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2017 SNCTM TV show on Beverly Hills' sex club and wild orgies
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Published: 00:23 GMT, 18 November 2022 | Updated: 15:25 GMT, 18 November 2022
Two erotic performers who work at the 'world's most exclusive' sex club have lifted the lid on what really goes on behind the gilded doors at the society's Eyes Wide Shut-style parties.
The women, who are known only as Haley Grace and Jessica, have opened up about acting out fetish scenarios and exploring their sexual boundaries at the luxury 'playground' known as SNCTM.
Members of the private club pay up to $50,000 a year for the pleasure of exploring their wildest desires, and celebrities like Gwyneth Paltrow have been rumored to attend its VIP events.
SNCTM is known as the 'world's most exclusive' members-only sex club
SNCTM hosts adult black-tie masquerades, private dinner soirees, pool parties, and quarterly classes on fetishes and eroticism
SNCTM, which was founded in Beverly Hills, California, hosts adult black-tie masquerades, private dinner soirees, pool parties, and quarterly classes on fetishes and eroticism.
Admittance to the elite club's naughty nights is granted solely by application, and hopefuls are judged based on their reputation, image standard, stature, and whether they will be a 'net for the atmosphere.'
Guests range from CEOs, members of the one percent, successful business people, actors, professional athletes, and artists — no names divulged, of course.
Members pay up to $50,000 to live out their wildest fantasies at the club's Eyes Wide Shut-style sex parties
Men are required to wear tuxedos and bowties at events, while women can choose between elegant evening wear or lingerie
'We intentionally curate the crowd to contain a mixture of different types of guests. Homogeneity is boring,' a spokesperson for SNCTM told Jam Press.
The club's sex parties are extravagant affairs, and attendees must follow strict rules, including a dress code. Men are required to wear tuxedos and bowties, while women can choose between elegant evening wear or lingerie.
SNCTM is notorious for its discretion, with photography and cellphones strictly forbidden at the events that are hosted in luxury penthouses around the globe.
Erotic performances designed by creative director Inka Nevala are the centerpiece of every event, and that's where Haley Grace and Jessica come in. The performers have seen it all — and then some.
'My partner and I have sex on the main stage — it's divine'
Haley Grace (pictured) loves working as an erotic performer at SNCTM because it allows her to 'fully live her sexual fantasies'
'At the last event, I did a beautiful bondage-play scene while being serenaded by a violinist. It was absolutely divine,' she told Jam Press
Hayley Grace, who is originally from Wisconsin, loves performing at SNCTM because it allows her to 'fully live her sexual fantasies.'
'At the last event, I did a beautiful bondage-play scene while being serenaded by a violinist. It was absolutely divine,' she told Jam Press.
'I'll often start the evening doing a more ambient dance performance and then later on in the night will do creative sex scenes on the main stage with my partner [or partners].
'There is something about the attention to detail that goes into every event that makes it feel sacred to me, almost like a ritual.'
Haley, who identifies as polyamorous and bisexual, started attending the club's erotic events as a guest before becoming a performer.
Haley Grace works as a full-time performance artist in New York City and does four to eight shows a week. She specializes in fire, burlesque, and fetish performances
Haley, who identifies as polyamorous and bisexual, started attending the club's erotic events as a guest before becoming a performer
Haley Grace shared that she and her main partner have had sex while performing at some of the club's events
'I attended with a date, and we had an incredible time. We had been looking forward to it for months,' she recalled. 'The morning after, we were comparing stories and moments that gave us pleasure from the night before, and I remember my mind excitedly spinning.
'I was very familiar with fetish scenes at the time, but this was my first actual sex party. I was so amazed at how comfortable I felt. For the second event I attended, I again went as a guest — this time alone. I met a lot of new friends that evening.'
Haley Grace works as a full-time performance artist in New York City and does four to eight shows a week. She specializes in fire, burlesque, and fetish performances, but nothing compares to what she does at the club.
'Performing for SNCTM is definitely different than anything I've done before as the production itself is more high-end and exclusive,' she explained.
And unlike most gigs, she is able to incorporate her partner into her act.
'My main partner and I have performed at the events together,' she shared.
