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Officially, the Fast & Furious franchise includes nine feature films, with the tenth on the way, plus a spin-off, Hobbs & Shaw (2019), which didn't please Vin Diesel at all. However, that is only the main story: true fans understand that the Gospel According to Toretto has spread through animated series ?Fast & Furious: Spies at Full Throttle (2017-2021)?, video gaming, an attraction in every the Universal theme parks and several short films simply for the very, very insiders.
The first of them has the incredible title of The Turbo Charged Prelude for just two 2 Fast 2 Furious (2003) and is, well, a simple prelude to the next film, centered on how Brian O'Connor (Paul Walker) manages to evade the authorities. from LA until landing in Miami. The producers' idea was to establish some sort of connective tissue between your first two installments and fill a narrative gap that, in the end, consolidated Brian because the absolute protagonist of the story, since Diesel did not want to return. Only promotional material created for the web ?hence its aesthetic, almost worthy of a Sisqï¿½ online video?, although some UNITED STATES cinemas showed it before 2 Fast 2 Furious to provide the public a more complete experience.
When you won't find anyone defending The Turbo Charged Prelude for just two 2 Fast 2 Furious being an essential little bit of mythology, things are very different with regards to the next short. Los Bandoleros (2009), written and directed by Vin Diesel himself, introduces Tego Calderï¿½n and Don Omar in to the saga, two musicians turned actors who be essential pieces in some subsequent installments, especially Fast 5 (2011). Not only that, but it also details what happened to the characters of Dom and Letty (Michelle Rodriguez) after the original film, as well as recovering Sung Kang's Han, whose friendship with the paterfamilias had been established at the end of Fast & Furious: Tokyo Race (2006). More than an interlude between movies, Los Bandoleros is a refoundation of the franchise, a fresh beginning where Diesel allowed himself to adopt a more poetic and relaxed tone, commensurate with the natural settings of the Dominican Republic (where he himself, a reggaeton enthusiast, insisted which should be set). It is not strictly necessary that you view it in the next fast and furious marathon, but it responds to the authorial vision of the primary creative engine of it. Which makes it an interesting curiosity.
However, the story does not end there. Only probably the most dedicated to the reason know this, but you will find a secret, semi-official film that, thanks to director Justin Lin's ability to slip under Universal's radar, can be viewed as portion of the experience. From a certain viewpoint, sure, but take our word for this: the crime dramedy Better Luck Tomorrow (2002) traces the origins of the character Han Lue, also played by Kang (can you imagine any other actor for the reason that role?). He and Lin have confirmed on multiple occasions that it's indeed exactly the same character, so there is absolutely no reason, other than the obvious and boring copyright issue, to exclude her from canon. Actually, Fast X movie transforms this cinematic universe into a more expansive and richly nuanced place: it's funny to think that while Dom and Brian were meeting in downtown L.A., the characters in Better Luck Tomorrow were living their own ordeal a few feet away. kilometers of distance.
The story of how this indie film found its way into F&F is fascinating enough to miss. When screenwriter Chris Morgan heard that Universal was open to ideas for a third film in the series, he arrived at his offices with a pitch about how exactly Dominc Toretto decides to travel to Japan to research the murder of a vintage friend. Since Diesel was not yet interested in returning to what would end up being his family ? he only wanted to create a brief final cameo following the studio gave him the rights to The Chronicles of Riddick (2004) ? Morgan contacted Justin Lin to imagine a new protagonist. The director thought it might be a great opportunity to cast an Asian-American actor as the franchise's new hero, but the producers flatly refused, arguing that someone like Lucas Black would have more potential at the box office. Lin reluctantly agreed, asking them to at least let him revise the script to make it less "offensive and outdated" (those were his words).