Women At Work Porn

Women At Work Porn




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Our free-spirited, entrepreneurial co-host is applying advice from all our episodes on side gigs, freelancing, starting a small business — and quitting — to her own life. Emily reflects on her decision to leave her design job at HBR to fully focus on a long-time creative passion, as well as how she's thinking about her career going forward.
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Objectionable content:
Pornography


Based on:
"The Guts! 5" (erotic video game) by Complet's


Plot Summary:
Recently rejected because he looked like a wimp, Akiyoshi finds an ad for a construction site looking for workers. He decides to do physical labor in order to become stronger. However on this work site he finds the jobs to be a different kind of strenuous labor.

1 Spanish subtitled 1 Portuguese subtitled

Running time:
half hour per episode


Yumechiyo Umeboshimaru as Akiyoshi Nakajima


Original Game : Complet's (Authoring Heaven)


Nina Amerschläger as Harumi Tanigawa


Blue Reflection Ray has some interesting ideas and likeable character moments if you can get past it's less than attractive visuals.
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Main lead Kazuya's grandmother is hooked on game featuring Amamiya's character
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1st episode to re-air on July 9, 3rd episode to air on July 16
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Jul 9, 03:05



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  Women at Work (DVD) 2007-03-27 (from $16.35)


The New Porn: How Female Filmmakers Are Reinventing Adult Cinema


'Come Fly with Me' directed by Erika Lust, starring Carolina Abril as the as a 'badass' female pilot and Luke Hotrod as the 'nervous' passenger

'Be a Hero' directed by Erika Lust, starring Anneke Necro

Erika Lust, center, with her DOP Thaís Català, left, and assistant camerawoman, Nonna Serra, pictured filming 'I'm Obsessed with Owen Gray' last month

'La Reine des Culottes' directed by Erika Lust, starring Julia Roca and Mickey Mod

'Meow Kittens Orgy' directed by Erika Lust, starring Julia Roca, Anneke Necro, Eris Maximo and Amber Nevada
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"It's heterosexual, middle-aged white men who have these fantasies with boobs and ass. You know the ones, they love their cars and their drinks." This, says Barcelona-based director Erika Lust , is who is behind the majority of today's mainstream porn. "They cast the same kind of very young women with very slim bodies and large breasts. They might have different hair colors, but more or less it's the same kind of women, over and over again."
Lust, who debuted her first adult indie short film, The Good Girl , in 2004 while studying political sciences, feminism and gender studies, considers mass-produced porn to be boring at best, misogynistic at worst. "Ugly", "tacky", and "horrible" are just some of the adjectives she ascribes to the genre, which has long been a vehicle for, as Lust puts it, the gaze of narrow-minded men.
Now on a crusade to shake up the pornography industry for good, Lust is in the process of gathering a global community of female adult filmmakers who are more concerned with cinematic value than gratuitous sex scenes—and who are interested in one simple idea: films driven by a female character. "These women want to make films where the woman's pleasure is important; they want to show diversity in casting, and they want to work for an ethical production process."
Last October, XConfessions , a members-only site run by Lust, announced it would fund 10 female filmmakers with a €250,000 grant, allowing them to create alternative, independent films about female sexuality—a revolt against the male-centric content offered on sites like PornHub, one of the top 50 websites in the U.S. by traffic. "It's about telling their visions, their experiences, their sensations, their fantasies, and their adventures," says Lust.
For Olympe de G , a 33-year-old Parisian filmmaker who directed a film for Lust last year, making porn authorizes her own—and other women's—sexual desires, pulsions and needs. "I'm very angry to see how women continue to be sexually repressed, still nowadays," says Olympe, whose real name is Barbara. She remembers being labeled a slut ("salope in French") when she was 13 after kissing two boys at a high school party. "It would have made me popular had I not been a girl," she concedes, adding that she was often told to "behave like a woman should" during her teen years, something that exasperated her to the point of deciding to make her own porn. Rather than hide behind the camera, Olympe wrote, directed and starred in her first explicit film. "I wanted to show proudly the beauty of sex, and how right it is. Sex is not something a woman should ever be shamed for."
Lust's own foray into porn began in college with her then-boyfriend. Together, they experimented with a few clips from a free porn site, but what she saw had the opposite intended effect. "Instead of feeling turned on, it started a lot of complicated questions," she recalls. "The main character was always a man; it was about his sexuality. The woman's job was just to get him turned on and to give him sex. Very few times was it about her: her sexuality, her desire, and what she wanted." When Lust released The Good Girl during grad school in Barcelona, she sought to create something she felt comfortable with, where the actors connected over "this whole idea of women and female gaze." It became an instant hit, racking up two million downloads in two months. Emails poured in with requests for her to make more. "I understood, 'Oh, it's not only about me, there are people who really want something different.'" Perhaps, she thought, porn could become bonafide career; one that would enable her to "really make a small impact on the world." Thirteen years later, after directing three multi-award winning erotic films ( Five Hot Stories for Her , Life Love Lust and Cabaret Desire ), Lust's adult independent cinema empire includes XConfessions, which boasts 100,000 members, and Erotic Films, an on-demand site featuring an array of different adult indie film directors.
Elevating porn's aesthetic value isn't Lust's only focus, either. With adult videos accounting for nearly one third of today's internet traffic—and with 87 percent of young men and 31 percent of young women watching pornography—its influence and impact is inescapable. Lust is very aware of the responsibility she shoulders. "Pornography is more important than it was many years ago," she admits. "It used to be a genre some richer men looked at sometimes, but today it's mass media, and a lot of young people who don't have the privilege to live in a place where sex is part of their education, or whose parents won't teach them about sex, they're turning to the internet to learn about sex, and they're ending up in all these horrible mainstream porn sites which show images that are violent and chauvinistic. Many of them are extremely racist and homophobic. That's not the kind of value I want my daughters to see and to learn about sex from."
Senator Mae Beavers of Tennessee agrees. Last month, the Republican politician reintroduced a resolution initially filed last year to formally declare pornography "a public health crisis." The resolution does not cite
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