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Cardi B and Megan Thee Stallion’s ‘WAP’ has Republicans in a tizzy. But when the right wing gets mad about two women of color rapping about sex, it’s not a coincidence
The spirit of “WAP” should’ve been unimpeachable. Cardi B and Megan Thee Stallion ’s ode to the universal benefits of “wet-ass pussy” and female pleasure seemed like the rare issue impervious to controversy. Watching the two rappers unite at the peak of their pop-music-making abilities to deliver an Olympic-level twerk routine should be enough to convince anyone to rebuke their life of dry genitalia. But if 2020 has taught us anything, it’s that we can’t have nice things. So when conservatives began to advocate for a world full of misery and devoid of lubrication, it came as no surprise.
“WAP” wasn’t 24 hours old yet before Republicans tried to steal the spotlight and stoke a meaningless backlash. James P. Bradley, a Republican congressional candidate from California, could barely wait until 10 a.m. on the morning of the video’s release to condemn the song. “Cardi B & Megan Thee Stallion are what happens when children are raised without God and without a strong father figure,” Bradley wrote . “Their new ‘song’ The #WAP (which i heard accidentally) made me want to pour holy water in my ears and I feel sorry for future girls if this is their role model!”
It’s unclear how Bradley “accidentally” heard a song. This isn’t A Clockwork Orange , and no one is forcing Bradley’s eyes open to watch a viral twerk video. On the same day, DeAnna Lorraine, who recently lost a Republican primary election in Nancy Pelosi’s California district, claimed on Twitter that “Cardi B & Megan Thee Stallion just set the entire female gender back by 100 years with their disgusting & vile ‘WAP’ song.”
“Remember, Bernie Sanders campaigned with Cardi B. Kamala Harris called her a role model,” she continued. “The Democrats support this trash and depravity!”
It got even worse on Monday. Clips of right-wing troll Ben Shapiro reading the lyrics to “WAP” aloud and lambasting the song’s creators began to circulate, in a scenario perfectly set up to stoke further faux-outrage. “This is what feminists fought for,” Shapiro said . “This is what the feminist movement was all about. It’s not really about women being treated as independent, full rounded human beings. It’s about wet-ass p-word. And if you say anything different you’re a misogynist.” Shapiro added that he had consulted a doctor, who also happens to be his wife, on what might possibly cause a woman to obtain a “wet-ass pussy,” which is a punchline in and of itself that doesn’t need further clarification. But it was the lifeless, nasally voice of Shapiro reciting lyrics like “Put this p-word right in your face/Swipe your nose like a credit card,” that set the internet ablaze. Immediately, disturbing remixes of Shapiro rapping over the Ayo & Keyz-produced beat began to disseminate.
The result of all this trollish behavior? Four days after its initial release, “WAP” has transformed from a supremely enjoyable Cardi B and Megan Thee Stallion song into a symbol of something different, yet equally interesting. According to conservatives, “WAP” threatens the very future of women everywhere. In a way it does, if the right wing wants to keep its oppressive vision of the world intact. Contrary to popular belief, Republicans aren’t offended by the thought of sex — if they were, Donald Trump’s multiple sexual misconduct allegations would have impeded his political aspirations. What they are furious about is the racial and economic make-up of who gets to enjoy and speak about sex. A former sex worker and VH1 reality star turned full-time rapper isn’t supposed to have the political sway necessary for Bernie Sanders to meet with the musician on her terms. By doing so last year, Cardi B broke the barriers that are designed to keep historically disenfranchised communities away from the elected officials meant to advocate for them.
When Shapiro, Bradley, and Lorraine get incensed about two women of color rapping about sex, it’s not a coincidence. Women, specifically women of color, will likely be one of the most important groups of people deciding the upcoming presidential election. Any chance for pundits and politicians to criticize an African-American woman and a woman with Dominican/Trinidadian family roots is as much a brand-building exercise for them as it is a strategic, racially motivated move. A new, sexually explicit pop song arrives every day, and these same pundits generally aren’t claiming the downfall of humanity when Ariana Grande or Dua Lipa arrives on the scene.
Cardi became a further target for these insincere attacks the moment she backed Bernie in the primary, and again when she supported Joe Biden in the general election. “It’s either, like, we go with Joe Biden or Donald Trump,” Cardi told Sway In The Morning during the promotional push for “WAP.” “I’d rather go with Joe Biden. I have spoken to Joe Biden before. I think he gets it. I don’t know if it’s sympathize, but I think that he understands what we want. I think he understands that what we want are simple things.”
Luckily for Cardi and Megan, outrage is by far the most powerful currency in the modern music market. The video for “WAP” came out on a Friday, and it’s still launching clickbait, think pieces, and reaction videos days later. Over a year ago, Cardi released “Press” — a long-awaited single meant to launch the post- Invasion of Privacy portion of her career — and was met with a comparatively lackluster response. “Press” has garnered 76 million views since June 2019; that’s not nothing, but it’s only taken “WAP” five days to reach over 70 million. “People haven’t seen a music video from me for, like, eight months, so they’re expecting greatness. And I have to deliver,” Cardi told ELLE . “I didn’t really like how my last song performed. So I just got my creativity back.”