'I've been chained up as a kitten for the VIP crowd'
Jessica (not pictured), another performer at SNCTM, shared that she was once chained up as a kitten at a VIP table
'I felt a draw to this world since it was so much more of a safe space to be myself and have expression of my body and thoughts without judgment,' Jessica (not pictured) told Jam Press
Jessica, who is based in Los Angeles, used to work in the tech and finance industry before she became an erotic performer.
'I felt a draw to this world since it was so much more of a safe space to be myself and have expression of my body and thoughts without judgment,' the told Jam Press.
Like Haley Grace, she felt a spark when she went to SNCTM as a guest in 2019.
'I felt like I had walked into a movie set,' she recalled. 'The energy of the room was electric, and I saw some of the most beautiful people in one room.
Jessica (not pictured) has participated in BDSM, girl-on-girl, and multiple partner acts while working at the club's events
'I've been a virgin sacrifice, bunny, silver orchid, black swan, sacred deer, and even femme fatale, depending on the theme,' Jessica (not pictured) said of the roles she's taken on
'All the guests were incredibly warm and open-minded, so it was easy to connect over the topic of sexuality and kink.'
Jessica currently has a partner, though they are happy to explore sexual boundaries as a couple. As a performer at the private club, she has taken her experience even further.
She shared that she was once chained to VIP table as a kitten, saying the role play helped her establish a 'more personal connection with guests.'
Jessica noted that one of the wives at the event 'wanted to be chained herself' and asked to trade places with her.
'There's always a storyline and all cast members have agency of how their character evolves during the evening,' she explained.
To prepare for her performance, Jessica (not pictured) will spend the day 'getting into the headspace' of her character
Jessica (not pictured) said that 'women tend to think the events are seedy,' but she actually finds them to be empowering
To prepare for her performance, Jessica will spend the day 'getting into the headspace' of her character.
'I've participated in dominance and submission acts, as well as girl-on-girl and multiple partner acts. I've been a virgin sacrifice, bunny, silver orchid, black swan, sacred deer, and even femme fatale, depending on the theme.'
Jessica said that 'women tend to think the events are seedy,' but she actually finds them to be empowering.
'Done in the right way, women control all the power in a room and have all the sexual agency — something that is not taught to us in society,' she said.
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Decision to Leave is a powerfully erotic piece of filmmaking from Park Chan-wook, and it manages to do that while largely eschewing sex.
It’s always fun to talk about good movies with other people. What use are films if they don’t bring us closer to people, including good friends that are also obsessed with cinema? So it was with Decision to Leave , a feature that me and a dear friend of mine saw, despite living so many states apart, on the same day. That evening, we talked about the feature endlessly and dissected all the finer details of Park Chan-wook ’s superb filmmaking. In this discussion, I was reminded of another virtue of these kinds of conversations. Talking about these features can end up exposing you to new ways of appreciating a movie you love.
In this case, my friend observed that Decision to Leave was so incredibly erotic despite the two primary characters never sharing a memorable bedroom scene. Once she raised this note, I couldn’t get it out of my head nor all the ways Chan-wook weaves an erotic atmosphere through such creative means.
Jang Hae-jun ( Park Hae-il ) is a detective who can't get any sleep, but he often gets just the right clues to figure out major crimes. While he could use some more Z's, he seems to have a perfectly satisfying life, particularly in a happy marriage with his wife, Jung-an ( Lee Jung-hyun ). When Hae-Jun is investigating the sudden death of a mountain climber, he begins to interview the man's wife, Song Seo-Rae ( Tang Wei ). Everyone suspects her of having something to do with this guy's death, but Hae-Jun, he's just becoming romantically infatuated with her. As he begins to watch her over as part of stakeout duties, his passion for Seo-rae begins to truly blossom. This is where the eroticism of Decision to Leave begins to truly take root.
Early on in Decision to Leave , we see the film’s only prominent sex scene, concerning Hae-jun and Jung-an. However, during this display of physical intimacy, it’s also apparent where this detective’s emotional desires truly lie. As his mind wanders to other elements in the room like a television set that remains on, we see that Song Seo-Rae has captured his gaze. She’s the one now filling his psyche, not the woman he’s sleeping with right now. Hae-Jun may say on the outside that he just wants to follow protocol, but his internal desires suggest something completely different.
