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People all over the world have physical needs, and sometimes the easiest means of taking care of those needs is helped by watching adult entertainment. Japan is no exception to that, although when it comes to entertainment for Japanese women, things are a little different.
Brace yourselves: we are about to dive into the culture of porn for women in Japan.
AV simply stands for adult videos (JAV—Japanese adult videos) and is part of the wider pornography industry in Japan, which includes online content, books, magazines, and clubs of varying types. As of the time of writing, there are nearly 50,000 hits for "Japanese" alone on Pornhub, and there are scores of subtypes to that category.
One of the most well-known aspects of AV in Japan is the use of a mosaic filter to cover private parts. Until the mid-nineties, it was illegal to show pubic hair in lawfully produced porn of any type. After that, the law was reinterpreted to require blurring of all private parts during sexual contact—including oral, anal, or vaginal intercourse.
The vast majority of AV produced in Japan are for male consumption, but there’s been a growing trend towards movies for women in recent years.
As well they should. According to past surveys in anan , 94% of Japanese women aged 18-40 “take time for themselves” from two to three times a week, and “sometimes more if their partner isn’t doing the job” (M, Japanese woman).
Sex sells—though how it’s used varies widely in Japan. On the one hand, men can easily walk into any convenience store or bookstore and find magazines with scantily clad real and anime women gazing back at them, when finding the same materials for women can take some work.
The main impetus behind the women’s AV industry stemmed from anan magazine , which releases an annual sexual health guide. These guides are packed with survey results on sex, love, and romance, guides to improving techniques for male and female partners, and a free DVD of clips of recent, popular videos for women.
Of course, these editions fly off the shelves for another reason: their covers feature one of the currently trending Japanese talents in rather risque poses. Often these photoshoots include a female partner, and last year was another first—that edition featured a Western female partner.
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10 to 1 that guy with the shaved body is gay.
all this talk of Japanese women being prudish and sexless... hmmmm... im yet to experience that!!
Often these photoshoots include a female partner, and last year was another first—that edition featured a Western female partner.
How far behind (pun intended) the times can you be?
In my younger days, I definitely experienced a lot of women who were interested in sex, so it is correct to say that an interest in sex is not just a male thing. What I do not have any experience with is women being interested in porn. Not saying it doesn't happen, but have never seen it happening, or heard about it. I guess we need to hear from more women about this subject.
If women want to watch porn & have more geared to their likes I say go for it, no big deal.
But most know that men are MUCH more stimulated by the visual aspects than women so not really surprising if women are less interested.
The big advantage women have is for them having sex is very easy, but very hard for men, that is a big reason porn is much more popular with guys
In America there is 'Playgirl' magazine and similar rags. And there's the Chippendales revue and all that stupid stuff - just for them.
No matter who it's for or how you slice it, porn is stupid. Stupid on the part of who poses for it, and stupid on the part of who gets into it.
No matter who it's for or how you slice it, porn is stupid. Stupid on the part of who poses for it, and stupid on the part of who gets into it.
A lot of things are stupid, but we do then anyway.
The big advantage women have is for them having sex is very easy, but very hard for men, that is a big reason porn is much more popular with guys
It's only "easy" for women if they are not choosy. For evolutionary reasons, women tend to be more choosy given the potentially permanent impact of copulation.
But there is no reason to suggest that this is why women consume less porn.
But I thought the modern J-woman was more focused on career and friends than sex life.
To say porn is "stupid" is entirely missing the point, since basic human sexual response has nothing to do with intelligence. Porn satisfies a need for many people, and it's dismissive of that need and reductive of the complexity of why people use it to call it "stupid".
Women's porn has to be made by women, or it won't appeal. In the 1970s Cosmopolitan magazine started a series of nude male centrefolds, one of them featuring Burt Reynolds. They didn't last long - women weren't that interested.
94% of Japanese women aged 18-40 “take time for themselves” from two to three times a week, and “sometimes more if their partner isn’t doing the job” (M, Japanese woman).
Maybe the people commenting here about Japanese women being sexless or just not interested don't know what "taking time for themselves" means.
