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Yongdeoksa Temple is located to the west of Mt. Gulamsan Yongdeoksa Temple was first founded 1, years ago. It was first built by Yeomgeo-seonsa? It was later rebuilt by Doseon-guksa A. According to a temple myth, there were three iron figures that were used to help suppress the strong spirit of the mountain. It was later rebuilt in by the monk Jeongsa. And it was rebuilt, once more, in by the monk Seongwol. Also of note, most of the rice fields where Yongdeoksa Temple is located was recorded to have been owned by Yongdeoksa Temple. This helps highlight just how strong the temple remained until the end of the Joseon Dynasty However, during Japanese Colonial Rule , the temple barely remained in existence. However, and through the efforts of the monk Seonghyo, who was appointed to be the abbot of the temple in May, , Yongdeoksa Temple underwent a large scale reconstruction. In total, Yongdeoksa Temple is home to just one protected property. This cave is connected to a myth at the temple about a dragon that possessed a cintamani a wish-fulling jewel. This dragon reached 1, years of age, and it lived in a rocky cave, where the upper courtyard of Yongdeoksa Temple is now located. This dragon gave a girl his cintamani, who had been offering devout prayers to help cure her father of his illness. Since her father fell critically ill, the girl came to realize that the only way to cure him was to come into possession of a cintamani from a dragon that lived on Mt. This girl went to the dragon and pleaded with this dragon for his cintamani. So I will give it to you after seeing your earnest love for your parent, so go and heal your father. However, at this very moment, when the mouth of the dragon touched the girl to give her the cintamani, an arrow shot by a hunter from down in the valley struck the dragon in the eye. The dragon would die as a result of the amount of blood that it lost. Along with the injury to the eye, the cintamani melted away. As a result, the girl could no longer cure her father with this wish-fulfilling jewel. After the dragon died, the girl now prayed for the rebirth of the dragon. So over the next three days, even without taking so much as a sip of water, the girl prayed for the dragon to recover. After some time, an old monk came to Mt. Originally, the monk had wanted to use the wood to help rebuild a temple at Seonbang. However, and over time, people decided to build a temple in front of the cave instead of at Seonbang. And hopefully through these efforts, and much like the devout girl, people would receive the benevolence of the Buddha. And the signboard is curved and is bookended by a pair of fierce dragonheads. Both the woodwork and the dancheong colours are stunning on this entry gate. The first of the shrine halls is the Daeungbo-jeon Hall. The front of the building is occupied by a pair of older stone pagodas. Both are three-story structures. The triad rests under a large, golden canopy. And on either side of the main altar are 55 miniature statues of the Nahan The Historical Disciples of the Buddha , making for a collection of statues. The exterior walls to this hall are adorned with murals of various Buddhas and Bodhisattvas including those of Seokgamoni-bul, Jijang-bosal, and how the stone statue of Mireuk-bul was first discovered. And while the statue dates back to this time period, it appears as though it preserves the style from the Unified Silla Dynasty A. The statue has a shaved head with a topknot on top of its head. This topknot is meant to symbolize the wisdom of the Buddha. The statue has an oval face with relatively realistic features. The neck is marked with three thick ridges. The right hand is lifted to its chest, while also holding a lotus bud-shaped boju jewel. The left hand, on the other hand, is making a mudra, which is meant to signify the promise to fulfill the desires of humankind. To the south of the Mireuk-jeon Hall is the Jong-ru Pavilion. Housed inside this bell pavilion is a large, colourful bronze bell. Rather interestingly, the bronze bell has been accented with paint along parts of its exterior. Also, and something to keep an eye out for, have a look at the butt end of the wooden striker. I wondered how the monks would get the altar food, rice and candles up to the upper courtyard shrine halls, and my inquiry was answered with this monorail. The central shrine hall is the aforementioned Geukrak-jeon Hall. The ridge on which the Geukrak-jeon Hall is situated enjoys a commanding view of the valley below and the city of Yongin off in the distance. The front floral latticework is stunning, and the exterior walls of the shrine hall are adorned with murals from the foundation myth about the girl and her dragon. The triad is backed by white script on a red background, while the rest of the interior is occupied by statuettes of the Buddha of the Western Paradise. This shaman shrine hall enjoys an even clearer view of the valley below and the city of Yongin off in the distance. In the centre is a painting dedicated to Chilseong The Seven Stars. Joining this painting to the right is a mural dedicated to Dokseong, while to the left is a painting of Sanshin. In this painting, Sanshin rests under a white, feather umbrella held by a dongja attendant. As for the cave that the shrine hall looks out towards, this is the cave from the temple myth. Inside the shrine hall, there is a wall of glass that looks out towards the cave. So instead of having altar statues or paintings, and reminiscent of the Daeung-jeon Hall at Tongdosa Temple , the shrine hall simply looks out towards the cave from the myth. Housed inside this cave is a statue of Gwanseeum-bosal. And the statue is bathed in light from an opening in the ceiling of the cave. During the winter, ice forms on the walls of the cave. The bus ride should take about 25 minutes over 25 stops. The walk should take about 22 minutes over an metres distance. The walk can be rather steep in parts. There is a lot to enjoy about this old temple that has recently been rebuilt. Of course, the temple and its buildings centre around the cave and its myth. Also of interest in the upper courtyard are the exterior wall paintings of the Geukrak-jeon Hall, as well as the views from the Samseong-gak Hall. As for the lower courtyard, the paintings around the Daeungbo-jeon Hall and the artistry in and around the Jong-ru Pavilion are pretty special, as well. Yongdeoksa Temple is a wonderful temple to explore. You must be logged in to post a comment. Yongdeoksa Temple in Yongin, Gyeonggi-do. The Iljumun Gate at the entry of the temple grounds. The Daeungbo-jeon Hall. A look inside the Daeungbo-jeon Hall. The floral latticework that adorns the Mireuk-jeon Hall. The Jong-ru Pavilion and the colourful bronze bell. The wooden striker and the Gwimyeon Monster Mask that adorns it. The five-story pagoda to the rear of the Daeungbo-jeon Hall as you make your way to the upper courtyard at Yongdeoksa Temple. The Geukrak-jeon Hall in the upper courtyard of Yongdeoksa Temple. One of the temple myth paintings that adorns one of the exterior walls of the Geukrak-jeon Hall. The main altar inside the Geukrak-jeon Hall. The stairs that lead up to the Samseong-gak Hall. The painting of Sanshin inside the Samseong-gak Hall. The shrine hall with windows that looks out onto the cave. Leave a Reply Cancel reply You must be logged in to post a comment.