Young Mother Korean Incest Film

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Young Mother Korean Incest Film

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7. Dumplings (Fruit Chan, 2004, Hong Kong)
Initially part of the compilation horror production “Three… Extremes”, “Dumplings” was expanded into a feature film.
The script is based on a novel by Lillian Lee, who also penned the film, and revolves around Mrs. Li, a former popular actress who watches her looks fail along with her career. Furthermore, her marriage is also in shambles, with her husband, a successful businessman, constantly having affairs with younger women.
In her despair, Li turns to a cook named Mei, who cooks dumplings filled with a secret ingredient that makes their consumers eternally young. Li eventually learns the terrible secret of the recipe, but she cannot stop since the dumplings seem to be working.
The film’s biggest asset lies with the fact that it managed to portray horror as something normal, focusing on the trend that everyone must look as young and beautiful as possible, a sentiment that appears even more fiercely in the entertainment industry. Fruit Chan’s great direction along with Christopher Doyle’s astonishing cinematography are the main ingredients of the accomplishment, with the latter additionally presenting images that manage to retain their beauty despite their extremity.
All of the three protagonists, Miriam Yeung as Mrs Li, Tony Leung as Mr Li and Bai Ling as Mei, are magnificent in their respective parts.
6. Late Bloomer (Go Shibata, 2004, Japan)
Sumida is a handicapped man in a wheelchair, a fact that doesn’t stop him from being a party animal, desiring to drink beer, hang out with friends, attend concerts and meet girls. However, when his feelings toward a recent occasional retainer are not reciprocated, Sumida, frantic by desire and frustration, proceeds on a killing spree.
Go Shibata presents a film concerning inability that keeps its distance from the common triumph stories typically shot regarding this topic. Instead, “Late Bloomer” focuses on the violent ascent of the protagonist to a world where anybody is an enemy worth killing.
Additionally, the actual actor, Masayuki Sumida, suffers from the same illness as the homonymous character, thus resulting in a terrifyingly realistic film. Furthermore, the aesthetics of the movie, including the lack of color, the sound and the editing, are similar to “Tetsuo”, a factor that adds to its extremity.
Shibata took five years to complete the film and even more to clear it for distribution in Japan. However, festivals around the world screened it, netting it significant acclaim.
5. Strange Circus (Sion Sono, 2005, Japan)
“Strange Circus” is probably Sion Sono’s foremost extreme film, a fact that, concerning this particular director, definitely says a lot. Rape, pedophilia, incest, transexuality, and a plethora of other notions that each on its own might characterize a film as disturbing, are all included in this grotesque masterpiece.
A school principal places his daughter inside a cello case he had modified for her to be able to watch him having sex with her mother. The latter eventually realizes that fact; however, she is not able to stop her husband from continuing his practice. Furthermore, over time, he begins changing the places of the two women, an effort that leads to the daughter ultimately starting to savor the sex with her father and her mother’s fits of jealousy towards her, resulting in violence.
In the future, the daughter has become a successful author, mostly by describing her childhood experiences. Nevertheless, because she is handicapped and has to sit in a wheelchair, her publishers hire an assistant for her who eventually turns the entire story upside down.
Sono drowns his film in blood-red color, presenting a plethora of utmost sick characters, each one perverse in his own way. Through surrealism, he weaves an intricate story that lurks among the violence and extremity, with heaps of turnarounds and an utterly unexpected finale.
4. The Whispering of the Gods (Tatsushi Ohmori, 2005, Japan)
This particular movie engages the theme of Christianity in Japan. However, the presentation is so onerous that the director was forced to screen it in a mobile traveling theatre, bypassing the Motion Pictures Ethics Committee.
The movie wastes no time in presenting what is about to follow, since in one of the initial scenes, a priest is praying while a young retainer gives him a hand job. The cleric’s name is Kamiya and he is the leader of this community that practically functions as a farm, although its rules are those of a Christian monastery. The attendant is Rourou, who has found refuge in the community due to his former crimes, as is the case with plenty of the staff.