Of course! Never underestimate the benefits of a really good few hours of shopping...
That's one of the better euphemisms I've heard for spanking the monkey. Very delicate.
all this talk of Japanese women being prudish and sexless... hmmmm... im yet to experience that!!
Just more exploitation and objectification of the human body.
Comments like this are rarely made by people who are less than 50 kilograms overweight.
What I do not have any experience with is women being interested in porn. Not saying it doesn't happen, but have never seen it happening, or heard about it. I guess we need to hear from more women about this subject.
I'm middle aged, and women weren't so much into porn in my generation either. But watching porn is quite commen amongst the women of the current day.
Comments like this are rarely made by people who are less than 50 kilograms overweight.
But I do know I've always kind of liked it when women have objectified my body. I've put a lifetime into developing it.
I guess most of us foreigners are a cut above the rest.
all this talk of Japanese women being prudish and sexless... hmmmm... im yet to experience that!!
I take it you are not married to a Japanese woman?
10 to 1 that guy with the shaved body is gay.
That's why he's pictured here in an intimate situation with a female - because he's gay, haha, lol.
Strangerland I'm middle aged, and women weren't so much into porn in my generation either. But watching porn is quite commen amongst the women of the current day.
Horse hockey. My own mother told me there's been dumb 'boyfriend talk', 'nurses sharing stories', woman's locker room stories, and when I was in the Navy the women personnel gabbed all the time about the men they meet and see.
Maybe it's different in Japan but this is what I've observed - esp. in America.
Sexual attraction is one thing but people of both genders get stupid with it.
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The promotional flyer says it all: “This is not a remake — it’s a return!”
Four decades ago, struggling movie studio Nikkatsu shifted its focus from action and gangster films to a form of soft pornography termed roman porno (a combination of the English words “romance” and “pornography”). It was a breakthrough genre for a major studio: hour-long films with relatively substantial storylines blended with copious nude scenes.
The first roman porno to be released, 1971’s "Danchizuma: Hirusagari no Joji" (Apartment Wife: Afternoon Affair), detailed the erotic extramarital activities of a housewife residing in one of Japan’s infamously bland suburban block-housing units.
“At that time, society regarded it as a dirty film,” said the female lead, Kazuko Shirakawa, 62, during a recent appearance at Eurospace theater in Shibuya. “It was not ordinary for a woman to be seen naked. The overall content was a bit shocking.”
Yet the audiences applauded, and the studio had a hit on its hands, with Shirakawa reaching certifiable “queen” status. "Apartment Wife" went on to generate 20 sequels, and by the end of the genre’s run 17 years later, a stunning 1,100 roman porno features had been released.
Nikkatsu, Japan’s longest-running studio, is now making a comeback with reworked versions of the genre’s seminal films. Under the moniker “Roman Porno Returns,” the series has revitalized a cultural icon that launched the careers of many stars of the conventional film industry.
Updates of both “Apartment Wife: Afternoon Affair” and 1980’s "Ushiro Kara Mae Kara" (From the Back, From the Front) recently enjoyed two-week runs at Eurospace. The two are now playing in Sapporo and will move to Osaka and Fukuoka next month. Satellite provider Sky PerfecTV!, meanwhile, airs "From the Back" on a pay-per-view basis.
“At first I was shocked about the revival because these films represented my youth,” said Shirakawa. “But then, after realizing that one of the original directors was involved, I had total confidence.”
That director is 58-year-old Shun Nakahara, who helmed the 75-minute remake of “Apartment Wife,” in which Sayaka (Sakiko Takao) has a series of erotic encounters with a water-purifier salesman (Masaki Miura).
Shirakawa, who appears in a cameo role, feels that the revival gently conveys the simple life of this plain housewife, a woman who “has something inside her uterus that is screaming to get out.”
“The director beautifully uses symbolism to describe this feeling welling inside her,” she said, “such as with the scenes showing running tap water and boiling pasta noodles.”
Opportunity for emerging filmmakers
Nikkatsu sees the roman porno revival as an opportunity for emerging filmmakers and actors to make their mark. Over the last few years, Japan’s box office has been dominated by TV network-produced films, which are staffed by their own production crews — a trend that many in the industry believe is shutting out new directors.
