Wife Swallow Compilation

Wife Swallow Compilation




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Wife Swallow Compilation
Now Reading Haley Bennett On Her Powerful New Movie, Swallow
Warning: This story contains spoilers for Swallow , in theaters March 6.
This interview was originally published during the 2019 Tribeca Film Festival.
Every film festival has at least one movie that causes an audience member to faint. Sundance had V/H/S in 2012 , TIFF had Raw in 2017 . For the 2019 Tribeca Film Festival, that film was Swallow . According to Indiewire , a woman blacked out during a screening during one particularly fraught scene.
Having spent the film’s 94 minute run-time in various states of discomfort, I can empathize.
Carlo Mirabella-Davis’ feminist psychological horror film stars Haley Bennett (who also produced) as Hunter, a housewife who develops pica — an eating disorder that causes someone to crave non-food items — after learning that she’s pregnant. What starts with her loudly chewing ice during dinner with her in-laws quickly devolves into her ingesting increasingly physically harmful objects: a marble, a thimble, a paperclip, a thumbtack, a battery, a nail.
As I said, not for the faint of heart.
Still, the film’s shocking premise is counterbalanced by its quiet, almost ethereal vibe, a product of Kate Arizmendi's beautiful cinematography. In a way, the movie begins at the end of the traditional fairy tale: the beautiful blonde princess has married the handsome son of a businessman, and they’re poised to live happily ever after.
Bennett gives an arresting, calibrated performance, playing Hunter as a modern Stepford wife. Her days are spent waiting for husband Richie (Austin Stowell) to come home from work, decorating their palatial upstate New York home, and playing Candy Crush. Some days, her mother-in-law (Elizabeth Marvel) breaks up the monotony with a visit. But when Hunter discovers she’s pregnant, that placid, marble veneer starts to crack. Suddenly, the only thing that proves she still has some control over her body is the sensation of cold metal in her mouth.
As she tells a concerned Richie at one point in the film: “I wanted to, so I did it.”
On the eve of the film’s festival premiere, Refinery29 sat down with director Carlos Mirabella-Davis, Haley Bennett and Austin Stowell, to break down one of the festival’s most controversial and powerful films.
Refinery29: How did you come up with the premise for the movie?
Carlo Mirabella-Davis: “The film was inspired by my grandmother Edith, who was a home-maker in the 1950s in an unhappy marriage, and who developed rituals of control. Like obsessive hand washing. And she was institutionalized by her husband, and I always felt that she was being punished for her sensitivity, for not living up to the expectations of what society felt what a wife and mother should be. And it impacted our family a lot; I just want to make a film about that. And then I was also drawn to pica because I had seen a photograph somewhere of all the contents of someone’s stomach laid out. I have my own sort of OCD rituals and rituals of control, and so I wanted to make a film about someone who had these private rebellions against the status quo, and the patriarchy. “
Haley Bennett: “You should go see the film after dinner rather than before dinner.” [Laughs]
Watching the film, I felt that Hunter sees her pica as this secret that keeps her in control of her own body in the face of constant pressure to act a certain way — especially as a pregnant woman.
H.B.: “She got pregnant because she thought that's what she should do. She thought Oh, well this is the obvious next step, and it'll make everyone really happy, and they'll love me so much if I get pregnant and have a baby. And you don't think about the consequences of what it actually means to have another being inhabit your space especially if you're in an unhappy relationship.”
C.M.D.: “And that the family sees her as a vessel.”
Austin, your character Richie is so interesting, because he’s not really a bad guy. He’s just a man who’s been raised a certain way, and can’t get past that to empathize with his wife. What was it like to play that?
Austin Stowell: “For me, it was about his assumption of happiness — and not just his happiness, but others’ happiness. Richie wanted to have his cake and eat it too, and he saw Hunter as the side of him that he's not allowed to be: The artist, the creative. I think he believes that he is in love with her. It's just that his conceptions of love are quantitative instead of qualitative. He means really well; it’s just that it would never occur to him that he has to give something more.”
C.M.D.: “Richie's an interesting character to write. I thought a lot about Don Jr. in a way. The film's a lot about gender expectations, and I think that he feels he has to be this kind of alpha male and feels a security there, and then gravitates towards controlling Hunter, and then containing her and oppressing her. But it's tragic because he could be an ally, but he winds up defecting and going with what's familiar, what he's trained to see as his right and his privilege. He sees himself as a main character.
Haley, what was your reaction when you first read the script?
H.B.: “I felt really empathetic towards Hunter. There's so many twists and turns, and she's revealing herself layer by layer. You start to feel the walls closing in on her. It's like she's in this gilded cage, and it's extremely unsettling. And I really felt that sense of danger for her being in this oppressive world. I never heard of Pica before, but what was interesting to me about [that] wasn't necessarily the Pica itself but [why] somebody would develop a compulsion like this.
“I was interested in this kind of very specific sense of perfection and normalcy that starts to slowly decay and crack over time. And it's just written so beautifully.”
H.B.: I was very, very specific and into the costumes, and I was interested in how her life forces kind of drained over time in this marriage, and how the environment kind of devoured her. And we really played with that with production design. We did a lot of brainstorming around that, and I was quite obsessed with the costumes and how they interact with the environment.”
C.M.D.: “That was such a brilliant idea that you came up with, that wardrobe journey, the house vampirically draining her of her essence. It was really wonderful to see that come to life.”
H.B. “I would stalk our production designer! ‘So, that room isn't going to be too bright, right? Is that okay? Because I don't think that works for the costume.’”
The idea of a pregnant woman living with Pica feels very disturbing — how did you balance the shock value of that with the more subtle story about patriarchy and womanhood you were trying to tell?