It's in this scene that we witness one of the many motifs that Park Chan-wook incorporates to suggest how much stirring passion Hae-Jun and Seo-Rae feel without actually having the duo express those feelings to one another. While having sex with his wife, Hae-Jun’s eyes dart to a TV showing a movie, but not just any motion picture. This is an epic period piece romance, with a man and a woman gushing over their deeply committed relationship with one another. Later on, a similar sequence depicting two lovers in what appears to be a nuclear testing facility also has fictional in-universe characters speaking the kind of rhetoric that Hae-Jun and Seo-Rae cannot speak to one another. It wouldn’t be proper. It would be against protocol. And who knows if they’d be able to stop loving each other if they opened those floodgates?
Park Chan-wook’s erotic filmmaking sensibilities also extend to various pieces of symbolism incorporated throughout Decision to Leave . Chan-wook is a masterful director and part of his mastery in this particular film is maintaining such a compelling mystery movie aura while also engaging in some mischievous imagery. Most notably, Hae-Jun has quit smoking after doing so for many years. This becomes a bit of a challenge when he’s suddenly around Seo-Rae, who even smokes when she’s cooking dinner. She offers him a cigarette, but much like with the concept of embracing her, he turns it down.
This cigarette smoking doesn’t just function as a parallel to their forbidden romance but also provides a phallic symbol for Hae-Jun to contend with. The cigarette protruding from her lips is a reminder of the physical intimacy they cannot share. On the other side of the coin, Seo-Rae spends the last scene of Decision to Leave on a beach covered in rushing water. While the cigarette represents male genitalia, all this water can’t help but evoke typical symbolism for female sexual satisfaction. The crushing sense of longing between these two characters is accentuated by not just their emotions for one another, but also rampant reminders of their own sexual agency. On TV, in cigarettes, and at the beach, their desire to embrace one another is omnipresent.
On a more intimate level, there are also the great shots realized by Chan-wook and cinematographer Kim Ji-yong in a scene where Hae-Jun and his wife randomly encounter Seo-Rae with her new husband at a marketplace in Ipo. Here, Jung-an and this new lover begin to take up a casual conversation while Hae-Jun and Seo-Rae find themselves unable to take their eyes off one another. The framing of this conversation often finds clever ways of emphasizing how Hae-Jun and Seo-Rae are still consumed with one another. They can’t say anything, lest they alert their respective partners to their infatuation, but the tight close-ups and intimate yet dialogue-free gazes here speak volumes. Even without touching one another, let alone having sex, the two leads of Decision to Leave are still sharing a passionate spark of romance.
It’s intriguing that these visual terms to convey eroticism while eschewing sex come about in Park Chan-wook’s directorial follow-up to The Handmaiden . That 2016 masterpiece featured several unforgettable on-screen sex scenes shared between Izumi Hideko ( Kim Min-hee ) and Nam Sook-hee ( Kim Tae-ri ). There, the explicit presence of sex was a fantastic way to show Hideko and Sook-hee taking control of their identities as human beings. They were women confined to the expectations men had placed on them for so long and, when engaging in physical intimacy with one another, they could finally be free.
Park Chan-wook, never one to just repeat himself, has opted to go in a fascinatingly opposite trajectory with Decision to Leave . A passionate romance also drives the storyline of this directorial effort from the acclaimed filmmaker, but now, there’s a greater tragedy associated with the affection since there’s a haunting ambiguity on how much or how little Seo-Rae had to do with the death of her mountain climber husband. Because of this, not to mention Hae-Jun’s job as a detective meaning he can’t get close to a potential suspect, these two characters have to find other more creative means of conveying their lust for one another.
This means that the absence of sex is what drives both the heart and eroticism of the piece just as overt sex scenes reinforced those two elements in The Handmaiden . The restrained manifestations of eroticism in Decision to Leave are impressive on so many fronts, including in how they reflect Chan-wook’s versatility as a filmmaker and even simply just how steamy they make Decision to Leave . It’s impossible to deny a movie that so vividly captures a captivatingly erotic romance, especially when it’s something like Decision to Leave that accomplishes this feat without ever putting Hae-Ju and Seo-Rae in a traditional sex scene.
Douglas Laman is a life-long movie fan, writer and Rotten Tomatoes approved critic whose writing has been published in outlets like The Mary Sue, Fangoria, The Spool, and ScarleTeen. Residing both on the Autism spectrum and in Texas, Doug adores pugs, showtunes, the Wes Anderson movie Fantastic Mr. Fox, and any music by Carly Rae Jepsen.

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