him a Platinum plaque, and “ Pick Up the Phone ,” which might have been lifted out from under him anyway, Thug has yet to truly break through to the A-list. His only entries into the Top 40 have been the Rich Gang single “ Lifestyle ” and guest spots on Usher and Rae Sremmurd songs. His three records from 2016 all got kind, if muted, receptions and generally failed to move the chains much at all. For all the breathless adulation, the last eighteen months of Thug’s career have been like Groundhog Day for people to whom Travis Scott owes royalties.
Beautiful Thugger Girls , released with little ceremony last Friday, wouldn’t appear at first glance to be the blockbuster that can change all of this. It came out the same day as 2 Chainz’s album , and Future ’s HNDRXX , which is Thugger Girls ’ closest recent analogue, has mostly vanished from the zeitgeist, unless a new summer single reveals itself. Nevertheless, this is Thug’s clearest step forward since 2015’s Barter 6 , and perhaps his most compelling experiment in pop.
As far back as his formative I Came From Nothing mixtapes, Thug’s music has bent toward chaos, even formlessness. What made Barter 6 so surprising to longtime fans and newcomers alike was how precise and restrained it was. Thugger Girls has all of that record’s control, but swaps out the subtlety for bleeding declarations of love and fidelity. The emotional stakes here seem impossibly high. It also applies the type of focus used on last year’s JEFFERY , where each song aimed to embody the voice of a titular influence. Instead of loosely connected, compelling fragments, each track was self-contained and had a distinct tone. That naming device is gone, but more often than not, the cuts on Thugger Girls work as single-song exercises.
Though it’s been referred to by Thug himself as his “singing album,” Thugger Girls is not a radical departure for him, stylistically speaking. As with most of his material between Barter 6 and now, the question seems to be less what Thug is writing and recording at the given time and more what he’s decided to curate from the archives. Some of these songs date back to 2015 and have been teased on Snapchat and Instagram for nearly as long, and almost all of them have prototypes from earlier in his career.
But these songs are more developed, even when “developed” means reduced to the core elements. The climax of Thugger Girls comes with Thug staring at a screen “masturbating to your nudes” and by the time you get to that moment on the record, it seems like the only possible conclusion. Rather than dress up his basest, most deeply-felt emotions, Thug lays himself out in the rawest form possible. But just as Barter 6 succeeded by paring Thug down to his most minimal, Thugger Girls strips away all the clutter, leaving his best-developed melodies and most evocative songwriting to date.
The clarity doesn’t come right away. The opening tracks, “Family Don’t Matter” and “Tomorrow Til Infinity” play like a brooding, half-sober prelude. Thugger Girls really opens up on its third song, “She Wanna Party,” an exuberant cut co-produced by Rex Kudo, the architect of Post Malone ’s “White Iverson.” Where “Iverson” was washed out and wistful, “Party” is unrestrained joy. The same could be said about “Do U Love Me,” where Thug dangles Benzes and Rolexes and hundred-dollar bills, but reserves most of his excitement for his clipped, repeated pleas: “Do you love me?”
Those two songs are split by “Daddy’s Birthday,” a co-production by London On Da Track and the somehow still-producing Scott Storch. Thug pauses for a beat and considers the toll of his career: “I’m so busy, make me feel like I’m in and out my kids’ lives.” This is an underrated aspect of Thug’s songwriting—whether he’s adhering to a bigger concept or mumbling an aside, he goes for compact, declarative phrases that carry all the emotional weight for him. (From Rich Gang’s “Freestyle”: “I ain’t never been in love, I don’t know how pain feels.”) When he says, on “For Y’all,” “I didn’t write this song, I just went right in,” it’s difficult not to take him at his word.
If the A-side feels like a bachelor party planned by Sun Ra , the B-side is more minimal. “On Fire” and “Get High” are tightly wound, the latter blessed by a superb Snoop Dogg verse where he deploys a handful of different flows and calls Young Thug “cuz.” “ Me or Us ” and “You Said” are what Rebirth could have been if Rebirth wasn’t Rebirth . And “Oh Yeah” sounds like a futuristic funeral dirge; at one point Thug says he’s “drunk off your love, and I just stood by the sink.” We’re used to seeing Thug in motion: leaving thousands of dollars in taxis, crudely repurposing limousine curtains, L-E-A-N-I-N-G . Seeing him rendered inert is entirely new.
But speaking of Future, the elder Atlantan’s appearance on Thugger Girls might go the furthest in clarifying the headliner’s intent. On the hook for “Relationship,” Future says he’s “in a relationship with all my bitches,” which is more or less the conceit of the song, something each rapper can agree on. But Future, who’s eight years older than Thug, quickly adds a second thought: “I need to cut some of ‘em off, I need help.” This has been the thrust of his music for a while now, the drive toward hedonism and the emptiness it leaves you with. Thug’s not there yet; he’s peeling off gleefully mischievous lines like “I got your bitch in a backpack.”
While he does pledge his undying love to his long-time girlfriend over and over again (and has throughout his catalog), at many moments on this record, Thug really does seem capable of being in a relationship with all of those women at once. Beautiful Thugger Girls is a twenty-something bouncing from club to yacht to attic and back again, feeling everything as deeply and as nakedly as possible along the way. These feelings, more often than not, are distinctly ephemeral, where time extends as far back as the Uber to the club and as far ahead as the Uber home. Unfiltered urges (“Fuck me, suck me”) rub right up against grand gestures (“Fall deep in love, love, love with me”). There’s little of Future’s jadedness. If in the past Thug has made everyday experiences seem chaotic and formless, his achievement here is distilling the murky waters of young love and lust into vital, undeniable pop.
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