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Copyright: Jade Montserrat, shadowing Josephine/Revue, filmed by Matthew Noel-Tod, Outpost, Norwich, 2016.
Groupe Pluton is a new collective with Anna Calsina Forrellad, Manah Depauw, Nathan Jardin, Quentin Manfroy, Jan Maertens and Caroline Godartis. It is working on its first creation inspired by this quotation from Kafka:“We have been expelled from Paradise but even so it has not been destroyed. This expulsion in a way is lucky, because if we hadn't been expelled Paradise would have been destroyed.”
The fourth in a series of short videos on the run up to Britain's exit from the European Union, where Victoria Bateman casts her eyes over the latest Brexit developments to explore how Brexit leaves Britain naked.
Kitty was a bit aprehensive with the chocolate idea, thinking it wouldn’t look good on her skin. We tried it. What do you think? (btw- This is my first vid using Adobe Premiere)
The third in a series of short videos on the run up to Britain's exit from the European Union, where Victoria Bateman casts her eyes over the latest Brexit developments to explore how Brexit leaves Britain naked.
The second in a series of short videos on the run up to Britain's exit from the European Union, where Victoria Bateman casts her eyes over the latest Brexit developments to explore how Brexit leaves Britain naked.
POUR Dana Ashbee (Montreal) Featured at FLUID FEST 2019 OCT 23 & 24 - 8PM DJD DANCE CENTRE Info & Tickets: fluidfest.com
FAMILY ROMANCE OR THE AUGMENTED REALITY, Ana Borralho & João Galante, 2019 (EN subtitles) Ana Borralho & João Galante are fascinated by the new communication technologies, not so much because of the increasingly impressive capacities that these have, or because of the attraction that each new gadget creates, but because of the way in which these technologies are transforming age-old social models and relations at an alarming rate. Whereas, until the twentieth century, audio-visual devices were designed for mass consumption, in the new millennium the focus is now placed on each citizen and their idiosyncrasies. The mass use of individualised digital equipment in every area is creating ways of life in which the notion of the social body has imploded and almost disappeared. Family Romance or The augmented reality looks at these symptoms through the use of recent technological devices. What are the psychic effects of extreme individualisation? Is the real world at risk of becoming lost in the virtual world? Together with a group of the local community members, Ana Borralho & João Galante invite us to explore a future that has already begun. Conceito, Direcção Artística e Espaço / Concept, Artistic and Space Direction: Ana Borralho & João Galante Co-criação, Actores / Co-creation, Actors: Ana Freitas, Cláudio da Silva Co-criação, Assistência de Ensaio e Performer / Co-creation, Rehearsal Assistance & Performer: Alface (Cátia Leitão), Catarina Gonçalves Co-criação, Assistência Técnica e Performer / Co-creation, Technical Assistance & Performer: Tiago Gandra Assistência de Ensaio e Performer / Rehearsal Assistance & Performer: Daniel Matos Performers: 10 participantes da comunidade local / 10 participants from the local community - Alexandre Crespo, André de Campos, Barbara Bruno, Beatriz Garrucho, Eva Fornelos, João Meirinhos, Luara Learth, Maria Lalande, Mariana Santos e Ricardo Vaz Trindade Dramaturgia, Colaboração Artística / Dramaturgy, Artistic Collaboration: Fernando J. Ribeiro Assistência de Encenação / Direction Assistance: Antonia Buresi Desenho de Luz / Light Design: Eduardo Abdala Banda Sonora Original / Original Soundtrack: Coolgate Desenvolvimento de Multimédia / Multimedia Development: ArticaCC Direcção Executiva e Administração / Executive and Admin. Direction: Mónica Samões Direcção de Produção e Difusão / Production and Touring Direction: Andrea Sozzi Produção Executiva / Executive Production: Joana Duarte Uma produção / Production: casaBranca Co-produção / Co-Production: Fundação Caixa Geral de Depósitos - Culturgest, Le phénix pôle européen de création décentralisé au théâtre de Denain dans le cadre du Campus Amiens-Valenciennes avec le soutien du programme Culture pour tous du Ministère de la Culture et de la Communication Apoio / Support: Espaço Alkantara, Pólo Cultural Gaivotas, O Rumo do Fumo, Arisco - Instituição para a Promoção Social e da Saúde, Forall Phones, Pro.Dança-Escola de Dança e Produção de Espectáculos
In 2015 I was contacted by a new model who was interested in doing a Viking Cosplay shoot, incorporating my new chromakey set. She had a limited portfolio but I loved her look and agreed to the session. This remarkable young woman became my Muse, my friend and my favourite model. This Viking cosplay was all Kseniia. I just pulled the trigger and marveled at her energy, creativity and beauty. Four years, a dozen photo shoots and a Mexican adventure later, I still do.
« Mon Corps Est Nul » un projet de Laurent de Richemond avec « Les Parleurs » : Jocelyne Monier, Pascal Farré, Paul-Emmanuel Odin et « La Muette » : Barbara Sarreau paroles improvisées par les acteurs... et une partition textuelle composée par Arno Calléja création sonore et régie son : Virgile Abela conception décors : Guillaume Amiard et Laurent de Richemond création lumière, construction décors et régie : Thomas Moch images et montage vidéo : Aurélien Lemonnier spectacle crée du 13 au 16 Janvier 2009 au Théâtre Antoine Vitez (Aix-en-Provence) reprise du spectacle du 18 au 20 Mars 2010 au Théâtre des Bernardines (Marseille) production : Compagnie Soleil Vert (Marseille) coproductions : Théâtre Antoine Vitez (Aix-en-Provence), 3 bis F Lieu d’arts contemporains (Aix-en-Provence) résidences de travail : 3 bis F Lieu d’arts contemporains (Aix-en-Provence), Friche de la Belle de Mai (Marseille), Théâtre des Bernardines (Marseille), Théâtre Antoine Vitez (Aix-en-Provence) spectacle créé avec le soutien de la Ville de Marseille et du Conseil Général des Bouches du Rhône Plus d'informations sur le site : compagnie-soleil-vert.fr (pour intégrer cette vidéo, veuillez m'en faire la demande en me précisant le nom du domaine, merci)
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