Young Lolita Movies
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Young Lolita Movies
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Missing Piece Live. 2:06. Lolita Castle of Fyn Live. 2:04.
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On that note too, I was expecting loli art as well when I opened this thread... Ya know, for someone who proclaims herself Lolita Soft, the drawing style really isn't what you expect!
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Blank Check (1994) Official Trailer – Brian Bonsall Movie HD
The Godfather (1972) Trailer #1 | Movieclips Classic Trailers
Pretty Baby (3/8) Movie CLIP – Bidding on Violet (1978) HD
Cuties | Official Trailer | Netflix
Manhattan (1979) Official Trailer – Woody Allen, Diane Keaton Movie HD
Kids (1995) Official Trailer #1 – Larry Clark Drama HD
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Jamie founded Listverse due to an insatiable desire to share fascinating, obscure, and bizarre facts. He has been a guest speaker on numerous national radio and television stations and is a five time published author.
One of the most precious things that exists in this world is childhood innocence. Unfortunately, the film industry has a disturbing history of having children perform sexually explicit actions on film, largely for the entertainment of adults. While attracting rightful condemnation from many, there is not enough being done to protect children working in the entertainment industry from being exposed to and participating in things that children should not be a part of.
This is a particularly timely list as the mainstream media has recently begun drawing attention to QAnon when a reporter recently asked the president what he thought about “his” suggestion that Mr Trump is working to end a deeply entrenched child sex trafficking cabal in the deep state with Hollywood complicity. Additionally, Netflix recently released a show Cuties which has horrified many with its extreme pro child sexuality content.
These are 10 films featuring children performing explicit actions on screen . . . disturbingly this is just the tip of the iceberg .
Seth Rogan’s 2019 comedy film Good Boys pushed all the remaining boundaries of late night comedies. The film features 3 13 year old boys, played by real 13 year old actors, who are preparing for their first Kissing Party and have several misadventures along the way. The boys activities in the film included them cursing, peeping on their neighbors and underage drinking. In addition there were several scenes featuring the underaged actors using sex toys , both properly and improperly. One scene featured 13 year old Jacob Trembly kissing a sex doll which was implied as being used by one of his friends parents. Another featured all 3 of the boys viewing a pornographic video. In spite of all of this, there was little mainstream controversy surrounding the film and it was released to the public without incident, grossing 110.6 million at the box office. [1]
Disney movies are meant to be child friendly and family friendly films. Given that they are mostly watched by children, Disney movies are often held to a higher standard in terms of what is on screen. That is not always the case however and several Disney films have been at the center of controversy, one such is the movie Blank Check. In 1994’s Blank Check, the 11 year old Preston was seen to be in a one sided relationship with a 32 year old actress featuring dates, romantic gifts, and culminating in a kiss on the lips at the end of the movie. It created controversy at the time but was quickly forgotten and Disney was forgiven. This scene came back to haunt Disney in 2019 when the film was rereleased on Disney’s new streaming service Disney Plus. Many people were shocked and appalled that Disney chose to keep the scene in the movie, however the protests fell on deaf ears and the scene remains on Disney Plus. [2]
Much like Blank Check, Interview with a Vampire features a kiss between an underage actor and an adult actor. The main difference is between the genders of the actors, with the female Kristin Dunst kissing the male Brad Pitt . There was a 19 year age difference between Pitt and Durst at the time. Since the film’s release, both Pitt and Durnst have spoken about the scene saying how they both felt disgusted by what they had to do and regret their roles. Although Durnst feels uncomfortable with the kiss she shared with Pitt, she still speaks highly of Brad Pitt and his behavior on set, saying that he was like an older brother to her. [3]
Francais Ford Coppola’s 1972 film The Godfather is considered by many to be one of the greatest films of all time. The film tells the story of World War Two veteran Micheal Corleone, the son of feared Mafia Don Vito Corleone, reluctantly taking over his father’s criminal empire during a time of conflict within New York’s organised crime families. In addition to controversy from Italian Civil Rights groups and real organized crime organizations in regards to the depictions of Italian Americans, one particular scene crossed the line. In the film, when Micheal is forced to flee to Italy after killing a rival monster as well as a New York City police captain, he meets a young Italian woman named Apollina, who he soon marries. In the scene where Micheal and Apollonia consummate their marriage, the then 16 year old Simonetta Stefanelli removed her top showing her bare chest and began a sexually suggestive scene with the then 30 year old Al Pacino. Despite this, The Godfather’s legacy as a cinematic masterpiece remains. [4]
A movie telling the story of an underage prostitute featuring an underage actress will always create controversy, with outrage likely following quickly. As a result such movies are rarely made, especially ones featuring real underage actresses. But in 1978 a movie like that was released, starring 12 year old Brooke Shields. There were countless controversial scenes in the film, such as 12 year old Shields completely naked, Shields virginity being auctioned off and Shields being drugged and sexually abused. These scenes led to the film being banned in the Canadian provinces of Ontario and Saskatchawan, in a ban that lasted until 1995. Now, the film is considered a classic by some, but a sick use of cinema by others. Shields, who was the focal point of this controversy says that she regrets nothing and is proud of the film. [5]