A song about women of color enjoying their wet-ass pussies really shouldn’t be a radical gesture. But if summer 2020 has shown us anything, it’s that black women can’t get justice when they’re murdered — let alone get the room to survive and succeed. For a brief moment before the right’s rage and the misogynistic backlash, “WAP” was a pure moment of horniness and humor. Cardi made a triumphant return after many counted her out. Megan fans got a chance to celebrate her continued growth as a rapper and performer after weeks spent watching her deal with the trauma of being shot in the public eye. “WAP” begins with Al “T” McLaran ‘s sampled voice bellowing, “There’s some whores in this house.” Megan and Cardi turned that into a proud declaration, and no amount of misguided politics can make them leave before they’re ready.
In This Article:
Cardi B , Hip-Hop , Megan Thee Stallion
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The Conservative Crusade Against ' Wet Ass Pussy ' - Rolling Stone
6ix9ine – FEFE Lyrics | Genius Lyrics
6ix9ine, Nicki Minaj, Murda Beatz – FEFE текст
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Featuring
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Murda Beatz Says He Originally Made 6ix9ine’s “FEFE” Beat For Drake
6ix9ine Interpolates 2 Chainz, Missy Elliott, & Nelly On “KANGA”
Genius Presents: Songs Of The Summer 2018
Does this mark the first collaboration between 6ix9ine and Nicki Minaj?
How did this song perform on the Billboard charts?
What have the artists said about the song?
Is 6ix9ine about to receive a life sentence? Tekashi 6ix9ine has claimed that he is set to go to jail forever, following a series of recent legal troubles. The controversial 'Gummo' rapper, who was in Rikers Island prison last week before being released on bail, made the surprising statement on Instagram.
Where did Tekashi get the inspiration for his lyrics in this song?
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“FEFE” features a different flow from 6ix9ine, who seems to stray from his usual aggressive rapping style to calmer and more melodic waters, like he did on his track “GOTTI.”
The CuBeatz and Murda Beatz produced single is one that 6ix9ine expects to be another consecutive hit single to land on…
“FEFE” features a different flow from 6ix9ine, who seems to stray from his usual aggressive rapping style to calmer and more melodic waters, like he did on his track “GOTTI.”
The CuBeatz and Murda Beatz produced single is one that 6ix9ine expects to be another consecutive hit single to land on the Billboard Hot 100, giving him a perfect record of eight for eight . 6ix9ine’s claim to be the “King of New York” now has him recruiting the “Queen of New York,” and some would argue hip-hop itself, Nicki Minaj .
Despite only having 5 days instead of the usual 7 days of stream/sale tracking, “FEFE” debuted at #4 on Billboard ’s Hot 100 chart, giving 6ix9ine his first, and Nicki Minaj’s seventeenth Top 10 hit, extending her record for having the most Top 10 hits among female rappers.
On August 14, 2018, “FEFE” was added as a digital bonus track on Nicki Minaj’s fourth studio album, Queen .
Yes, it does. Though this is the first collaboration between Tekashi and Nicki, Nicki has worked with this track’s producer, Murda Beatz , on her track “No Frauds.”
The song debuted in the #4 spot on the Hot 100 during the week ending Aug. 4, 2018. This became 6ix9ine’s first track to crack the Top 10. As of the week ending August 11, 2018, the song peaked at #3 on the Hot 100.
As of now, 6ix9ine , Nicki , and producer Murda Beatz have yet to give a response to producer ChaseTheMoney who in June had claimed the flow on FEFE sounded like Valee ’s verse on Z Money & ChaseTheMoney’s “Two 16’s” in a string of tweets.
Although many fans do think that the flows sound very similar, it is still very unsure if Tekashi and Nicki purposely stole Valee ’s flow since they haven’t responded to ChaseTheMoney ’s claims at the moment.
6ix9ine and Nicki Minaj tried to keep the release of ‘FEFE’ and their collaboration very ‘hush hush’ in the leadup to it being dropped, though DJ Akademiks leaked and then deleted his tweet saying “Nicki Minaj absolutely bodied her feature on Tekashi 69 FEFE. Heard the full record few day ago.”
6ix9ine also teased the concept during his tour in Europe saying he had a colorful music video in the making with a cool feature on it. Prior to it’s release, Tekashi 69 and Minaj refused to give a comment on the rumours.
Just before it’s drop, 6ix9ine took to social media to tell his 8M+ followers that his ‘FEFE’ music video would be his last because he was “about to go to jail forever” – he had just been released on bail from Rikers Island Prison.
Tekashi appeared in an interview on the Angie Martinez show and admitted he doesn’t put effort into his lyrics, they just come to him with no inspiration.
We go in the studio, and literally just, we just be having fun and then it’s a hit. Yo bro,
Pussy got that wet, wet, got that drip, drip
Got that super soaker, hit that
She a Fefe, her name Keke
She eat my dick like it’s free, free
That’s not even, what the fuck? Like I didn’t say, I didn’t put no effort into that shit
The cover art for “FEFE” was designed by Alex Solis , who also designed the album art for DUMMY BOY and all of its singles. You can purchase prints of his art on his site, oddworx.com .
On September 4, 2019, “FEFE” was certified 8x Platinum by the RIAA, becoming 6ix9ine’s highest certified song and Nicki’s second-highest. It was also revealed to be the highest RIAA certified song released in 2018, tied with Drake’s “God’s Plan.”