C.M.B.: “Honestly, casting. When we had the scripts, we knew that we had to find the perfect Hunter and we had to find somebody who you immediately empathize with, connect to and could bring you into their psychological universe so that the story became universal and human. We needed an actor who could bond the audience with her, so that you were there, and it became relatable. And Haley was the perfect Hunter.”
Over the course of the film, Hunter ingests a number of items including a marble, a battery, a thumbtack and dirt. How did you decide what things she’d crave?
C.M.D. “I have my own OCD, and rituals of control. Each object represented something different emotionally for Hunter. So, What did you feel the marble represented for your character?
H.B.: “It was this beautiful distraction. I remember when you were directing that scene. You talked a lot about unicorns, I think. It represented a certain kind of purity, and this luminescent magical quality. I liked the relationship that she has, because she goes through an entire journey when she decides to eat an object.”
Haley, your character goes through a pretty intense psychological journey. Did that take a toll on you while you were filming?
H.B. “No. I don't know, did it? Maybe it did. It was only shot in twenty one days. A small blip of life that felt like a total revolution within me.”
What do you hope young women take away from this movie?
H.B.: “It's okay to not be perfect, and it's okay to screw up and mess up, and it's okay to live your life on your terms, and it's okay to marry the wrong person, and it's okay to let your life get really messy. And it doesn't matter because you will learn lessons and grow from even the most devastating interactions.”
C.M.D. “Hopefully it's a movie that people see as about empowerment and discovering who you really are. There's so much repression that we're taught just — you know, swallow who we really are, keep it buried.
H.B.: “Rage, rage, rage. Rage, rage, rage.”
If you are struggling with obsessive compulsive disorder and are in need of information and support, please call the National Alliance on Mental Illness at 1-800-950-6264. For a 24-hour crisis line, text “NAMI” to 741741.
Haley Bennett Shocking Performance In Swallow Movie
Photo: Courtesy of Tribeca Film Festival.
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I really like giving him head because it's really his favorite and I can get creative and make him practically scream. But this taste thing means he only gets it maybe once a month because it's truly a labor of love. We have tried putting flavoring on (chocolate, etc), and that helps somewhat, but it's not always practical to have that stuff on hand. Is there something he can eat/take that will improve the flavor? Or any tips/tricks for not gagging? It really is the flavor and not how deep in my mouth—I used to go deeper than I do now, exactly for this reason.
Men tend to produce less ejaculate as they age, ANB, and ejaculate isn't produced in the balls. Sperm cells, which are produced in the balls, only account for a tiny percentage of a man's total ejaculate—and sperm isn't a sweetener, ANB, so removing sperm from the mix (by getting a vasectomy) won't impact taste much.
So what's in his jizz then? Take it away, Encyclopedia Britannica ...
In the sexually mature human male, sperm cells are produced by the testes (singular, testis); they constitute only about 2 to 5 percent of the total semen volume. As sperm travel through the male reproductive tract, they are bathed in fluids produced and secreted by the various tubules and glands of the reproductive system. After emerging from the testes, sperm are stored in the epididymis, in which secretions of potassium, sodium, and glycerylphosphorylcholine (an energy source for sperm) are contributed to the sperm cells. Sperm mature in the epididymis. They then pass through a long tube, called the ductus deferens, or vas deferens, to another storage area, the ampulla. The ampulla secretes a yellowish fluid, ergothioneine, a substance that reduces (removes oxygen from) chemical compounds, and the ampulla also secretes fructose, a sugar that nourishes the sperm. During the process of ejaculation, liquids from the prostate gland and seminal vesicles are added, which help dilute the concentration of sperm and provide a suitable environment for them. Fluids contributed by the seminal vesicles are approximately 60 percent of the total semen volume; these fluids contain fructose, amino acids, citric acid, phosphorus, potassium, and hormones known as prostaglandins. The prostate gland contributes about 30 percent of the seminal fluid; the constituents of its secretions are mainly citric acid, acid phosphatase, calcium, sodium, zinc, potassium, protein-splitting enzymes, and fibrolysin (an enzyme that reduces blood and tissue fibres). A small amount of fluid is secreted by the bulbourethral and urethral glands; this is a thick, clear, lubricating protein commonly known as mucus.
Anyway, ANB, the older a man gets, the less of all of that—the less fructose (a sweetener!), amino acids, citric acid, phosphorus, potassium, sodium, glycerylphosphorylcholine, and that "thick, clear, lubricating protein commonly known as mucus," etc.—he produces. Consequently, your husband's ejaculate is more concentrated these days than it was when you first started blowing him 25 years ago, ANB, something that could impact taste and " mouthfeel ," as they say in junk food R&D.
So what can you do? Well, you don't have to keep swallowing. As I've said long said ....
Swallowing is extra credit. It's not a course requirement. I say this as someone who gives and receives blowjobs: If someone sucks your dick until you come, you got your damn blowjob. What a blower does with the blowee's come after the blowjob is over—spit, swallow, spread it on toast—is the blower's call to make.
If given a choice between fewer blowjobs with swallowing or more blowjobs without swallowing, ANB, I imagine your husband would opt for the latter. (Protip: blow him until he's just about to come—when he's just past the point of orgasmic inevitability—then pull out as he starts to come and keep a spitty/wet hand working his shaft and head until he's drained.)
And while it's a myth that eating pineapple or chugging two cans of sweetened condensed milk can improve the flavor of a man's ejaculate, it's a fact that our bodily fluids are impacted by our diets. If your husband has a shitty diet—if he doesn't do fresh fruit or drink much water, if all he eats is junk food and all he drinks is booze and/or coffee—the effect on his ejaculate would become more pronounced over time. Getting him to eat better and drink water—not sweetened condensed milk—won't turn his come into vanilla pudding, ANB, but it could make it easier to swallow.
Impeach the motherfucker already!
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