Jodie Foster’s role in Taxi Driver has always been marked with criticism. Given her young age at the time, coupled with the fact she had to flirt with 33 year old Robert DeNiro and witness the film’s violent climax when 3 men are gunned down in a bloody gun battle. These scenes were so gruesome that Foster had to undergo several psychological evaluations in order to perform in these scenes, further stoking controversy. Finally, 4 years after the release of the film a man named John Hinckley shot President Ronald Reagan in order to get Foster’s attention. Today, Taxi Driver is known for being the film that put director Martin Scorsese on the map, as well as being one of Robert DeNiro’s most memorable roles. [6]
Based on the controversial 1955 book, Lolita is a movie detailing the illicit relationship between a 12 year old girl and her middle aged stepfather. Unlike the original 1962 movie which had a more lighthearted and comedic tone to it, the 1997 remake of the film did not shy away from the more controversial themes of the original novel. In the film, Lolita was played by 17 year old Dominique Swain while Humbert Humbert was played by 49 year old Jeremy Irons, who later stoked controversy for saying that parental affection had a sexual aspect. In the film, Irons and Swain engaged in all of the hallmarks of a traditional relationship such as hugging, kissing, as well as illusions of sexual contact between the pair. [7]
The description of this movie says it all. “Amy, 11 years old, tries to escape family dysfunction by joining a free-spirited dance clique named Cuties, as they become aware of their own femininity through dance.” This, combined with images of scantily clad young girls sparked a fierce social media backlash with many demanding Netflix remove the film with some even going so far as to cancel their Netflix accounts altogether. Netflix further stoked controversy when their executives refused to condemn pedophelia and insisted that the controversy surrounding the film was wrong. Nonetheless, Netflix eventually bowed to public pressure and removed the posters featuring scantily clad young girls and changed the film’s description. That however does not change the fact that the film contains scenes of scantily clad 11 year old girls performing sexually provocative dances and is set to release to the public very soon. [8]
Noted Hollywood figure Woody Allen’s personal life has been the source of controversy over the course of many years. The source of this controversy stems from his relationship with his step-daughter Soon Yi , whom he had raised since she was 11 years old. It has been alleged that the relationship started before Soon Yi was 18, but that has never been proven. Given this controversy, his 1979 film Manhattan has been analysed under a new light. This film, which tells the story of a 42 year old writer, played by Allen, dating a 17 year old high school student, played by 17 year old Mariel Hemingway. Given the disturbing nature of Allen’s later relationship , many have said that the film represents a pedophelic fantasy of Allen’s, as opposed to the work of cinematic art it was once hailed as. Nonetheless, the film still details an inappropriate adult/child relationship in a normalised context. [9]
The 1995 film Kids centers around several teenagers in New York City in the mid 1990s . At the time of the film’s release it was rated NC-17 due to scenes of underage drug abuse, underage nudity, and a plotline centering around an HIV positive rapist who went around infecting young virgins. It also attracted anger from the general public for these themes and sparked a heated debate about artistic expression. Despite this, it was released unedited. A film so controversial could only be made by one man. The infamous former Hollywood producer and convicted rapist Harvey Weinstein , who is now serving a 23 year sentence for his crimes. Although most of the main cast members were over the age of 18 at the time of filming, several such as Leo Fitzpatrick and Rosario Dawson were still underage at the time of filming, and performed explicit actions as such. [10]
About the author: After using many pseudonyms to write twelve lists for Listverse, I have now decided to publish under my own name.
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Jonathan Glazer’s criminally misunderstood second feature Birth combines a sedated surrealism with a powerful meditation on belief and its connection to love and the result is a confrontational and compelling pièce de résistance.
Nicole Kidman is Anna, a Manhattan widow who slowly comes to believe the claims of a ten-year-old boy named Sean, who repeatedly tells her that he is the reincarnation of her late husband, also named Sean, who died suddenly ten years hence.
There’s something histrionic about the emotional insecurity that Birth boldly emblazons, and it makes for something of a malefic love letter, a lamentable billet-doux from a gifted director. Way ahead of its time, Birth is, as A.O. Scott writing for The New York Times puts it, “both spellbinding and heartbreaking, a delicate chamber piece with the large, troubled heart of an opera.”
French New Wave luminary Louis Malle’s controversial coming-of-age story embraces accidental incest in the town of Dijon. Despite its racy and sensational subject matter Murmur of the Heart is a shockingly sensitive, remarkably tender, and tellingly melancholic film that ranks with Malle’s finest work.
15-year-old Laurent Chevalier, played brilliantly by Benoît Ferreux, is in many ways an avatar for Malle –– both suffered from heart murmurs and both opposed the First Indochina War, for starters –– and is often compared favorably to François Truffaut’s likewise autobiographical film, The 400 Blows.
An affectionate and nostalgic tale, full of affection and warmth for its characters and it somehow manages to be virtuous even when it is taboo, Murmur of the Heart beats resolutely.