The only prerequisite for an individual to join is to accept the authority and the discipline that, in this case, are translated as systematic abuse from the superiors to the workers. The only one who seems untouched by the rules is Rourou, who takes advantage of it all.
Tatsushi Ohmori presents the relationships between the members of the community, where a number of extreme sexual acts are incorporated, including forced fellatio and bestiality. Moreover, a plethora of blasphemous events take place on the farm.
Evidently, the film is tough to watch due to its obscenity, and the slow pace of Ohmori’s direction adds to the fact. However, beyond that, “The Whispering of the Gods” incorporates a number of magnificent shots in the snow and the two protagonists, Hirofumi Arai as Rou and Renji Ishibashi as Father Kamiya, act with utter competence.
3. Grotesque (Koji Shiraishi, 2009, Japan)
A paranoid sadistic doctor drugs and kidnaps a couple during their first date. When they wake up, he begins torturing them for several days and that is actually the gist of the script of “Grotesque”, which Koji Shiraishi also pens.
His sole and obvious purpose here is to depict violence through torture as graphically as possible, thus creating a movie extremely onerous to watch, even by hardcore fans of the splatter genre. Evidently, he succeeded.
The British Board of Film Classification refused to release it in the UK, a decision that subsequently drove Amazon to remove the DVD from its website. Shiraishi responded that he was delighted, since his purpose was to upset the so-called moralists.
“Grotesque” is the utmost torture movie and a true ode to violence.
2. Caterpillar (Koji Wakamatsu, 2012, Japan)
The particular film is one of Koji Wakamatsu’s last works, since he died in 2012. However, his distinct morbidity did not seem to have abandoned him, even in his final years.
The story is loosely based on a novel written by Edogawa Rampo, initially published in 1929, whose reprint was permanently forbidden in 1939. At the end of 1930, before the end of the Japan-China war, First Lieutenant Kyuzo Kurokawa returns home from the front in an awful condition. Both his legs and hands are mutilated, he has lost his hearing, and he has severe burns on the right side of his head. However, his country has decorated him three times for his bravery, even naming him “God of War”.
His relatives are shocked by his condition; nevertheless, they attempt, hypocritically, to persuade his wife, Shigeko, that it is an honor taking care of such an eminent man. On the other hand, she manages to overcome her own shock quite rapidly. However, this does not last for long, since she quickly realizes that not only does she have to tend to all of the family’s work, both in the house and in the field, but she also has to satisfy Kyuzo’s biological needs that incorporate his insatiable thirst for sex.
Wakamatsu presents a number of preposterous sex scenes between the protagonists, which are as shocking as Kyuzo’s image. The title literally refers to his condition, since he does not have hands or legs, thus resembling a caterpillar.
Nevertheless, the film incorporates a sharp political remark regarding Japan at the time, and the public’s perception of the empire that amounted to blind obedience. His biggest achievement here lies in the fact that he manages to retain the balance between the drama, the political comment and the satire, throughout a plethora of grotesque scenes.
Shinobu Terajima is sublime as Shigeko, presenting virtually every aspect of human behavior with utmost realism.
1. Moebius (Kim Ki-duk, 2013, South Korea)
Kim Ki-duk’s foremost hideous production was so grotesque that the Korean Media Rating Board initially banned it completely, before the director cut a number of scenes.
A spouse discovers her husband is having an affair and in order to reciprocate, she decides to castrate their only son and even eats the severed member before she runs away. The shamefaced father thus starts spending his time inquiring about penis transplants on the internet, while the son, who is being bullied for his situation, ends up participating in a gangbang rape of his father’s former mistress.
Kim’s obvious purpose was to shock his audience and he definitely succeeded in doing so. Almost every onerous notion is present in “Moebius”, including self-torture, misogyny and Oedipal inclinations. Adding to the sense of perversion erupting from the movie is the almost complete absence of dialogue, a tactic meant to force the spectator to focus on the images.



