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Started Jan 25, 2005
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antoine@nl
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Very young french pussy - isn't she sweet?
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Girl next door !!
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Taken in France with my good old *ist D and 16-45/4. Yes, good old, 'cause with all the DS owners in this forum it feels like my beloved camera is getting old... Still, I enjoy it a lot!!!
For the critics of the focus system: the camera indeed focused on the cat's nose... I will try to do better next time
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"I am of African descent. I am a woman. And I specifically chose to center these aspects of my identity because they have shaped my lived experience."
Nydia Blas is an artist and community leader whose pictures capture a striking and deeply intimate perspective of black female adolescence. A s executive director of the Southside Community Center in Ithaca, New York , Blas works closely with teenage girls to help establish a safe space where they are celebrated and empowered to thrive within a predominantly white environment.
Her series The Girls Who Spun Gold is both a collaboration and an ode to the young women she works with. Each picture explicitly confronts the stereotypes perpetuated by decades of racist propaganda in an effort to reclaim identity, and, like the Southside Community Center, create a safe space in which young black women can see themselves. Here, Blas speaks with BuzzFeed News about her work and the powerful meaning behind the pictures.
These images are a direct reflection of my lived experience as a woman of African descent and work to complicate the notion of what it means to be a girl, adolescent, woman, and mother — and the fine lines that exist between.
To be even more specific, the experiences of a woman of African descent growing up in the predominantly white city of Ithaca, New York. This is a result of a relationship that developed between myself and a group of girls who were in the midst of growing up in the exact same location. I think this is an integral part of the work, and it was important for me to make this work in Ithaca.
This series began in 2012, when I was in my first year of graduate school at Syracuse University. I had decided to return to school to pursue my art career but ultimately felt guilty for leaving the group of girls that I was working with each day at the Southside Community Center in Ithaca. Honestly, I felt selfish.
The Girls Who Spun Gold emerged as a way to spend time with the girls while simultaneously making work as I commuted back and forth from Ithaca to Syracuse as a single mother in school full time, teaching, and running a darkroom part time. The time that I spent with the girls, together with all I was learning, reading, experiencing, watching, and looking at, led to the creation of these images.
Black feminine lens is a term I often use as it relates to who I am, the very body that I was born into. I am of African descent. I am a woman. And I specifically chose to center these aspects of my identity because they have shaped my lived experience. I look at the world through a Black feminine lens .
As human beings, we are born into bodies that we did not choose. These bodies inherently carry histories and stereotypes that affect the way we are received, and thus treated in the world. We are constantly coming to understand ourselves through the eyes of others.
I always think about early images of black folks in America. Mammy and pappy salt and pepper shakers, black children eating watermelon, Aunt Jemima, etc. These depictions were made by white folks and perpetuate damaging stereotypes — that black people are in service to white people, that they are happy in slavery, in servitude. There is so much power in a image and for the person/people making that image.
Black girls and women need to make images of themselves. Images that speak to the complicatedness of our experiences. Not only do we need to see ourselves represented in the world, we must be the ones making these images.
Upon graduation, I decided the only place I could work in Ithaca was at the Southside Community Center, which is the only historical space for black people in Ithaca. I began a Girl Empowerment Group there after meeting a group of girls who voiced a need for a space to be black girls; a space to talk about their lives at school and home. The fact that I was an adult, but not one of their parents, helped us create a relationship based on mutual respect, care, and an exchange of knowledge in an intimate setting.
We read books that pertained to their lives and experiences, we deconstructed rap videos, we kept journals, and they danced and performed at local events. We threw chaperoned parties for bored teenagers in the community, traveled to Harlem to visit the Schomburg Center for Research in Black Culture, and attended the Kwanzaa celebration at the Apollo Theater. Most important, we had deep conversations about self-esteem, relationships, our dreams and aspirations. Eventually our bonds were reproduced visually in the photographs that we worked to make together.
My advice for young photographers is to lead with the excitement to make first before weighing yourself down with what it means. As we move farther along in an art practice, there is more pressure for artists to know exactly what they are doing and be able to share that confidently and coherently. I say make the images first and investigate what they mean later. I am a big believer in research.
I made these images before I considered what they would actually do in the world; how they would function. I didn't consider that so many people would feel connected to these images and see themselves reflected.
For example, I also didn't expect them to be controversial at times. "Resana with Mirror" felt like a natural image to make — a teenage girl looking at her vagina. But culturally we learn something else. As girls, we learn that our bodies are about pleasing other people — boys and men. Boys learn to explore their bodies as a rite of passage. Girls are not taught to explore their bodies, to discover what their bodies look like, how they function, what feels good, etc. We learn to find meaning for ourselves, outside of ourselves.
I hope that people will talk about these images. I hope they they begin conversations. I believe that the most powerful images make you want to look longer, they make you feel something; they nag you.
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Published: 09:55 GMT, 13 November 2014 | Updated: 21:59 GMT, 13 November 2014
These pictures show frightened girls lined up before villagers in Kenya to be circumcised - even though the brutal practice is now illegal in the country.
But in many African tribes, traditions are more important than laws and circumcision is considered a rite of passage that marks their transition into womanhood so they can marry.
Reuters photographer Siegfried Modola captured this ceremony in rural Kenya for four teenage girls of the Pokot tribe, in Baringo County.
Draped in animal skin and covered in white paint, the girls squat over large stones in the remote village after being circumcised - a life-threatening custom banned in the country three years ago.
