Who could use a witness
Sir Wilfrid, a distinguished London lawyer, is merely leaving the hospital, along with an obsessive nurse-nurse, when he immediately gets an exceptionally interesting case from the doorway. https://soapfather2.bladejournal.com/post/2021/04/12/Continuation-of-Terminator,-even-as-we-expected-it#pings His new client Leonard Vole is charged with killing a female with whom he previously a very strange relationship. The Vole case is aggravated by a few facts - reinforced concrete evidence, the inheritance that this rich murdered woman copied on the boy, along with the suspect's wife herself, Christina, who clearly conceived her own game in this particular tangled case. I watched extraordinary detective movie Witness for any Prosecution (1957) on #link# online in HD.
An impressive screen version on the follow Agatha Christie, shot in the common banter style for Billy Wilder. The plot is intriguing here, and also the denouement (especially if you have not see the work of your writer) is utterly amazing. But besides this, Wilder was able to subtly and quite wittily Americanize a purely British utilize a mass of jokes, jokes, which crafted a special flavor in this film. The director remained true to himself, and within his usual way combined the tough tragic litigation with light and while doing so mise-en-scènes who were organic for any plot outline. Although, if Wilder knew where to find funny things within a production in regards to Nazi concentration camp ("Prisoner of War Camp No. 17"), then it wasn't so desperately for him to deal with one German storyline, took part in the film by a genuine German woman - Marlene Dietrich.
And in this film, full-fledged Hollywood stars of your 30s played their swan songs. https://queenfather3.webgarden.cz/rubriky/queenfather3-s-blog/in-the-beginning-was-the-mother Charles Lawton received his last Oscar nomination for any role of lawyer Wilfrid, and in terms of me, he was the individual who deserved more for your statuette in 1958 than his compatriot Alec Guinness. Lawton was the principle driver in the whole production, combining together the portrait of your intellectual lawyer (the top in his field) as well as a comical fat man, in reference to his weaknesses and irritations, who's terribly pestered by a nurse-nurse. But the second only agreed to be played by Lawton's real wife Elsa Lanchester, who also deserved to purchase an Oscar with this role. Initially, Lanchester's role was purely cosmetic and her character failed to in the slightest affect the course of legal court showdown, but it really was through this comic confrontation down the "lawyer-nurse" line the fact that most attractive character emerged from Lawton's hero.
One of the last roles in the film, this film was for 56-year-old Marlene Dietrich, who in the years, from the role on the calculating and demonstratively cold German wife, looked simply amazing. Of course, make-up artists were liable for a real "picture", but I need to admit that Marlene in their own sixties kept herself in great shape. And the actress played, moreover, when it comes to expression and strain finally, too, excellently. It's very strange why film academics ignored this role of Dietrich. Finally, this film was the final inside career of 43-year-old Tyrone Power, who played the suspect in the murder of hubby. He played well (although he would be a bit dissolving against the history of Lawton and Dietrich), but we can express that it was one of the best roles in this best actor in the rich biography. Already in 1958 he can die of cardiac arrest then one could only imagine what number of roles he failed to finish playing ...
A textbook forensic detective that competed equally with another legendary 1957 court production, 12 Angry Men. Billy Wilder once more showed the class.
7.5 outside of 10