Wife Film
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Wife Film
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2019 Oscar Predictions: How to Win Your Ballot
Joan and Joe remain complements after nearly 40 years of marriage. Where Joe is casual, Joan is elegant. Where Joe is vain, Joan is self-effacing. And where Joe enjoys his very public role as the great American novelist, Joan pours her considerable intellect, grace, charm and diplomacy into the private role of a great man's wife. As Joe is about to be awarded the Nobel Prize for his acclaimed and prolific body of work, Joan starts to think about the shared compromises, secrets and betrayals.
Piers Tempest ,
Rosalie Swedlin ,
Meta Louise Foldager ,
Claudia Bluemhuber ,
Peter Gustafsson
Glenn Close
Joan Castleman
Jonathan Pryce
Joe Castleman
Christian Slater
Nathaniel Bone
Annie Starke
Young Joan Castleman
Harry Lloyd
Young Joe Castleman
Max Irons
David Castleman
Alix Wilton Regan
Susannah Castleman
Karin Franz Körlof
Linnea
Michael Benz
White
Twinnie-Lee Moore
Monica
Björn Runge
Director
Jane Anderson
Screenwriter
Piers Tempest
Producer
Rosalie Swedlin
Producer
Meta Louise Foldager
Producer
Claudia Bluemhuber
Producer
Peter Gustafsson
Producer
Gero Bauknecht
Executive Producer
Nina Bisgaard
Executive Producer
Florian Dargel
Executive Producer
Tomas Eskilsson
Executive Producer
Steve Golin
Executive Producer
Hugo Grumbar
Executive Producer
Tim Haslam
Executive Producer
Ulf Brantås
Cinematographer
Gerd Schepers
Executive Producer
Lena Dahlberg
Film Editing
Jocelyn Pook
Original Music
All Critics (232)
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Top Critics (48)
|
Fresh (199)
|
Rotten (33)
The movie certainly has interesting criticisms of male ego, although I wish it had little more wit and venom. The reason to see this is for Close, a single look from her conveys a thousand emotions. It's a remarkable performance.
Alec B
Super Reviewer
THE WIFE (3 Stars)
If Glenn Close wins the Oscar for this, it will be well-deserved and not the Al Pacino/SCENT OF A WOMAN award for past legendary performances. She holds a master class in controlled, silent rage in a film which, unfortunately, would have been better realized as a stage play. The 11th hour on-the-nose dialogue feels like a misstep, but what comes before works so well in showing off a thoughtful, true, unexpected study of a life subjugated to a man who got to coast.
Glenn G
Super Reviewer
"There's nothing more dangerous than a writer whose feelings have been hurt."
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