Yes Nurse
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Original title: Ja zuster, nee zuster
The film is a cheerful stylized musical comedy a la 8 femmes. The story happens in the guest-house of sister Klivia in one of the Dutch towns. The inhabitants of the guest-house are very cheerful and good-hearted persons whose open communal lifestyle is contrasted with the life of somewhat nasty and complaining neighbor behind the wall heer Boordevool. Boordevool has spent ages looking for reasons to shut the guest-house. One day a girl from the guest-house meets a nice young guy Gerrit. Sister Klivia lets Gerrit stay regardless of him being a thief. Will that give a chance to the insinuations of the neighbor? — Natalie-7
The red cross on the men's singlets has the letters J, Z, N and Z in the four corners. These are the initials of the film's title. The red cross on the marching girls' costumes is surrounded by the name of the film.
Although the movie is set in the '60s, you can see a present day cat food tin when Ingenieur feeds his pill to Boordevol's cat.
During the credits a home movie is shown in which the then princess Beatrix
visits the resthouse with her son Willem-Alexander. Funny touch:
Willem-Alexander is already wearing a crown and Beatrix is pregnant,
expecting her second child.
Ja zuster, nee zuster Music by Harry Bannink Lyrics by Annie M.G. Schmidt
I have never had as much fun watching a movie as this one
Not only did I have more fun watching this DVD than any film, but I did something I never did before--I ended up watching the movie again that very same night! I was utterly charmed by this wonderful Dutch musical-comedy and anticipate that I will probably see it again a few more times--it's THAT good! I think a lot of the reason I loved the movie so much was that while bits and pieces of the film reminded me of other films, overall it was so unique and quirky that it's got to be one of the most original films out there. In addition, when I heard the songs, I couldn't help but swing in rhythm to the bouncy and adorable music! Despite not knowing Dutch and relying on subtitles, I can't think of ANY musical that I enjoyed more because the songs are that catchy and kooky. They all have a charming old fashioned style with wonderfully funny lyrics. The film itself has an early to mid-1960s look to it and although I noticed in one of the reviews that this movie was based on a TV series, the film looks even more like a film of a play in style. Plus, the sets look very fake, but I don't mean that in a bad way--more like an idealized and perfect world that you know can't exist but you really wish it did! Apart from great music, the film has a wonderful ensemble cast. The standout character is Mr. Boordevol who is a lot like a combination of Sam the Eagle (from The Muppets) and a crazed version of the AFLAC duck! He must have had a wonderful time playing such an outlandish character--and his voice was like something out of a cartoon! Other standout performers were Jet, an incredibly cute and shy young lady who is in love with Garrit, Garrit, a reformed burglar who has a wonderful voice, the Engineer (he has no name--and is just called "Engineer" throughout the film) as well as many, many others. A word of note to parents--This movie was released by Wolfe Video--a Gay movie distributor. While there are two gay main characters, I really didn't see this as a gay film, per se, but a film about many people--just two of which are gay. And, unless you are ultraconservative, I doubt if you would be offended or mind if your kids watch the film. I am a pretty conservative person myself, but really liked ALL the characters and let my teenager see the film--in fact, I nagged her until she watched it with me! By the way, it took me three viewings to realize that the plot of this film is a slight reworking of Seuss' HOW THE GRINCH STOLE Christmas! Seriously!!
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The film is a cheerful stylized musical comedy a la 8 femmes. The story happens in the guest-house of sister Klivia in one of the Dutch towns. The inhabitants of the guest-house are very che... Read all The film is a cheerful stylized musical comedy a la 8 femmes. The story happens in the guest-house of sister Klivia in one of the Dutch towns. The inhabitants of the guest-house are very cheerful and good-hearted persons whose open communal lifestyle is contrasted with the life o... Read all The film is a cheerful stylized musical comedy a la 8 femmes. The story happens in the guest-house of sister Klivia in one of the Dutch towns. The inhabitants of the guest-house are very cheerful and good-hearted persons whose open communal lifestyle is contrasted with the life of somewhat nasty and complaining neighbor behind the wall heer Boordevool. Boordevool has ... Read all
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Starring Loes Luca, Paul R. Kooij, Wouter Paul de Leeuw, Tjitske Reidinga, Waldemar Torenstra
Screenplay by Frank Houtappels, Pieter Kramer
Based on the Television Series by Annie M. G. Schmidt and Harry Bannink
Rating guide :
excellent = 4 stars; good = 3 stars;
fair = 2 stars,
poor = 1 star
You'd think that people would've had enough of silly love songs; I look around me and I see "Yes Nurse! No Nurse!" Pieter Kramer's zany musical, based on a popular 1960's Dutch television series and Kramer's own recent stage revival, tells the story of Nurse Klivia (Loes Luca) and her "rest home" full of cute adult misfits.
