White Girl Sex

White Girl Sex
Movies | Review: ‘White Girl,’ a Tale of Cocaine, Sex and Privilege
Review: ‘White Girl,’ a Tale of Cocaine, Sex and Privilege
White Girl NYT Critic's Pick Directed by Elizabeth Wood Drama Not Rated 1h 28m
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“White Girl” poses a troubling but unspoken question: To what degree has hard partying with sex and drugs become entrenched as a hazardous rite of passage for bored millennials? Leah (Morgan Saylor), the doll-faced blond protagonist of this movie, written and directed by Elizabeth Wood , is an ebullient New York City college student with an appetite for marijuana, cocaine and casual sex.
When she and her equally wild best friend Katie (India Salvor Menuez) move to a seedy apartment in Queens, she thinks nothing of running downstairs and asking the boys hanging out in front of the building where she can find some pot. They follow her upstairs, and it isn’t long before Leah is having sex against a wall with Blue (Brian Marc, also a rapper known as Sene), a Puerto Rican drug dealer and the best-looking member of the group.
The movie, which observes the world from Leah’s entitled perspective, is the latest in a continuing line of shockers (including “Kids” and “Spring Breakers”), whose depictions of greedy drug-taking and promiscuity are inescapably titillating. Had “White Girl” been directed by a man, it would probably be accused of misogyny. But Ms. Wood has said that it is semi-autobiographical. When shown last winter at the Sundance Film Festival, “White Girl” received some obligatory tut-tutting from nervous male critics.
The movie has what seems to be a heart, although you can’t be sure. Leah entertains no expectations of a serious relationship with Blue. Yet when he is arrested for drug dealing, she goes to considerable lengths to help him try to avoid prison. She consults a sleazy, high-powered lawyer (Chris Noth), and in a state of semiconsciousness endures what appears to be a rape.
For the 21-year-old Ms. Saylor (Dana Brody on “Homeland”), Leah is a career-defining role that she embraces with a ferocious energy. With her platinum-dyed hair, she strongly resembles the young Britney Spears. During the summer between her freshman and sophomore years at an unidentified college, Leah, who envisions a career “in media,” works as an unpaid intern at a magazine where her boss, Kelly (Justin Bartha), offers her cocaine. With hardly a second thought, she rewards him with oral sex.
“White Girl” dwells completely in the moment. There’s no mention of Leah’s family. In scenes of Leah and Katie at dance clubs, hand-held cameras become participants in orgiastic frenzies. During one such scene, Leah sheds her top, screams with abandon and later collapses from exhaustion amid a bathroom threesome.
The movie is keenly aware of its characters’ class differences. Because Leah is privileged, she can do as she pleases at a dance club where sharp-eyed guards roughly expel grungy-looking suspected drug dealers. At the end of an evening of dissipation, she looks much the worse for wear, but never gets to the point of calling it quits. Her body can take the abuse. Even at her lowest moments, she exhibits an unfailing bravado. Her chirpy motto in times of crisis: “I can figure it out.”
Her attempt to “figure it out” includes unloading the drugs at the club and making a quick $24,000. That’s more than enough to pay the lawyer representing Blue, who faces decades behind bars (it is his third arrest), and Blue’s dealer for the drugs he left behind when he was taken away by the police.
We’re all familiar with the term contact high, but not with its antithesis. Because it is so believable, “White Girl” is a contact bummer that’s hard to shake.
“White Girl” is not rated. Running time: 1 hour 28 minutes.

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Fully supported English (United States) Partially supported Français (Canada) Français (France) Deutsch (Deutschland) हिंदी (भारत) Italiano (Italia) Português (Brasil) Español (España) Español (México)
2012 2012 Not Rated Not Rated 1 h 32 m
Teach Me Tiger Performed by April Stevens Written by April Stevens (as A.Stevens) and Nino Tempo (as N.Tempo) Published by Native Tongue Music Publishing / Bug Music Courtesy of Capitol Records, Inc. Under license from EMI Music Australia Pty Limited
This is a truly wonderful film, made in the true spirit of inventive, exciting indie filmmaking. John Winter, the director/writer of the piece (some folks would call that an 'auteur') has an impressive slate of producing credits (Rabbit Proof Fence, Doin' Time for Patsy Cline) but this is the first time he has taken charge of all the principal creative elements of a feature film - and he does an amazing job. He has assembled a truly wonderful cast of Australia's most interesting and versatile female actors, to deliver an exciting, sexy, intriguing, and riveting 90 minutes of sheer brilliance. The film is brave and unusual - challenging, yet easy to go with - I was blown away by it. The wonderful Valerie Bader is sensational, and the black and white photography adds an element to the whole piece that a colour shoot would have lost. The casting director Dina Mann (Head On, Japanese Story, Mallboy) has done a magnificent job here and deserves special mention. Go and see this film - support it - tell distributors and exhibitors to get behind this film - the Australian film industry desperately NEEDS unique films like this to drag it out of its torpor.
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From In Flex We Trust –The white girl topic is like the elephant in the room right now. Everyone sees it, but no one wants to acknowledge it. Well, since today is #WhiteGirlWednesday, I said why not acknowledge said elephant. So after the jump, here’s 10 reasons n*ggas prefer white girls (if you’re offended, f#ck you and your feelings).– Officially Ice
10. White girls can get their hair wet. It’s summer time. Who wants to be at the pool with a girl who’s only concern is not getting her weave wet. White girls just jump in the pool without any care.
09. White girls don’t talk back. Put a little aggression in your voice and she will do whatever you say. That doesn’t fly with “other races” though. They wanna fight. Always.
08. It’s easier introducing them to your family/friends. “Everyone, this is Amber.” is WAY easier on the ears than, “Everyone, this is Shaniqua.” Just saying.
07. White girls have WAY less restrictions in the bedroom than “other races.” You can basically do whatever, wherever with them. And they’ll smile through it all.
06. White girls aren’t looking to be in a rap video. Meaning when y’all go out, she’s not looking for you to “buy out the bar” and “light the club up with sparklers.” She doesn’t care about any of that shit. She just wants her drinks and music.
05. White girls have no problem spoiling their men with gifts. The LOVE that shit! It’s an ego boost for them. (See Kim Kardashian ’s birthday present to Kanye? Ok then.)
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