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The
first image of Lolita's youthful figure is impossible to forget -
she wears a two-piece skimpy, flower-patterned bikini, and she sports
heart-shaped sunglasses and a broad-brimmed, feathered straw hat
while sunning herself on a blanket laid on the lawn. Charlotte continues
babbling, oblivious to Humbert's smitten, bedazzled look and immediate
infatuation:
My yellow roses. My - daughter....I can offer
you a comfortable home, a sunny garden, a congenial atmosphere,
my cherry pies.
Humbert quickly reconsiders her offer to rent a room
for "something nominal, let's say, uh, two hundred a month...including
meals, and uh, late snacks, etcetera...uh, you couldn't find better
value in West Ramsdale." Charlotte is curious about what clinched
the deal for him to move into the house: "What was the decisive
factor? Uh, my garden?" Avoiding the truth, Humbert replies,
tongue-in-cheek with a clever double entendre: "I think it
was your cherry pies!" The scene ends on another long stare
from Lolita.
The next scene (with an abrupt cut to the shot) jolts
the audience - it is an excerpt from a projected horror film at a
drive-in movie theatre, attended by the Hazes and Humbert (in their
own fairy-tale world and sitting from left to right: young princess
Lolita, the hero Humbert, and the monstrous Charlotte). A ghoulish
figure in the supernatural horror film [Hammer Films' The Curse
of Frankenstein (1957) ] approaches menacingly - a symbol of Humbert's
own lust. A shorthand montage of images and scenes visually provide
a metaphor of Humbert's growing obsession for the young girl:
- In the front seat of the Haze vehicle, Humbert
is seated in the front centered between Charlotte (in the symbolic
driver's seat) and Lolita - all eyes are absorbed by the action
on the screen. Frightened, both women grab toward Humbert's hands
that rest atop his knees. He frees his left hand (from Charlotte's
grasp), scratches his nose, and furtively slips his left hand on
top of Lolita's left hand on his right knee to comfort and protect
her from the evil. After another scream from the film, Lolita tops
his hand with her right hand. Mrs. Haze, not wanting to be left
out, and not wanting to be outdone, tops the entire pyramid of
hands.
- One night, while Charlotte and Humbert play chess
together, Lolita strolls into the living room wearing a full length
nightgown. Charlotte is worried - symbolically: "You're going
to take my Queen!" He replies, expectedly:
"That is my intention." Lolita leans on the arm of his
chair next to him, and then murmurs: "G'night." She kisses
her mother on the cheek and then nuzzles cheek to cheek next to Humbert
before leaving to go upstairs. Humbert immediately takes Charlotte's
Queen in his next move: "It had to happen sometime."
- In the Haze backyard while Lolita practices twirling
a hula-hoop around her thrusting, pubescent hips while counting
the rotations, Humbert slyly leers at her over the top edge of
the book he is pretending to read. He is dressed in a bathrobe
and seated in a chair close to Lolita. Charlotte sneaks up and
takes his photograph, misinterpreting his mood by adding:
"See how relaxed you're getting."
At the Ramsdale High School summer dance attended by
Lolita and her boyfriend, Charlotte and Humbert serve as formally-dressed
chaperones. Teenagers dance with billowy dresses and 50's coats/ties.
Humbert is dismayed by Charlotte's comment that "tonight's the
night! Well, Lolita told me that she's positive Kenny's gonna ask
her to go steady tonight." Charlotte introduces Humbert to John
(Jerry Stovin) and Jean Farlow (Diana Decker), a fun young couple.
John asks Charlotte to dance after getting Humbert's permission: "Mind
if I dance with your girl? We could, um, sort of swap partners." While
they are gone, Jean hooks Humbert's arm and confides: "Did you
know that you've had the most remarkable effect on her. Did you know
that?...she's begun to radiate a certain glow." Humbert deflects
her observations while she adds, with a flirtatious twinkle in her
eye, that she and her husband are liberated and sophisticated even
though they're small-town residents:
When you get to know me better, you'll find I'm extremely
broad-minded...In fact, John and I, we're both broad-minded.