Tearful: One of the young girls, covered in an animal skin, cries after being circumcised. The practice was outlawed three years ago
Frightened: Four young Pokot girls stand outside one of the girl's homes just before the beginning of their circumcision ceremony
Adorned: After the ceremony, the girls, now covered in animal skins and beaded necklaces, walk to where they will rest after the tribal ritual
Painted: After the ritual, the girls faces are painted white to show they have been circumcised and transitioned into womanhood
Scared: One girl, after her ceremony, walks to a resting place covered in an animal skin in the remote village of Pokot in Baringo County
More than a quarter of Kenyan women have undergone the ordeal, despite government efforts to end the practice in the East African country.
'It's a tradition that has been happening forever,' the father of one of the girls, who asked not to be named fearing reprisal from the authorities, told Reuters from the isolated Pokot settlement some 80km from the town of Marigat.
'The girls are circumcised to get married. It's a girl's transition into womanhood,' he said.
Wrapped in bright coloured shawls, the girls spent the night huddled around a fire in a thatched-roof house as local women gathered to sing and dance in support.
One woman fell into a trance after sipping a local wine.
Circumcision is heavily practiced among the Pokot community, and one of the girls' mothers believes it is a sign of strength.
'The pain will make her strong. She can show the rest of the community that she can endure it,' the woman said after having her daughter circumcised by a Pokot elder donning a beaded neck collar and large brass earrings.
'I'm proud of my daughter for doing this,' she said.
Tradition: Despite a government ban on the practice, circumcision remains a rite of passage, particularly among poor families in rural areas
Smeared: Village elders cover a young girl's face in white paint after she is circumcised, a requirement for young girls before they can marry
Rampant: More than a quarter of women in Kenya have been circumcised, despite the government making the practice illegal in 2011
At its most extreme, circumcision, also known as female genital mutilation, involves cutting off the clitoris and external genitalia, then stitching the vagina to reduce a woman's sexual desire.
Anything from razor blades to broken glass and scissors is used.
The U.N.'s Children's Fund, UNICEF, says more than 125 million women have been cut in the 29 countries in Africa and the Middle East where genital mutilation is carried out.
Kenyan law provides for life imprisonment when a girl dies from the procedure, which in addition to excruciating pain, can cause haemorrhage, shock and complications in childbirth.
It set up a prosecution unit in March and is currently investigating 50 cases.
Officials are optimistic they can force a change in attitude but still worry that the practice is too ingrained for legal threats to have an impact.
'We face a myriad of challenges,' said Christine Nanjala, who heads the prosecuting unit. 'You will find the practice is something highly valued. You will keep quiet and you will not report it - if you do, you face reprisal.'
Still, Nanjala was optimistic that genital cutting would be eventually wiped out. 'Not tomorrow but it will end, she said. 'At the end of the day, without hope, you have nothing.'
Naked: Draped in animal skins, the Pokot girls sit naked on rocks before village elders perform the ritual
Wait: The Pokot girls wait in their homes to be circumcised. One father said: 'It's a tradition that has been happening forever'
Members of the Pokot tribe gather round a fire before the ceremony, about 80 kilometres from the town of Marigat in Baringo County
Kenyan law gives life imprisonment when a girl dies from the procedure, which can cause haemorrhage, shock and complications in childbirth
A prosecution unit against genital cutting was set up in March and is currently investigating 50 cases. Pictured, the Pokot girls in a hut
Preparation: Pokot women place large stones where girls will be seated to undergo their circumcision rite
Pokot girls are encouraged to leave their hut and make their way to a place where they will take off their clothes and wash during the ceremony
Pokot girls run from their hut and make their way to a place where they will take off their clothes and wash during their circumcision ceremony
Village elders push a young girl out of a hut to take her to the place where her circumcision will be performed
A Pokot girl bleeds onto a rock after being circumcised in a tribal ritual. In addition to excruciating pain, can cause haemorrhage, shock and complications in childbirth
Ceremony: After the procedure, a Pokot girl is smeared with white paint to show she has undergone the rite of passage
A Pokot woman holds a razor blade after performing a circumcision on four girls. Practitioners use anything from broken glass to scissors
A Pokot woman performs a circumcision on a girl in a village. Although the government has banned it, the practice is rife in rural communities
More than a quarter of girls and women in Kenya have undergone genital cutting, according to United Nations data
The Pokot girls, covered with animal skins, squat on rocks after being stripped naked and washed during their circumcision rite
Strength: One mother said the pain would make her daughter strong. 'She can show the rest of the community that she can endure it'
Inside a hut, the Pokot girls sit and wait for their circumcision ceremony. At its worst, the rite involves cutting off the clitoris and outer genitalia
Trance: A Pokot woman falls into a trance after drinking a local brew and dancing during a female circumcision ceremony
Rest: Pokot women and children rest by a fire during the early hours of the morning as they wait for the beginning of a circumcision ceremony
The comments below have been moderated in advance.
Nearly 1700 comments, most if not all quite rightly condemning this torture. What if all of you were to write to the leader of this Country and tell him on mass that all of use will boycott their Country if this isn't stopped and the perpetrators bought to justice.
If enough people added their names to petition that would make their Government sit up and take action. I would also like to say that it is widespread here in the UK too and not one prosecution to date so what would Kenya's government say about that. We also have blood on our hands.
gr8gal , Sydney, Australia, 8 years ago
So sorry for those helpless girls within this uneducated tribe. And then after this, they have to breed without contraception and bear many many children. I wish we could help them in some way.
cYnic , Melbourne, Australia, 8 years ago
all circumcision is child abuse and should be outlawed. no one has the right to say another person a minor at that should be circumcised for any reaason
alisonw6971 , Liverpool, 8 years ago
Who was it who thought to do this in the first place?! I think they needed psychiatr
Straoon
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