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History of Sex in Cinema:
The Greatest and Most Influential
Sexual Films and Scenes
(Illustrated)

The year 2017 - and the many years before - have demonstrated that
the most rampant and explicit nudity has not been on the theatrical
big-screen, but has appeared in a myriad number of TV/cable
shows. Although the collection of stars and shows below seems
to be comprehensive, it barely scratches the surface of the
many stars and cable series/shows that have featured lots
of sex scenes and bare skin - always pushing the envelope of
what is acceptable.
The sheer number of new shows on premium TV cable
channels - to escape the FCC's rules on indecency, is astonishing.
It has become commonplace and frequent to see bare breasts,
butts, and some glimpses of genitals (and even some full-frontal
male views) - and these instances are not blurred out. On-screen
nudity and sexual scenes have boldly saturated the market.
Director David Leitch's formulaic, twisting and
complex espionage-thriller and mystery story was - in part - based
upon Oni Press's 2012 graphic novel series The
Coldest City . The stylishly-filmed effort (with neon tones) that
was peppered with 80s tunes was the director's solo directorial debut.
The slightly-cartoonish movie was noted for multiple over-the-top
scenes of martial arts hand-to-hand fighting and intense action sequences
(especially in one apartment stairwell fight), car chases, and the
requisite number of double-agents and double-crosses. Many weapons
or lethal tools came into play at various times: a red stiletto, firehose,
a cooking pot, a hot-plate, a corkscrew, a lampshade, and a rope.
The badass female-centered film, told mostly
in flashback, was set during the last year of the 80s decade,
during the waning years of the Cold War and at the time of the
collapse of the Berlin Wall. It starred Charlize
Theron (the film's producer!) as the bruised action heroine
Lorraine Broughton, an MI6 agent who had just completed a 10-day
mission in Berlin, and was being debriefed in London by her agency
head Eric Gray (Toby Jones), along with MI6 representative Chief
'C' (James Faulkner) and CIA chief Emmett Kurzfeld (John
Goodman). Before the debriefing, vodka-swigging
Broughton emerged from her blue-tinged icy bathtub, exhibiting
her many combat wounds
before a mirror (black eye, sore muscles, facial bruises).
With Lorraine, British agent David Percival (James
McAvoy) (working and residing in Berlin as a station chief for the British) was
assigned by MI6 to acquire a list of undercover double agents
operating in the Soviet Union and in the West. The list
(found on microfilm in a wristwatch), considered an "atomic bomb
of information," had been stolen from another
assassinated MI6 operative named James Gasciogne (Sam
Hargrave). The thief and murderer was corrupt KGB agent Yuri Bakhtin
(Jóhannes Jóhannesson). The list was very crucial,
because the identity of one of the double-agent KGB-Stasi
villains named Spyglass (Eddie Marsan) was on the list. [Note:
Spyglass had also memorized the entire contents of the secret
agents list.] One of Lorraine's other goals was to uncover and kill a duplicitous
double-agent known as Satchel.
Upon her arrival in Berlin, Lorraine was immediately
ambushed by Russian agents associated with arms dealer and KGB
associate Aleksander Bremovych (Roland Møller). During
the mission with her partner Percival to retrieve the list and its
contents, she eventually realized that he was
a rogue libertine allied with Bremovych, and that he had strangled
her French co-hort Delphine to death. Vengefully, she shot him
in the torso as he admitted:
"So, what have I learned after all
this time? After all the sleepless nights, lying to friends, lovers,
myself? Playing this crooked game in this crooked town filled
with backstabbers and four-faced liars? I'll tell you what I've
learned. One thing and one thing only. I
f--king love Berlin!"
As he gasped for some final breaths, he told
her: "I've read that list, Lorraine. And you feature heavily.
Turns out you've been a very naughty girl...It's en route to MI6,
where it belongs....Truth and lies. People like us don't know the
difference..." She corrected him: "No, we know the difference,
David. We choose to ignore it. Isn't that right, Comrade Satchel....It's
a double pleasure to deceive the deceiver." He congratulated
her: "Well played" -
before she ended his life with a shot to the head. To her superiors,
Lorraine identified Percival as Satchel.
In the film's ending twist, however, Lorraine was
revealed to be a CIA 'triple-agent' working with Kurzfeld at the
CIA - she was Satchel - and the film concluded with
her point-blank bloody killing of Bremovych and his agents in
a Paris hotel suite.
During her time in Berlin, Lorraine engaged
in a very graphic relationship with artistic lesbian French spy-agent
Delphine Lasalle (Sofia Boutella). After meeting in a raucous
nightclub bar where music played (and a sign read: "EVERYTHING
YOU WANT IS ON THE OTHER SIDE OF FEAR"), Delphine seductively
suggested: "I've been dying to ask you a question" before kissing
her, and then urged: "Let's go someplace quiet." In a hallway,
they began to have sex by hungrily kissing some more, but then,
Lorraine felt Delphine's gun, grabbed it and questioned her at
gunpoint:
Lorraine: "Why the gun,
Delphine?"
Delphine:
"You're not as well-disguised as you may think. I know who you
are. You're Lorraine Broughton, MI6, and you're here because of
the death of Gascoigne."
Lorraine: "What do you know about Gascoigne?"
Delphine: "Nothing, but
if someone is killing Allied officers,
shouldn't we all care? Whatever is in that list has people willing
to kill for it. This is my first assignment with the French intelligence.
I've only been here a year. I'm scared, okay? I got into this
because it was exciting. But it's never been like this in Berlin."
Lorraine: "You should have become a poet. Or a rock star."

After they realized they were fellow
agents, although Delphine was a rank rookie, they kissed some more,
stripped each other down, and engaged in
a same-sex lesbian tryst.
Director Denis Villeneuve's overly-long, R-rated,
visually-stunning, neo-noir sci-fi sequel was set thirty years
following Ridley Scott's original Blade
Runner (1982) , that took place in Los Angeles in the year
2019. The story again involved the manufacture of replicants (or
bioengineered humans "designed by the Tyrell Corporation
for use off-world"), now by a new corporation,
that were employed as slaves. Older, runaway rogue replicants
often needed to be hunted down and eliminated by 'blade-runners'
(police officers). In this installment, a search was on for the
replicant-child offspring of Blade
Runner 's Rick
Deckard (Harrison Ford) and replicant love interest Rachael (Sean
Young).
The five Oscar nominations it received were mostly
technical honors: Best Cinematography, Best Visual Effects, Best
Sound Editing, Best Sound Mixing, and Best Production Design.
These honors were well-deserved and were demonstrated throughout.
In a striking birthing sequence within the Wallace
Corporation headquarters (Wallace Corp. took over and revived
the creation-manufacture of replicants from the Tyrell Corporation),
megalomaniacal Wallace Corporation CEO Niander Wallace (Jared
Leto) - a godlike yet blind billionaire industrialist, Tyrell's
evil successor, ordered: "New
model. Let us see her, then."
A Female Replicant (Sallie Harmsen) fell to the
floor from a giant, suspended vertical plastic bag. After she
was dumped in a naked state, Wallace examined, caressed and cradled
her head and told her: "First thought, one tends to fear
to preserve the clay. It's fascinating. Before we even know what
we are, we fear to lose it. Happy Birthday. Shh...Now, let's have
a look at you." Tiny insect-like drones black drones circled
around her.
Slightly later, as the female
newborn stood naked before him, he continued by calling his replicant
product an 'angel.' His intention was to breed obedient Nexus
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