Young And Adult Nudists Photo

Young And Adult Nudists Photo




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Young And Adult Nudists Photo
The 'generational clash' between young and old nudists
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Caitlin Fitzsimmons is the social affairs reporter for The Sydney Morning Herald and The Sun-Herald. Connect via Twitter , Facebook or email .
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A "generational clash" between young and older nudists is fuelling growth in nude events, ranging from pop-up dinners in bars and art gallery tours to mini-golf and ten pin bowling.
Josh McNicol, the general manager Asia Pacific at Eventbrite, said the number of nude events on the platform had grown 265 per cent across Australia over four years. More than half of the nude events over the past five years have been in NSW.
"From naked yoga classes to nude nature walks, NSW is home to three times as many nude events than any other state, making it Australia’s kit-off capital," Mr McNicol said.
The nude mini-golf event organised by the Young Nudists of Australia. A green wristband means the person has consented to photographs. Photo has been digitally censored.
It’s no surprise to Young Nudists of Australia co-founder Matt (last name withheld by request) because he organises many of the Sydney events. For him the lifestyle is about "freedom" and "acceptance". "It's just one of those things you're curious about and you try and it's for you," he said.
Matt, 30, said the centre of the young nudist scene in Sydney was Cobblers Beach in Middle Harbour. He formed YNOA and organises events so young people can socialise away from the beach. He said they were not always welcome at naturist resorts "full of people the same age as my grandparents".
A nude charity event at Cobblers Beach. Credit: Edwina Pickles
"Young people, we drink alcohol, we listen to music, we stay up later than 9pm," Matt said. "The older people feel that we are being disruptive to their enjoyment, their peace and quiet, so as a result, they generally close the door to us."
Matt said there were a few Australian resorts that welcomed young people – including Townsville Naturist Community, Greg and Deb's Place and Balkaz Retreat in Queensland and Helios Resort just outside Melbourne. But he envied the nudist resorts in the United States that cater to young people with live music and bars.
Australian Naturist Federation secretary Graham Fleming, who is a Helios Resort member, said he believed there had been a "one-off clash" at a club on the Central Coast where YNOA members had partied late and annoyed older members. YNOA members in NSW had taken the experience to heart but Mr Fleming said Victorian YNOA members were happily involved in naturist clubs south of the border.
Young nudists say social nudity is about freedom and self-acceptance rather than sex. Photos have been digitally censored.
"There is a generational clash," Mr Fleming said. "There are old fuddy-duddies who don't want to change and there are young people that want everything their own way. At my club we've just met in the middle and we're doing things together. It would be great to see other clubs take an open-minded attitude because young people in the club is a fabulous thing."
Mr Fleming said Australian naturist resorts were not-for-profit clubs owned and run by members, while the US had a lot of commercial nude or clothing-optional resorts.
Matt said sexual harassment and homophobia were problems at many Australian resorts.
"I’m talking about cases where an older male might crack a joke and slap a female on the bottom to accentuate that," Matt said. "That sort of behaviour is not condoned in modern society and generally considered harassment. I'm not saying there are people who engage in this behaviour at every naturist resort, but there are definitely some."
Mr Fleming said he believed harassment complaints would be taken seriously. He had not seen any complaints to the federation in his year as secretary but last Christmas he saw a visitor to Helios kicked out for inappropriate behaviour.
Meanwhile, Matt said a number of nudist resorts did not allow anyone identifying as LGBTQI to visit because "they don't approve of their sexual orientation, even though these people are not going there for any sexual reason".
Mr Fleming said his own club had a number of same-sex couples but acknowledged some clubs might be less welcoming. "I believe that discrimination against same-sex couples is an old-fashioned way of thinking and that clubs should be encouraged to change their views."
He said most clubs received more applications from men regardless of sexual orientation but clubs like Helios had a policy to try to achieve gender balance.
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Is nakedness invisibility’s opposite? Maybe not, but, if it’s unapologetically displayed, it can be a kind of antidote to erasure.
“Bebe on Sand,” 2014. Photographs by Jocelyn Lee
“Deborah at Aquinnah Beach in September,” 2020.
“Nancy at 78, Maine at 18 (Aunt and Grandniece),” 2018.
“Nancy Floating at Quitsa Pond,” 2016.
“Judith at Home,” 2009. Photographs by Jocelyn Lee
“Bebe and Pagan in the Red Room,” 2004.
“Bebe and Pagan Pregnant with Twin Girls,” 2012.
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Some clichés about the cycle of life are true. When you are raising young children, the days are long and the years are short. And when you’re a woman, you will, at about age fifty, become invisible. All our lives, as girls and younger women, we prepare ourselves to be looked at. We grow accustomed to registering —to attracting, evading, or denouncing the male gaze. In “ Mrs. Dalloway ,” Clarissa, newly aware of herself as a woman of a certain age, walks down the street thinking, “This body, with all its capacities, seemed nothing—nothing at all.” The cultural critic Akiko Busch, quoting that line from “Mrs. Dalloway,” notes that “a reduced sense of visibility does not necessarily constrain experience.” True, but it takes some getting used to, and when it’s punctuated, as it often is, by condescension—when strangers are suddenly addressing you not even as “Ma’am” but, with a verbal wink, as “young lady”—you may not want to get used to it.