Of course Stanley Kubrick’s take on Vladimir Nabokov’s incendiary novel was going to make this list of forbidden love films, how could it not? Middle-aged Humbert Humbert (James Mason) becomes obsessed with teenaged Dolores Haze (Sue Lyon), the titular Lolita –– here she’s a 15-year-old, as opposed to the 12-year-old she was in the novel –– and the results, depending on who you ask, are one of Kubrick’s most satisfying films, at least of his early period.
“How did they make a movie out of Lolita?” queried the print ads back in ‘62 and the answer, one supposes, is with pathos, black humor, and tragic transgression. The satire is sticky, as it should be, and while this film is occasionally confused and uneven, it’s still a minor masterpiece from a major talent.
A landmark of fabulist cinematic storytelling from the legendary avant-garde artistic polyglot Jean Cocteau comes the ultimate romantic tragedy, La Belle et la Bête.
A reimagining of the classic fairytale Beauty and the Beast, Cocteau’s version was written by Jeanne-Marie Leprince de Beaumont and focusses on Belle (Josette Day), who’s father (Marcel André) is sentenced to death for plucking a rose from a garden that belongs to Beast (Jean Marais). To spare her father’s life Belle offers herself to the Beast and from their Beast soon falls in love with her.
Astonishing effects, stunning costumes, overpowering visuals, Henri Alekan’s exemplary lensing, dreamy editing techniques, all pulsing and vibrating to its own fevered, weird, and electrical cadence, it’s a frequently nightmarish and ghoulish tear-jerker. And the chemistry between the two leads is beyond question. La Belle et la Bête is one for the ages.
Kazuo Ishiguro’s dystopian sci-fi novel is elegantly adapted into an agonizingly exquisite and hauntingly poetic film of dangerous and unrequited love from director Mark Romanek. Set in an alternate history, a messy love triangle develops at Hailsham, an English boarding school involving orphans Tommy (Andrew Garfield), Ruth (Keira Knightley), and Kathy (Carey Mulligan).
Without giving too much away, a terrible and inescapable fate awaits our protagonists, and their love is more susceptible than any of them know. The twisted, dark, and rancorous world they live in will consume them all, in one way or another, and rarely do tales of lost youth and overwhelmed innocence resonate with such weighty magnitude.
Not only does Romanek do Ishiguro’s book great justice, it gives the audience enough charitable comprehension, sumptuous visuals, and pretty provocations to last a lifetime. Wonderful.
Sexual repression and passionate sympathetic connection lay at the heart of Kimberly Peirce’s award-winning film of real-life trans male Brandon Teena (Hilary Swank, brilliant in an Oscar-winning role).
Brandon’s budding and delicate relationship with Lana Tisdel (Chloë Sevigny) is forbidden in the puritanical Nebraska town where they live, and the abuse, rape, and tragic murder that lays in the shadows of their short-term revelry will break your heart.
While much of Boys Don’t Cry reads as a scathing indictment of American intolerance, as well it should, the stirring emotional heft at its core will stay with you. It is a luminous, tender film, and while it shows horror and tragedy, it also shows great mercy and generous compassion.
Hal Ashby’s heartfelt Harold and Maude is a taboo smashing work of bravado and pitch-dark humor. Bud Cort’s cherub-like visage as Harold Chasen, a death-obsessed young man in his twenties, is a revelation, but Ruth Gordon’s eccentric 79-year-old Maude Chardin, is the free-spirited tour de force that all but steals the show.
The absurd and offbeat love story that follows is melancholic, profound, and happily risqué all the way. Initially a box-office bomb –– like so many movies that are ahead of their time –– that got mixed reviews from critics and audiences, thankfully has received much reassessment over the years, rightly establishing it as something of an underground phenomenon.
Cat Stevens’ memorable score certainly helped authenticate the cult following that now joyously celebrates it. Ashby’s film, much like Maude herself, has overcome uptight contempt and misunderstanding while aging remarkably well. A prize.
Shot in a scant fifteen days, Rainer Werner Fassbinder’s Ali: Fear Eats the Soul is a timeless classic, and a love story of great unshakeable power. Deceptively simple, spare and yet artful, Fassbinder’s film is technically flawless, and 42 years on, has proven to undoubtedly be a cinematic monument.
As with many films on this list, Ali: Fear Eats the Soul is indebted to and pays homage to Douglas Sirk, particular All That Heaven Allows (1955) and Imitation to Love (1958).
Gaining its rich texture from the minutiae of working-class life the film stars Brigitte Mira as a sixty-something German cleaning lady living in Munich and El Hedi ben Salem as Ali, a Moroccan guest worker twenty some years her junior. Their love affair germinates amidst a climate of hostility, racism, ageism, and societal lassitude, but they stay the course, knowing that their happiness will conquer all.
This is a film that fearlessly takes huge risks, is incredibly courageous, and, when all’s said and done, attempts nothing less than to romanticize life’s rich mystery. It will surprise you in delightful ways and you’ll carry it’s warmth with you forever.
Author Bio: Shane Scott-Travis is a film critic, screenwriter, comic book author/illustrator and cineaste. Currently residing in Vancouver, Canada, Shane can often be found at the cinema, the dog park, or off in a corner someplace, paraphrasing Groucho Marx. Follow Shane on Twitter @ShaneScottravis.
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