Humbert must wonder whether their attitudes would permit
his aroused fascination for the pre-adolescent Lolita. While away
on the pretense of finding clean punch glasses, Humbert contents
himself by fixatedly spying on his Lolita from behind floral decorations
and arrangements. Charlotte notices a self-possessed Clare Quilty
swaying and dancing with a somber-looking, dark-haired, speechless
young woman named Vivian Darkbloom (Marianne Stone) [an anagram for
Vladimir Nabokov]: "It's Clare Quilty! You know, the TV writer!" The
buxom Charlotte primps and goes over for a forced hello - she cuts
in on Quilty's dance partner by twirling into his arms:
Charlotte: Oh, hello. Hello, again! (Quilty avoids
her after the dance ends) Oh, it's certainly been a long time!
Quilty: It certainly has, yes.
Charlotte: Do you know that I've been the local authority on you
ever since.
Quilty: Is that so? Well, that's very sweet of you. Thank you so
much.
Charlotte: I'll never forget that intellectually stimulating talk
that you gave to our club.
Quilty: Yes, a magnificent club. Really magnificent. Tell me one
thing - are you a columnist?
Charlotte: No, no. Don't you remember? That afternoon changed my
whole life.
Quilty: Oh, well, how about that? (He chuckles patronizingly)
Charlotte: You remember it. [She whispers some recollections of a
seduction that Charlotte had experienced with him to get closer to
Lolita. Symmetrically, Humbert later lovelessly marries Mrs. Haze
for gaining access to Lolita.]
Quilty: Did I do that? (She nods) Did I?
Charlotte: And afterwards, you know, I showed you my garden. And
I drove you to the airport.
Quilty: (grinning ingenuously when he finally recognizes her) Yes,
really great fun. Listen, listen, din, din you have a dawda (daughter)?
Din you have a dawda with a lovely name? Yeah, a lovely, what was
it now, a lovely lyrical lilting name like, uh, uh...
Charlotte: Lo-li-ta.
Quilty: Lo-li-ta, that's right. Lolita. Diminutive of Dolores, the
tears and the roses.
At the conclusion of the dance, Lolita and her boyfriend
are invited to a late-night party at the Farlows - leaving Humbert
dreading and fretting that he might be left alone overnight with
Charlotte at their house. Charlotte stirs fears in him with her own
overt invitation: "We can go home now and have a cozy little
dinner partout , huh?"
Back home, Charlotte changes into a full-blown, leopard
skin-printed outfit [her first outfit had only a leopard-skin belt]
- "something cozier" she mentions. She asks provocatively: "You
don't think it's a little too risque?" Humbert believes Lolita
is growing up, something that Charlotte believes is only natural:
"...it's only natural and healthy that she should take an interest
in those fascinating creatures known as the opposite sex." She
clinks his glass of pink champagne, puts on Latin music with a distinctive
cha-cha dance beat, and shimmies her low-cut bodice in front of him.
Charlotte believes he is so "charmingly Old World" with his
conservative attitudes and concern about Lolita being out all night: "That's
what I adore about you." She wants to teach him how to dance with
the latest steps:
Charlotte: I have a proposal. What say you I, uh,
teach you some of the new steps, huh?
Humbert: Oh Charlotte, I don't even know the old ones. And you do
this so very well, I'd much rather sit down and watch you. Very good.
Charlotte: Oh come on, Humbert. Ah, Humbert Humbert, what a thrillingly
different name.
With sexual double entendres dripping from her mouth,
the sexually-thirsting woman explains how the rhythm "just pours
out of you...you simply vibrate rhythm." Pursuing him and getting
him to join her, she encourages him - (and being the gentleman that
he is, Humbert obliges her): "A little more joie de vivre !
You know, when you smile like that, you remind me of someone. Oh,
ah, a college boy I had, uh, a date with. I went dancing with him.
A young, blue-blooded Bostonian. Oh, my very first glamour date.
And you know, in certain lights, you remind me of Harold..I adored
Harold, I really did. I swore at the time I would never marry
again. I don't think I will, but, uh, it wouldn't be fair to his
memory, do you think?" Humbert answers: "No, one doesn't
always find such loyalty these days!"
Wooing him, she immediately becomes a sexual hypocrite.
She passionately wants him and backs him up against the living room
wall to make him submit to her advances: "Shouldn't life be
for the living? What think you? You see, I'm a
Sleep Sins Porn
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Young Fuck Mature Wife

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