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Nothing could be worse than having to feel the pain of forbidden love. Love is boundless, and it is only human to feel emotions. We disregard situations, time, society, morality in the name of love, but it’s the sheer honesty and madness of it that makes love the most beautiful and delicate of human emotions. Empathy is the core of humanity, and we humans understand and feel each other’s pain. Films about forbidden love have always been a feast for cinephiles which makes it a very interesting topic for an article.
Needless to say, this is a highly subjective list, and the choice of movies might be controversial. But then I believe that’s the fun of it all. With all that said, here is a list of top movies about forbidden love of all time. These romance movies are based on taboo relationships. You can also watch these best taboo movies on Netflix, Hulu, or Amazon Prime.

Most people dismiss ‘ The Reader ‘ as a mediocre, Oscar-bait drama that’s nothing more than a skin show. But I, for one, love the film. It’s deeply flawed and may come off as a bit of a drag at times but just too beautiful and humane to dismiss. The film depicts the complex sexual relationship between a teenage kid and a woman in her mid-30s. Kate Winslet is stunning in her role as a woman struggling to deal with her inner demons and deeply torn by her shameful past. Watch it for its delicate rendering of humanity.
Bernardo Bertolucci’s controversial drama explores the disturbing relationship between a mother and her son. Joe, a teenager, has a troubled relationship with his parents, and after his mother’s husband commits suicide, he moves along with her to Rome. However, the boy’s emotional troubles begin to take a toll on him, and he begins to use drugs. In order to free him from the web of addiction, his mother grows increasingly closer to him, which develops into a sexual relationship. The film as a whole doesn’t hold up well, but the incestuous part is done in a very effective manner.
How, in our world, could the love story of a 20-year-old man and an 80-year-old woman be not a case of forbidden love? Hal Ashby’s black comedy romantic drama centers around a young man obsessed with death who frequently attends funerals, stages fake suicides, and grows increasingly detached from his mother. While romance might not seem to be the film’s thematic focus, the complex relationship between Harold and Maude is essential to understanding the sheer profoundness of the themes it deals with. They are two different worlds whose starkly contrasting perspectives on life form the core of the film. It might seem a bit bizarre and twisted for a certain audience, but it has aged incredibly well and feels thoroughly refreshing and original.
I haven’t been the biggest fan of ‘The Graduate’ except for its ending which, in my opinion, is one of the finest ever in cinema. It’s quite difficult to relate to a coming-of-drama that’s more than 50 years old. But there are some amazing moments in the film that still hold up well and manage to move me tremendously. ‘The Graduate’ was a trendsetting phenomenon that changed the way coming-of-dramas were made. The feeling of angst and sexual tension felt by Benjamin is palpable. He is seduced by the wife of his father’s business partner but ends up falling in love with her daughter. As I said, it might not hold up well for modern audiences, but it’s still an incredible experience and an absolute fun ride.
Arguably one of Stanley Kubrick ‘s more underrated works, ‘Lolita’ tells the story of a middle-aged man deeply infatuated with a gorgeous teenage girl. Adapted from Vladimir Nokobov’s novel of the same title, ‘Lolita’ generated controversy due to its bold subject and was panned by critics. Kubrick infuses a dark, perverse sense of humor that works brilliantly with its chaotic, often flippant narrative. The Censor Board back in the day had severe limitations, and so Kubrick had to compromise on certain aspects of the film which were highly bold and provocative for its time. This kind of affects the film on a thematic level. Nevertheless, it’s still an immensely fascinating film made by a filmmaker who would change cinema in the years to come.
Do we love a person because of their physicality? No, not really, as Spike Jonze made us believe that you could actually fall in love with an operating system too. Set in a futuristic world, ‘Her’ tells the story of Theodore Twombly – a lonely, divorced man who purchases an artificially intelligent operating system and develops an intimate relationship with it. There’s a very profound sense of irony here as ‘ Her ,’ despite being set in an unknown time in the future, is very much a film about today. We are often cruel to ourselves and struggle with our own identity in an unsparing world. Love here is way too abstract for any kind of physical embodiment. It’s incredibly touching and so deeply humane.
