Young Teen Hot Porno

Young Teen Hot Porno
Hot Girls Wanted documents how young women are recruited into the porn business
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Michael Idato is the culture editor-at-large of The Sydney Morning Herald and The Age. Connect via Twitter or email .
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When directors Ronna Gradus and Jill Bauer set out to produce and direct a documentary, their initial focus was young men, specifically the young men who lived on college campuses and were huge consumers of pornography. After the pair's last film, Sexy Baby , about the sexualisation of young girls in the digital age, was released, many people had asked if they were going to do the "boy version" next.
But things did not go to plan. As time progressed, the pair were struck by the seemingly endless stream of young women pouring into the porn industry, not out of desperation, but rather for the commercial return. And, sensing there was a more powerful story to tell, turned the cameras' lens towards them.
Impulse decisions govern the lives of the aspiring porn stars in Hot Girls Wanted .
"On all these websites, it seemed like thousands of girls; we'd always been aware of that," says Gradus. "[But] who are they? There's so many of them."
The pair then met a recruiter who posts ads online, aimed at young women in small towns who want to escape. They graduate high school, "click on these ads, they get a free plane ticket to Miami and a week later they're on a porn set", Gradus says.
The pair were stunned. "We just thought to ourselves, wait a minute, this can't actually be happening. If this was really the story, that thousands of girls are doing things, it would have been told by now. It turned out that it really had not been told and we just thought, whoa, this is the story. So we put the boy version of Sexy Baby on the back burner and we just ran with this one."
Initially, the young women in this story feel tremendously empowered. It's a starkly different image from the historical notion that young women are driven into pornography out of desperation, or peer pressure."They feel a tremendous amount of power," Bauer says. "They've just been given a free ticket to Miami, which represents freedom to them. Freedom out of a small town. They're from working-class families. They get this ticket. They have fire in their bellies. These are girls who want to do something with their lives and they see fame and fortune because they get $800 a shoot, five shoots first week. That's very attractive."
The impulsive nature of that first entree, however, can be misleading, explains Gradus. "A lot of girls get into it really impulsively in a way that they could not do in the past because of the internet, because it's so immediate," Gradus says. "Some of them are happy with their choices, some of them just did not think it through enough because they were so impulsive and they get in and they're in over their heads and they never do it again."
The documentary was originally released at the Sundance Film Festival. It has come subsequently to the streaming platform Netflix. Somewhere in between, say Gradus and Bauer, tweaks were made to the film based on the response it got from the audience at Sundance.
The changes, they say, were largely to clarify certain parts of the film which had initially been seen as ambiguous.In particular, they sought to make it clear the world of Hot Girls Wanted is very specific. It is not, for example, the pornography industry of LA's San Fernando Valley, with what seem like old-school adult film studios producing professional films or film segments.
Rather, this is the "pro-am" (professional-amateur) pornography world, typified by websites which specialise in selling subscriptions to libraries of short, shot-on-handycam clips.
"We were getting tweets from people saying, I run my own porn site and I love having sex and I get to get paid for it, don't judge me, and we were like, 'whoa, whoa, whoa, we're not judging you'," Gradus says. "That's when, again, we went back to clarify we're talking about these girls. We clarified the fact that this is not a film about the pornography industry as a whole. We made it more clear that this is really a story about just the genre of pro-am porn."
The documentary also leaves you with a powerful sense of how the modern pornography machine sits in a digital and social media super storm, where images are captured and instead of being lost to history, are replayed forever. Gradus says the girls feel a sense of protection from the sheer volume of young women being drawn into the business.
"Like, there's so many girls, nobody's going to find me," Gradus says. "Of course, everybody always finds out and their towns find out."
They are also, Bauer adds, swept up in an impulsive decision. "There's not as much of a stigma ... but they are 18, they don't think about it, they don't think that their dad's friend from work is going to have seen them. They don't think," Bauer says. "They are, boom, out there." Adds Gradus: "Forever."
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