Women Being Milked

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Women Being Milked
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Gisele Bundchen is the highest-paid model in the world, a mother of two, and the wife of a Super Bowl-winning NFL quarterback, so it's no surprise that the supermodel is also a no-nonsense multitasker.
What is surprising to moms across the country is that Bundchen, 33, chose to share a photo of herself in the most glamorous multitasking moment possible, nursing her one-year-old daughter, Vivian, while simultaneously getting her hair styled, her nails manicured, and her face made up.
"What would I do without this beauty squad after the 15 hours flying and only three hours of sleep #multitasking #gettingready," the Brazilian beauty wrote on Instagram.
The photo of Bundchen, the wife of New England Patriots' star Tom Brady, nursing in a white bathrobe stirred controversy as soon as it appeared online, with moms both attacking her and coming to her defense.
If texting while driving is a bad idea, then breastfeeding while riding a moped is probably not the best idea. However, that didn't stop a woman in central China from doing it anyway.
In China, witnesses reported that this woman was weaving in and out of traffic along a busy street in the city of Yuzhou when her 18-month-old son started to cry. They said that she started breastfeeding the infant while keeping one hand on the handlebar.
Officers undoubtedly worried that the woman was one bad baby bump away from causing an accident. They pulled her over and gave her a warning.
In 2009, a woman driver named Genine Compton was breastfeeding and talking on her cell phone while driving. Compton was around the Dayton suburb of Kettering when a caller tipped off police.
Police tracked her down by using her license plate. Compton admitted to breastfeeding while driving, but in her defense she said that she could not let her child go hungry. Police said that her child was below the age of two. She was charged with child endangerment.
Note: This image is not related to the story; it's a photo that parenting blogger Hobo Mama uploaded on her blog where she is pretending to drive while breastfeeding.
Breastfeeding is a hot issue, and not an easy one, so moms all over the world exchange techniques and take photos to share their experiences.
Some new moms take their nursing babies to the yoga mat and they each mind their own business.
When breastfeeding is not available, some moms opt to pump breast milk. This blogger claims to have pumped while driving, while working out, and while mowing the lawn. Photo credit: Jen Jamar from Life with Levi
This takes multitasking to a whole different level.