Is nakedness invisibility’s opposite? Maybe not, but, if it’s voluntarily, unapologetically displayed, it can be a kind of antidote to diminishment and erasure. A nude portrait of a woman older than, say, sixty is an unusual image—even a taboo one. To make such photographs, and, even more so, to pose for them, is an act of defiance. In the course of her career, the photographer Jocelyn Lee has been drawn to nude bodies of all shapes and ages. Her latest book, “Sovereign” (Minor Matters Books), features a selection of her photographs of women who range in age from their mid-fifties to their early nineties, posing naked, frequently outdoors and in natural settings.
Lee’s color images of older women are painterly, classical, but also frank. Skin puckers, crinkles, and sags. Bellies poof and pleat. A silver-haired woman stands knee-deep in a pond strewn with autumn leaves, looking directly at the camera, her elbows angled back like wings to reveal one intact breast and one mastectomy scar. A naked woman sits on a blanket of moss in the woods, her breasts and belly soft, so at ease she might be napping. In “Nancy at 78, Maine at 18,” a woman and her grandniece stand nude on a beach. Side by side, their long-legged, curly-headed bodies rhyme, but also remind us of the ways time will remake our familiar, corporeal selves. The image is not some grim memento mori, though. The women lean comfortably toward each other, touching shoulders; the younger woman’s arm loops through the elder woman’s. Behind them, the sea and sky are a light-suffused blue.
Lee, who is fifty-nine, lives part of the year on a lush, wooded property outside of Portland, Maine. She’s taken some of the portraits of older women at a pond near her house, and others on beaches at Martha’s Vineyard and elsewhere. The natural settings, devoid of sociological detail and inherently beautiful, tend to banish ironic readings and extend a certain benevolence to the naked subjects. We aren’t in paradise here—nobody in these photos looks that naïve—but we are not in any sort of judgment-laden social space, either. Lee told me that she hoped the locations implied the warmth of sun on the body—“that kind of comfort and love”—and communicated the idea that we are “all essentially sensual creatures.”
“The camera can be very cruel depending on how you use it,” she said. “There’s a whole tradition of photography that’s based on criticality and cruelty. Diane Arbus —whom I love, by the way—looked for unflattering moments to create a sense of drama. Sometimes that can be done with the juxtaposition of elements in a space, the exaggeration of the appearance of wealth or poverty, harsh lighting.”
Lee said that, by contrast, her work had sometimes been criticized for being “too earnest or romantic.” But she made her peace with that a long time ago. Through her photography, Lee has always tried to understand “what lay ahead.” When she was still in college, long before she had children herself, she photographed a pregnant friend in the nude as part of her thesis project. “This was before the Demi Moore Vanity Fair cover; people didn’t really know what a pregnant woman looked like,” she said. Through the years, she took many nude photographs of her mother, who, she says, had a remarkable ease in her own skin. Lee continued taking pictures of her as she was dying of cancer.
I’m about six months older than Lee, and, all in all, I consider aging to be far better than the alternative, as my own mother, who died at sixty, the age I am now, used to say. Still, I prefer the cloudy mirror in my bathroom to any in which I can see myself clearly. The older women who posed for Lee in the nude include professors, writers, artists, an astrologer, a hospice worker, and a small-town mayor. To me, they seem very brave, but it bothers me to say so. We all have bodies; if we’re lucky, we all get old, or at least older. Why not show what it looks like?
Two of Lee’s subjects, Judith and Nancy, have been posing for her for decades. Both told me that they don’t love how they look in some of the images, but that they treasured the experience of making them with Lee, whose process is creative and collaborative. Nancy, who is eighty, said, “I cringe when I look at the images, but I know that when I’m ninety I’m gonna say, ‘Ooh, look how great I looked!’ ” Her grandniece Maine, who posed with her, is a photography student. Maine told me that Lee’s image makes her happy because her grandaunt and she look so alike in it. “It’s like seeing myself in sixty years, and I sort of love that,” she said. “I think Nancy is beautiful.” Lee told me that she plans to photograph the pair every year.
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Proof the magic of love has no borders.
Jan 7, 2016, 09:18 AM EST | Updated Jan 7, 2016
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A new photography book explores the magic of young love -- and it's absolutely breathtaking.
Created by Danish photographer Karen Rosetzsky , Young Love features photos of couples between the ages of 15 and 25. Over the course of three years, Rosetzsky photographed beautiful duos from around the world in places like Amsterdam, Prague, New Orleans and Cape Town.
"I have always been inspired by that unspoiled and sometimes uncomfortable chemistry between young people," Rosetzsky told The Huffington Post.
The "unspoiled and sometimes uncomfortable" make for a raw and almost magical portrayal of young love. Just looking at the photographs can be enough to make the viewer recall the familiar feeling of butterflies in your stomach that often accompanies a new romantic connection.
Rosetzsky said that the shoots sometimes take as little as 15-30 minutes because she wanted to capture true "raw and uncut moments."
"To be invited into people's intimate space is a very special thing for a photographer," she said. "I experienced that people actually really like to tell their stories to strangers and show their love. Sometimes also a bit awkward. I was surprised how easy and fast people are willing to expose themselves in front of a camera."
Scroll below to see a few stunning photos from Rosetzsky's Young Love.
Images below may be considered NSFW to some readers.
Head here to read more about Young Love and Rosetzsky.

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