As the film begins, the rest home has been under threat by screechingly uptight landlord and neighbor Boordevol (Paul R. Kooij), who wants the "nutcases" out so he can put the building to quieter and more lucrative use. Then, young thief Gerrit (Waldemar Torenstra) falls for high strung rest home resident Jet (Tjitske Reidinga). Gerrit persuades Klivia to let him stay at the home, promising to reform, and the conflict with Boordevol comes to a head.
Despite its appeal to camp-seeking audiences, a few mild double entendres, and oblique suggestions of homosexuality, the movie occurs in an innocent classic pop neverland. So it's far from the rock era subversions of "Tommy," "Rocky Horror" or "Little Shop of Horrors." But its basic themes--tolerate diversity and be less greedy, you sad, lonely oppressors--are timely.
Prefacing the film is a message noting that the filmmakers recognize the important functions of the Red Cross symbol in that organization's work, but that the film's frequent use of the symbol "conflicts with the above." Something similar might have been said of the film's depiction of nursing. But I'm not sure the filmmakers' tongue-in-cheek disclaimer is warranted in either situation. If more people would embrace the movie's humanistic message, the work of the Red Cross might be considerably eased.
And the vision of nursing is better than it may sound. The first musical number features "nurses" in traditional white uniforms dancing, and at one point, actually dancing with humanoid red crosses. They are singing the kind of firm directions that Nurse Klivia must issue to her wayward charges, mostly cautioning against making too much noise, which would disturb Boordevol. The playful reply: "Yes nurse! No nurse!" The dancing nurses are silly--yet pretty chaste--and Klivia seems to spend most of her time correcting the residents and running the household. (She does get to bandage Gerrit's injured hand.) It's certainly possible to see Klivia as an example of the maternal nursing stereotype, with perhaps a hint of the battleaxe in the frequent corrections. And she could do more teaching, as opposed to simply enforcing rules, though of course there is an overlap.
But no profession is presented seriously here, and managing a household of the developmentally challenged by yourself presumably does require limit setting and hard work, which Klivia displays. She tries to keep order, but not with an iron hand, and there is no suggestion that her directions spring from Ratched -like sexual frustration. Indeed, the key idea (also expressed in the title song) is that people should do what they like, as long as they don't disturb others.
And Klivia's efforts to keep the residents out of trouble, which land her in court more than once defending against claims by Boordevol, could be seen as patient advocacy. She is savvy, deflecting the unwanted interest of both Boordevol and the police with the strategic deployment of baked goods. She is the strongest, wisest, and most moral character here, as well as the closest the film comes to that elusive third dimension, thanks in part to Luca's performance. In one pivotal scene, Klivia receives the kind of outpouring of community good will seen in "It's a Wonderful Life." Like George Bailey, she's not perfect--she can snap at the exasperating residents, and make snap judgments. But her businesslike care, along with the stirrings of love in other characters, seem to have a kind of redemptive power.
"Yes Nurse! No Nurse!" aims for inspired lunacy. In some of the catchy musical numbers, it succeeds. In between numbers, the drama can be a little too predictable, the lines a bit too ordinary, and the characters kooky caricatures. Some of this may have worked better on stage. Kooij's Boordevol in particular is so relentlessly shrill here that he's sometimes hard to watch, and his eventual change of heart could be more convincing.
Still, right now there are worse ways to spend a couple hours than to watch this crew's cheerfully silly singing and dancing, as the formidable Nurse Klivia puts people first. Maybe she would consider a world tour.
See the movie's website and/or trailer .
Reviewed by Harry Jacobs Summers
Nursing Editor: Sandy Summers, MSN, MPH, RN
Reviewed December 20, 2004
The views expressed herein do not necessarily reflect those of the Board Members or Advisory Panel of The Truth About Nursing.
https://www.imdb.com/title/tt0309725/
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