‘Boys Don’t Cry’ is a harrowing look at repressed sexuality and gender identity. The film is based on the real-life story of Brandon Teena, an American trans man who was brutally raped and killed in Nebraska. Brandon, played by Hillary Swank, adopts a male identity and moves to Nebraska, where he falls in love with Lana. They remain lovers despite Lana discovering Brandon’s true identity. Their romance is painful and uncertain as violence consumes their blissful but brief and fleeting span of time. If your idea of powerful cinema happens to be one that has the power to devastate and disturb you emotionally, then this is your kind of film.
‘The Ballad of Jack and Rose’ is a beautifully flawed film about the painful delicacies of human relationships. The great Daniel Day-Lewis plays Jack, a farmer with a heart condition who lives with his daughter who is isolated from the world outside her home. When Jack brings in his girlfriend, Kathleen, and her teenage sons home, his daughter begins to develop jealousy towards his partner. When he discovers that she had sex with Kathleen’s son, he is infuriated but is deeply torn when he realizes that she is in love with him. It’s a beautifully made drama that occasionally tends to drift and meander but manages to strike a chord in you because of the sheer warmth and humanity that it brings in.
This wouldn’t seem surprising at all. Ang Lee ‘s heart-wrenching cowboy romance is quite simply one of the most astonishing tales of forbidden love. Jack and Ennis spend their time together in the Wyoming mountains during the summer and develop a very passionate sexual and emotional relationship with each other. They are portrayed as outcasts, and they live in a cruel, judgemental world where feelings and desires are repressed. The film beautifully captures the angst, the verve, the passion, and the pain of love. Undoubtedly a movie for the ages.
Iranian director Majid Majidi is an extraordinary filmmaker. There’s an astonishing sense of warmth and simplicity in his cinema that makes it so endearing and charming. ‘Baran’ is one of his best works. It tells the story of a 17-year-old boy who works on a construction site where he falls in love with an Afghan refugee girl who is disguised as a boy so that she can work at the site. Only the boy knows the secret as he covertly watches her from behind her room to get a glimpse of her real beauty. They do not get to talk to each other but strongly contain their feelings for each other. Majid Majidi masterfully captures every single detail here that contributes to the beauty of the story.
This is the film I show people when they say that Martin Scorsese is a very unemotional director. Few love stories have been as emotionally devastating and brutally painful as ‘The Age of Innocence.’ It tells the story of Newland Archer – a young and ambitious lawyer engaged to a woman from a highly respected family. However, things change when Archer falls in love with his fiancee’s cousin, Ellen. Their repressed emotions intensify the passion and intimacy of their relationship, making their eventual fate a deeply tragic one. It’s brutal, inexplicably painful, and too powerful to even talk about.
Arguably the most controversial film on the list, ‘Ma Mere’ is easily the most disturbing and unwatchable film about incest ever made. The film features the great Isabelle Huppert playing an incestuous mother obsessed with sex who asks her son to have sex with her. They make violent love as Helene asks her son to physically hurt her by cutting her abdomen, and as his masturbation reaches its climax, she slits her own throat. The film is blatantly provocative and, for the most part, plain unwatchable, but you just fail to take your eyes off of an explosive Isabelle Huppert, who is in top form here.
This Hungarian gem is a criminally underrated drama that explores a poignant incestuous relationship between an estranged brother and sister. The film possesses a dark tone that reflects the unusual relationship between its characters, but it doesn’t tend to exploit the provocative nature of the story. There’s a sense of lurking danger felt throughout the movie, but the way it portrays its characters and their relationship make us empathize with them rather than trying to put us off with blatant emotional manipulation.
Todd Haynes’ ‘Carol’ is quite simply one of the most beautiful films about what it feels like to fall in love. These are two people dying to fall in each other’s arms, yearning for a sense of emotional liberation from the clutches of a cold society. Therese is a shy young girl who isn’t happy with her boyfriend. Carol is a wealthy, middle-aged mother on the verge of a divorce. These are two people in different phases of life, from different strata of society, but the world around them is cold and indifferent to their feelings and desires, and that is when they meet. With an amazing cast and a nuanced script, Haynes crafts a timeless story of love so full of warmth and
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