Watch Humans Get Milked In Super NSFW ‘Breeding Ground’ Trailer

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Could humans be used like farm animals? Cody Knotts and Matthew Deering’s new indie Breeding Farm explores the destruction of a group of young people’s humanity as they are used like animals to be bred, milked and sometimes eaten. Based on real events , this story follows what happens to four young friends as they are bred, milked and dehumanized for profit.
The film stars Richard John Walters from My Bloody Valentine 3D fame. He plays Farmer, the man that abducts, breds and milks the women for profit in the growing human milk market .
The trailer for the 84 minute feature is right here and guaranteed to shock ya. Remember… “Stock Don’t Talk!”
Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.
The Fantasia International Film Festival will be celebrating its 26th Anniversary in Montreal this summer, taking place from July 14 – August 3, with its Frontières International Co-Production Market being held July 21 – 24.
Screenings, panels and special events will be taking place at the Concordia Hall and J.A. de Sève cinemas, with additional screens at the Cinémathèque Québécoise, Cinéma du Musée and the McCord Museum. Ticket pre-sales will open on July 9, at 1PM.
The festival has just announced a massive new assortment of feature films, which are detailed in the below press release:
Fantasia will be presenting this year’s PRIX DENIS-HÉROUX, an award recognizing exceptional contribution to the development of genre and independent cinema in Quebec, to producer Pierre David, known for his close collaboration with directors David Cronenberg and Jean-Claude Lord, among many others. Fantasia will present two of his collaborations with Lord, who passed away earlier this year: BINGO (1974) and VISITING HOURS (1982). The festival will also present a rare 35mm print of MUSTANG (1975), an eccentric modern western directed by Marcel Lefebvre. David directed the cult classic SCANNER COP (1994) and produced over 200 feature films and TV movies over the course of his long and fruitful career, including PARLEZ NOUS D’AMOUR, PANIQUE, THE BROOD, SCANNERS, VIDEODROME, OF UNKNOWN ORIGIN, GOING BERSERK, PIN, MY DEMON LOVER, WISHMASTER, THE DENTIST and SMASH CUT. Still active, he will be shooting his 218 th production in Ottawa this summer
Sohee (Kim Si-eun), a bubbly and tenacious high-school student, spirals into fatal depression when pressured by her school to work for an abusive call center. Enraged by this tragedy, Detective Yoo-jin (Bae Doona) begins a crusade against all those who exploit vulnerable teenage girls. This powerful and essential work received a seven-minute standing ovation at Cannes, where it closed Critics’ Week 2022. NEXT SOHEE is a true masterpiece and an absolute must-see, masterfully directed by July Jung and featuring wonderful performances by newcomer Kim Si-eun in a career-defining turn and South Korean film icon Bae Doona (KINGDOM). North American Premiere.
Also screening as part of Fantasia’s closing night events will be Halina Reijn’s wildly entertaining and gloriously twisted BODIES BODIES BODIES. A party game leads to murder when young and wealthy friends gather at a remote family mansion in this instant classic comedy horror joyride that maintains a taut balance of uneasy tension and wicked humor. Starring Amandla Stenberg (THE HATE U GIVE), Maria Bakalova (BORAT SUBSEQUENT MOVIEFILM), Myha’la Herrold (INDUSTRY), Rachel Sennott (SHIVA BABY) and comedy superstar Pete Davidson. Special Screening.
An octogenarian named Manuel (Zorion Eguileor) falls into a state of dementia after the sudden suicide of his wife, sparking a series of paranormal events that will put his family’s lives at risk. Starting as a grounded drama exploring the indignities of old age, THE ELDERLY gradually snaps off one guardrail after another, building to a crescendo of sheer terror with imagery that can never be unseen. This chilling new vision in Spanish horror from directors Raúl Cerezo and Fernando González Gómez (THE PASSENGER) features a heart-stopping lead performance from Eguileor (ALL THE MOONS, THE PLATFORM). World Premiere.
The curse has mutated, spreading at great speed via the internet, and there are only a few hours left for skeptical TV personality Ayaka to solve the puzzle. Returning to the world of RINGU, which kicked off the Asian horror renaissance of the ’90s, director Hisashi Kimura’s
SADAKO DX isn’t afraid to laugh a little at the quirks of the franchise it emerges from while still bringing the horror that hardcore fans crave. From the meta jump scares to the bizarre new appearance of our favourite wraith, SADAKO DX delivers shrieks and chuckles alike. World Premiere.
ONE (FINAL) CUT OF THE DEAD. COUPEZ!
After opening this year’s Cannes, FINAL CUT (Coupez!), Michel Hazanavicius’s riotous remake of Shinichirou Ueda’s ONE CUT OF THE DEAD, is coming to North America. Starring Romain Duris, Bérénice Bejo, Grégory Gadebois, Finnegan Oldfield, Matilda Anna Ingrid Lutz, and Yoshiko Takehara reprising her beloved role from the original film as a producer, this hilarious ode to the do-or-die spirit of filmmaking is a joy to behold. It is especially noteworthy for the film’s North American journey to be starting at Fantasia, as the festival was among the first to popularize the original Audience Award-winning ONE CUT OF THE DEAD in the West. Poetically, Ueda’s latest, POPRAN, will also be having its North American Premiere at the festival this year. Bet your viewfinder that FINAL CUT is going to bring the house down in cheers. North American Premiere.
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Disgraced cop Jun (Lau Ching-Wan) and pregnant police detective Yee (Charlene Choi) must solve cases new and old to bring a crew of killer vigilantes to justice in DETECTIVE VS. SLEUTHS, the new film from Hong Kong filmmaker Wai Ka-Fai, whose idiosyncratic brilliance has been absent from screens for more than a decade. This characteristically intense and gritty film reconnects Wai with Lau, the star of his second-to-last feature before his hiatus, 2007’s MAD DETECTIVE, which, like many of Wai’s films, was co-directed by Jonnie To. This time, however, he steers the ship by himself, writing, producing, and directing a distinctive and wholly engaging crime thriller that once again explores the line between genius and madness. North American Premiere.
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With his latest film, THAT KIND OF SUMMER ( Un été comme ça ), the great Denis Côté (SOCIAL HYGIENE) explores the links between sex and trauma in an intimate, transgressive drama. Far from the overstimulation of the city, three women—Léonie (Larissa Corriveau), Eugénie (Laure Giappiconi), and Geisha (Aude Mathieu)—are being treated for their
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Jang is an ace driver of unmatched sangfroid, but when she finds a kid in the backseat of her car with the key to a corrupt cop’s illicit stash in his pocket, she is swarmed by a gang of murderous henchmen., Getting the kid (and herself)out of this mess alive will mean pushing her vehicular skills to the absolute limit… and beyond! SPECIAL DELIVERY riffs on DRIVE and BABY DRIVER but takes the automotive action, the hand-to-hand combat, and the emotional stakes to new heights. Having helmed the period pieces PRIVATE EYE and SEONDAL: THE MAN WHO SELLS THE RIVER, director Park Dae-min is no stranger to comedy-infused crime thrillers, and shifts gears to the modern era with ease. The entirely enjoyable cast is led by Park So-dam (PARASITE) in the driver’s seat. North American Premiere.
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Rich in the Celtic folklore of northern Portugal, MY GRANDFATHER’S DEMONS is the country’s first-ever stop-motion feature, an engrossing drama about the push and pull of family ties, how roots can both nourish and entangle, told with inspired technical flourishes and a luminous sense of magic. This feature-length debut from award-winning animator Nuno Beato tells the tale of urban professional Rosa who inherits the farm that was her childhood home, and discovers that it’s littered with demonic ceramic figurines and clues pointing to troubling secrets buried in the past. North American Premiere.
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Pregnant with her first child and consumed by terrifying visions, Valeria (Natalia Solián) believes that she may be cursed by a supernatural entity. A brilliant and frightening breakout debut as important as Jennifer Kent’s THE BABADOOK, HUESERA firmly announces Mexico’s Michelle Garza Cervera as one of the leading new voices of the genre. A scorching personal vision that asks complex questions with ferocious honesty, this profound, nightmarish blessing comes to Fantasia hot off its award-winning Tribeca launch, and is already one of the most talked-about genre works of the year. Canadian Premiere.
In a realistic future, Ken has decided to give up his dream of becoming a doctor following the tragic death of his father. When his wife throws him out of the house, he is stuck with Tang, a clunky robot who follows him despite his annoyance. But this droid has way more value than he lets on. Kazunari Ninomiya (GANTZ), the leader of the J-Pop behemoth Arashi, teams up with the cutest robot in recent years, a kind of a rusted Baby Yoda, in the beautiful feel good movie TANG AND ME, directed by Takahiro Miki. International Premiere.
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