“It is hard for young talent to make a debut,” says Yoshinori Chiba, a producer of the new films. “We are hoping that the ‘Returns’ series will bring opportunities to young directors to break through this closed environment.”
The reworking of "From the Back," a rather nasty comedy directed by fresh face Shoichiro Masumoto, finds sultry and shapely taxi driver Momoko (Tomomi Miyauchi, a former model and member of the Miniskirt Police pop group) offering passengers far more than a simple ride when they hop in her back seat.
Shirakawa’s roots in the trade go back to the ’60s, when she was performing in "pinku eiga," a similar genre in which tiny, independently run studios churned out quick-and-dirty erotic productions.
With little in the way of a support staff, Shirakawa said that a pink actress was relegated to such menial tasks as fixing her own hair or purchasing a kimono at a pawn shop. “I really learned how to read the script because there was nobody there to assist me,” she said. “I became a self-made person.”
By contrast, Nikkatsu’s roman porno films were able to offer larger budgets and, as a result, better production values. They also benefited from distribution via the studio’s chain of theaters. Shirakawa recalls that after being lured away from "pinku eiga" by Nikkatsu, she felt like she had taken a definite step up.
“When I was in pink films, I had to hide my job and couldn’t make aspects of it public,” she said. “On the cover of the scripts, I had to write something like ‘Fuji TV’ to conceal the contents. However, at Nikkatsu, I felt as if I was in Hollywood.”
Director Nakahara said that he was initially reluctant to join Nikkatsu because the studio had “stolen” Shirakawa, his favorite erotic actress, whom he frequently caught on pink screens when he was a student. “But once I saw a roman porno film, I was reminded of a new wave of American cinema,” said the director, who made his debut in 1982 with "Okasare Shigan" (Candidate for Seduction).
Roman porno got its start during an era when the emergence of television threatened the entire film industry; Nikkatsu, for one, was on the verge of bankruptcy. In Japan’s “Golden Era” of cinema in the ’50s and ’60s, the number of screens around the country totaled over 7,000, but by 1970 only 3,000 were left.
“The roman porno direction was taken to rebuild the company,” says Nikkatsu’s Chiba.
Although Shirakawa may be correct that "Apartment Wife" was shocking for its content, major studios in Japan previously dabbled in smutty offerings. Along with Toei, which in the ’60s experimented with various torture and erotic-grotesque films, Nikkatsu had released its share of non-puritanical fare, like director Seijun Suzuki’s "Nikutai no Mon" (Gate of Flesh, 1964). As with today’s revival, the emergence of the roman porno genre provided a testing ground for young talent to develop their craft — that is, as long as the requisite skin-scene-every-10-minutes quota was met.
“It had the image of something new, something different,” said Nakahara. “All of the directors were competing to come up with something novel. If one director did one thing, another would try something else.”
Going beyond bored-housewife standard
The styles went far beyond the bored-housewife standard, taking in everything from hardcore SM, like 1974’s "Hana to Hebi" (Flower and Snake), to truly romantic stories, like the very soft "Love Letter" (1981), which was billed as appropriate for female audiences. According to the “Roman Porno Returns” website, students would look forward to the release of two new films every other week, and the competition between directors resulted in quality productions. The movies were intended to be genuinely emotion-filled — a contrast to typical porn flicks that focused on naked bodies and pounding flesh.
“Roman porno was not trying to simply show sex. It also wanted to bring adult themes out into the open,” says Jasper Sharp, author of the book "Behind the Pink Curtain" (2008), a look at the history of sex in Japanese cinema.
Critical acclaim was not unusual. In 1972, trade magazine Kinema Junpo ranked "Ichijo Sayuri: Nureta Yokujo" (Ichijo’s Wet Lust) eighth in its annual top 10 list, and in 1999 named it one of the top 100 Japanese films of the century.
Predictably, the high profile of roman porno stirred up controversy as well. Yoko Hatakenaka was a one-time idol whose musical debut, “Love Letter from Canada,” earned her a spot in NHK’s renowned Kohak
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